Gennady Troshkov - painter and sculptor.

[Тамара]

Thank you fabosch!
 Beautiful work, and graphics Gennady Troshkova they have in common, in my opinion, the desire for the expansion of surrounding surfaces to luminous fragments (and Vrubel there))). But in this case are different and aesthetics, and temperament of these artists!
Thank you, fabosch, but many do not huligante ")))

[fabosch]

Сообщение от Tamara

take this opportunity to show you some more graphics Gennady Troshkova from the same series.
          The artist works in a variety of media. He paints in watercolor, oil and colored pencil on paper, unusual varieties, making collages and monotype.

          In painting, Gennady Troshkova bright and clean colors, signed into intricate shapes. They are in a complex interaction - vzimnom swing "in the search for balance, which still is acquired as soon as the viewer's eye detached from the details focus on the image as a whole. These works are full of inner energy, and upon closer inspection, what at first seemed only a beautifully decorated reception is quite dramatic story "about the struggle and finding the balance".

         In graphics artist develops the same theme of interaction fragments and patches of color within a single work. But here, on paper, everything is much easier than on the canvas. Brush flies freely and does not limit itself to cold slip cases forms.

Wonderful, very artistic work

Added after 3 minutes

Сообщение от Tamara

Thank you fabosch!
 Beautiful work, and graphics Gennady Troshkova they have in common, in my opinion, "post-Vrubeleskoe" the expansion of the surface at the lighted pieces. But in this case are different and aesthetics, and temperament of these artists!
Thank you, fabosch, but many do not huligante )))

You're right, there is a certain formal similarity, but the view of the world are very different. More interesting to see them side by side. Pity the screen does not convey the real wealth of color and lessirovok
Threat All-bullying is over. Thank you so warmly accepted in his tank top

[Тамара]

Сообщение от Tamara

In painting, Gennady Troshkova bright and clean colors, entered into intricate shapes. They are in a complex interaction - vzimnom swing "in the search for balance, which still is acquired as soon as the viewer's eye detached from the details focus on the image as a whole. These works are full of inner energy, and upon closer inspection, what at first seemed only a beautifully decorated reception is quite dramatic story "about the struggle and finding the balance".

In support of his theory of putting the work of Gennady Troshkova

In anticipation of turbulence. 2007. Oil on canvas. 120x150.

Looking at individual pieces of songs you get the pleasure not only from the interaction of forms within this group, but also because, as was done this picture.
Here I am talking about the purely technical side of things: that the thoroughness with which the artist causes the pigment to the canvas reminds me of artists old times, when art was considered more "craft" work. In those days, artists were writing slowly and carefully, and then their work shone from within. Shone not at the expense of impressionistic effects, but the quality of writing, the amount of hard work invested in these images.
 
One painting artist Gennady Troshkov draws on two or three months.

Unfortunately with the help of photographs is very difficult to pass this almost "tactile" the pleasure of an incredibly solidly made painting.

[Тамара]

Now I would like to show some sculptures Gennady Troshkova.

In these studies, also develops one main idea - either way, or postures, and this reduces the whole idea of the expressive strength of plastics.

Architectural portret.bronza.1987g.46h45h43sm.

In this work, the artist set himself the task to create such a portrait, which could indeed become an architectural construction.

Pose 1988g.keramika.30h27h16 see

Vomiting puty.1987g. Bronze 30h35h36 see

[Тамара]

These canvases were painted by the artist at a time when he was engaged in a lot of sculpture. And indeed, in these paintings of Gennady Troshkov trying to solve the same problem as in his sculptural compositions. This task is to find the most concise and at the same time, expressive images. The artist is looking for her, true to form for maximum image archetypes - from ancient times there were images that tell the history of the appearance of man on earth and on its major "acts."

       Names of sculptures and canvases from this series - "Lovers", "Torso", "Caryatid," Crucifixion "- well confirm my vision of these works )

1. Lover. 1995 Oil on canvas. 80x120 cm
2. Caryatid. 1989 Oil on canvas. 100x80.
3. Lovers. 1999. Bronze. 32h39h18
4. Torso 1 and the torso 3. 1990. Oil on canvas. 50x100 (2 works)
5. Crucifixion. 2000. Bronze. 46h45h43

[fabosch]

In these sculptures and "psevdoskulpturah" I see an underlying influence of G. Moore.
Not in the plastic itself, but in the architectonics

[Valerit]

Сообщение от fabosch

Next time, Tamara, beware before you encourage bullies

That's right!

[Тамара]

Сообщение от fabosch

In these sculptures and "psevdoskulpturah" I see an underlying influence of G. Moore. Not in the plastic itself, but in the architectonics

Dear fabosch! When that Stravinsky said:

"this case the artist is the repair of old ships,
he could repeat in his own only what has been said "

"Alas," or "cheers" but it's so ...
And by the way, the influence of latent G. Moore can be found in most (not afraid of such a statement) good Soviet sculptors who worked in the 80's 90's.
          What is important is how the artist develops in his works he has received from the creativity of Western "stars" of the creative impulses and formalistic findings. And how to develop himself on sufficient for such a time interval of observation.

