Exhibition of Russian artists in Brie-sur-Marne in 1983

[Allena]

Liana, thanks a lot! Indeed, an aid is good.

With pages like this: Pages 14 - 17 non-existent, and instead of them fitting hit ... Interestingly, in some underground printing press is printed I thought it only we know how.

However, recently held in the hands of non-conformist artists album, printed in Germany - if not known, it would never have believed it - horror.

Even missing a few pages: 20-21, 23, 45-46,53-56, 59-60, 65-74. Feels this directory honestly fulfilled their purpose, many hands went, Distinguished thing!

So works Volovik we just do not see them not, nor is there even a few artists from the alphabetical list, alas!

Liana, and I can be first in line for a translation?: Shy:

[LCR]

Сообщение от Allena

It seems that several pages missing.

So works Volovik we just do not see them not, nor is there even a few artists from the alphabetical list, alas!

Yes, honestly pages are missing, but that's all I have: (

Сообщение от Allena

Liana, and I can be first in line for a translation?: Shy:

So to translate what? Or to translate all? Then say so

I looked, no, the first Krasnen'kaya still Volovik, see:

[Allena]

At ALL I do not claim - a lot of things up there, and modesty prevents intellectuals hapuzhnichat: p: p: p And a small little list send, okay?

But the 23rd page you just have! Gagged?: D Or there shmuts any minor?: Rolleyes:

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Here I goosey! Turns confused. First Krasnen'kaya - a double page 12, and 2-I - page 7. Now, it seems correct.

[LCR]

Сообщение от Allena

At ALL I do not claim - a lot of things up there, and modesty prevents intellectuals hapuzhnichat: p: p: p And a small little list send, okay?

But the 23rd page you just have! Gagged?: D Or there shmuts any minor?: Rolleyes:

In fact, once there are 22 th and 24 th, 23-I, too, should be. But I did something I do not see - probably forgot to scan.
Okay, I'll try to find a full copy of the catalog. Meanwhile, the waiting list

[dedulya37]

Сообщение от LCR

I'm somewhere in all this is told.

This is a book of memoirs about MA

[LCR]

Order one

Osip Lubich (1896)

Born in Poland (at that time was part of the Russia Empire). He studied at the Odessa Art Academy. In 1919, together with their friends, Chelishchev and Xenia Puni designed the productions for the Berlin theater, including opera.
In 1923 Lubich pereeehal in Paris, where constant contact with the artists of Russian origin - Puni, Pikelnym, Flint, Indenbaumom, Soutine, and he was a friend of Rouault, Bourdelle, and many musicians. He exhibited at the Paris Salon, and in 1961 with a group of artists of Russian origin in the House of French thought, and in 1973 - at the exhibition "The Russian Vision Gallery Mott. Several of his personal exhibitions were organized in Europe, in Israel, in New York and Paris, in particular, in 1967, in Durand-Ruel Gallery and in 1982 at the Salon of the Rosicrucians. His legacy includes oil painting, lavis, drawings, etchings. His favorite subjects were portraits, figures and animals, still lifes, landscapes, scenes of the circus. In 1934 he illustrated the poem Rouault J. "Circus", which the author has devoted to him.

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He was particularly fond of schedule. He wrote: "I draw from my early childhood, the figure is for me the only way to express my gratitude for what I see. /... /There's nothing more beautiful than nature: drawing - this is a humble attempt to show what has been created by the Creator ".


Jacob Balgley (1881-1934)

The son of a rabbi of Brest-Litovsk in early childhood Balgley was deeply traumatized spectacles pogroms. He received an excellent medical education in St. Petersburg: but decided to become an artist and enrolled at Odessa Academy of Arts in architectural office. In 1911 he moved to France in 1913, he entered the Paris Academy of Fine Arts (architectural section), at Montparnasse, he met with other artists of Russian origin - Soutine, Chagall. In 1924 he traveled to Italy and the Middle East and brought back many sketches. At this time he has appeared metsen - Dr. Krichevsky - who helped him organize his solo exhibition (1926) in Paris. Museum of Luxembourg bought his prints, drawings and paintings. In 1925 he created a series of 21 etchings entitled "Unfinished studies.
This fine artist, an admirer of Rembrandt, has left a remarkable legacy - his work was interrupted by early death - in which the engraving has an important place. The main theme in the work of J. Balgleya - the tragic fate of the Jewish people.


Edward Zelenin (1938)

This artist was born in Novokuznetsk, Siberia.
He started painting very young, at the Institute of Fine Arts, Mr., Sverdlovsk (1954-1957 gg.), And then from 1957 to 1959. in Leningrad. He was part of the artistic environment of Leningrad and Moscow. In 1971 he settled in the Vladimir region, to study painting art. He organized several private exhibitions and in 1974 participated in the "Bulldozer" exhibition in Moscow. After emigration (1975), he settled in Paris. Along with personal exhibitions, he has participated in group exhibitions of nonconformist artists, as in France (the Paris Exhibition in the Palace of Congresses in 1976) and abroad (London, Washington, Tokyo, Bochum, etc.) exhibited in Venice Biennale in 1977
The most important thing for him is the color and texture.
Its theme is visible to the artist's love of the fantastic element.
When compared with contemporary eclecticism becomes clear that he retained the national character of his work.


Oleg Zinger (1910)

Oleg Zinger was born in Moscow, but traveled a lot. He left Russia with his family in 1922 and more than 25 years living in Germany, where the artist Pasternak supported his initiatives. From 1927 to 1931. He studied at the Berlin School of Fine Arts, then he went to Rome and Florence to study the old masters. He received the gold medal of the Italian Academy. In 1948 he settled in Paris.
He participated in numerous group exhibitions, and exhibited in Paris at the Autumn Salon, the annual exhibition "Latin land" and "Great and the young. It was organized by several personal exhibitions in Paris (in particular, in Vialre gallery) and in Germany. His canvases were purchased by various museums (Portugal, Prague).
Artist and schedule O. Singer is particularly fond of Piero della Francesca, P. Klee, B. Buffet. He tries to express his personality, way to eternal forms. He denies the search for originality at any cost.


Ida Kara (1905)

Ukrainka, who was born in Bender, she received medical training in Belgium (1923 g), and then moved to France (1924), where in 1930 she married the artist Kara. She began to paint before the war. She was supported by advice Paskin and Soutine. She was a friend Goncharova and A. Staritskiy. Her first exhibition was organized in Paris in Petridesa in 1946, and then in 1949 and 1950. (series "Games"). In 1950, she was widowed in 1953-54. traveled to Spain, which inspired her to create a collage - a technique that has earned her success. During his first tapestry she received a prize the city of Paris. And in France and abroad were organized numerous exhibitions of her. She traveled a lot: Brussels, London, USA, Mexico (1961). J. Paul, her longtime friend, wrote the preface to her exhibition "Paintings, collages, objects" (gallery Flinker, 1962). She organized the significant retrospective exhibition - the first in 1972 at the Art Center of the abbey of Beaulieu, then in 1980 the National Foundation of Fine Arts in Paris.
The evolution of her work shows that his first period was marked by the influence of Soutine. Since 1945 it has developed in favor of informal art. In 1954, she began to make their collages, and created the first tapestry. After a series of works in mixed technique, executed in shades of gray, under the influence of Mexican art her palette became very bright color (1961). In the early 1960's. She began to introduce objects first in his oil paintings, and then in the tapestries. Her work is noted innovation, courage, wealth of imagination and love of texture.


Leo Indenbaum (1890-1981)

In Odessa, engaged in work on a tree. He emigrated to Paris in 1912, he belongs to a group of artists from the hive, among whom were many Jews, and which gave the world the greatest artists of the Paris School. He was acquainted with his compatriot Sutin, Flint, Epstein, but especially he befriended Modigliani. From 1914 to 1920 he studied with Bourdelle. He exhibited at various salons and galleries, along with the sculptor Maillol, Despi, Shana Orlov, Andruzovym, Zadkine. He had to perform and decorative work. In 1968 he won Vildenshtayna.
In his works he used a ceramic, stone, marble and bronze. His plaster moledi suffered during the occupation, and then by a fire in the molding shop. It can be argued that his artistic principles consistent with the principles of Rodin, who wrote: "When sculpting never think about the surface, think about relief" and "need to have always felt a strong inner impulse."
A very modest man, not lyubivashy occupy the first rows, Indenbaum not received due recognition during his lifetime. His sculptures are in various museums (Paris, Tel Avav) and in private collections.

[Кирилл Сызранский]

Сообщение от LCR

Edward Zelenin (1938)

He died in 2002. in Paris and was buried in Paris Cemetery breeding.
Recently it ranzher recalled in the topic http://forum.artinvestment.ru/showth...???&page=4

[Wladzislaw]

Сообщение от LCR

was born in Poland (at that time was part of the Russia Empire).

Lubich was born in Grodno, ie in Belarus, but not in Poland, as was then an administrative ter. division in Grodno Province. Russia Empire.

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Сообщение от LCR

in early childhood Balgley was deeply traumatized spectacles pogroms.

The phrase is clearly designed for the Jewish Diaspora pho France. Not about any pogroms in Brest is not known. Except dispersal by the authorities show in 1905. TB, that in 1905 - was already Yano no childhood.

[Allena]

Сообщение от Cyril Syzransky

He died in 2002. in Paris and was buried in Paris Cemetery Panten.

Here, with some Lianinoy filing unit found. And if the question did not arise, then the search would not
http://www.paris-russe.com/pages/arc.../zelenine.html

[Кирилл Сызранский]

Сообщение от LCR

was born in Poland (at that time was part of the Russia Empire).

Сообщение от Wladzislaw

Lubich was born in Grodno, ie Belarus

But the Belarusian city of Grodno was only in the 39 th year. And not even Belarus, and the Soviet's for sure.
No, I think you can say about that time, "was born in Poland, because it is the Kingdom of Poland, the territory in Europe, is in union with the empire of Russia from 1815 to 1917, ie, the chat divided Poland ( Polish-Lithuanian state), which departed on the last section of the RI after the Congress of Vienna. And already the kingdom of Poland, which was in personal union with Russia, divided Administrative divisions 10 provinces. No time Belarus and did not smell, sorry.
Incidentally, in Grodno King Stanislaw August Poniatowski, and resigned on November 25, 1795 I've already thought about the third section.