Here are two caryatids Gennady Troshkova. Written with a difference of 20 years:

1. Caryatid. 1989 Oil on canvas. 100x80.
2. Caryatid. 2009. Oil on canvas. 80x100
3. FRAGMENT. Caryatid. 2009. Oil on canvas. 80x100

Добавлено через 13 минут
The work of Gennady Troshkova very well written in his article, "Visual Mythology Gennady Troshkova" famous art Vitaly Patsukov.
Here is an excerpt:

"... Songs Gennady Troshkova resemble dreams, their total character and candor and openness of the space where our consciousness is immersed in a multilayered world. This world is constantly changing its color state, its tone, becoming a psychic field, moving into the plasma Reality, flaming as Baroque. Formally, it consists of a tubular structure of soft, flexible as hoses, but at some point in time is able to compress and expand, changing its shape and quality. Before us, no doubt, a living world, regardless of how he was born - organically or through transformation from a technological matter. Its function is inseparable from the information objectives of civilization, in fact, that is the brains of civilization, or the vessels of his heart. They are hidden to the naked eye, but an artist to "see" their imaginative vision, revealing to us an encoded value and aesthetic disinterestedness. Their plastic cultural tradition goes back to the early avant-garde - to abstract compositions, Fernand Leger and futuristic elements of Kazimir Malevich, where the cylindrical shape formed a new integrity of the universe, a phenomenon of its technological utopias. Globalism of the optics allows you to simulate the future of our planet, its fantastic communication that can "entangle" , to saturate any space and any amount. However, this metaphysical imagery was able to identify and internal structure of public structures, when society has become explored modern logic Ludwig Wittgenstein and the fundamental metaphors of Franz Kafka. Time and space have lived here in the Einstein unity, interpenetration into each other ".

[Тамара]

The work of Gennady Troshkova very well written in his article, "Visual Mythology Gennady Troshkova" famous art Vitaly Patsukov.
Here is an excerpt:

"... Songs Gennady Troshkova resemble dreams, their total character and candor and openness of the space where our consciousness is immersed in a multilayered world. This world is constantly changing its color state, its tone, becoming a psychic field, moving into the plasma Reality, flaming as Baroque. Formally, it consists of a tubular structure of soft, flexible as hoses, but at some point in time is able to compress and expand, changing its shape and quality. Before us, no doubt, a living world, regardless of how he was born - organically or through transformation from a technological matter. Its function is inseparable from the information objectives of civilization, in fact, that is the brains of civilization, or the vessels of his heart. They are hidden to the naked eye, but an artist to "see" their imaginative vision, revealing to us an encoded value and aesthetic disinterestedness. Their plastic cultural tradition goes back to the early avant-garde - to abstract compositions, Fernand Leger and futuristic elements of Kazimir Malevich, where the cylindrical shape formed a new integrity of the universe, a phenomenon of its technological utopias. Globalism of the optics allows you to simulate the future of our planet, its fantastic communication that can "entangle" , to saturate any space and any amount. However, this metaphysical imagery was able to identify and internal structure of public structures, when society has become explored modern logic Ludwig Wittgenstein and the fundamental metaphors of Franz Kafka. Time and space have lived here in the Einstein unity, interpenetration into each other ".

[Тамара]

Due to the extremely tumultuous artistic life in Moscow , I briefly dropped out of the artistic life of our wonderful forum > )

But to cope , finally , with the onslaught of exhibitions and other onerous measures , I return to his theme of an artist and sculptor Gennady Troshkova.

For a start I would like to show the four graphic leaf artist who participated in the " " HUDGRAF - 2011 "
These work really liked some of the participants of our forum > )

So a monotype , two watercolor composition and collage artist Troshkova :

The composition with the figure . 2010 . 39.5h59sm .

Optional podrobnosti.2010g . paper , maslo.41h57sm

Skertso.2009g.akvarel.39.5h59sm

Oskolki.2011g.39h58sm.akvarel , collage

Добавлено через 12 минут
I will continue his theme of the artist Gennady Troshkova display paintings from the «Paper Series» (the very same series to which the canvas "on blue paper, was so pleased with our esteemed public forum ). These works dating from the late 1990s - early 2000s. Using the traditional technique of oil on canvas, the artist makes a composition in which there is an image of elements of crumpled paper. These paper objects behave very active in the space of the canvas: interact with the "smooth" forms, rustling and bristle, cast shadows on the plane contrasting background.

         This series of works can be read as a continuation of the line hyperrealism, projected on a very small thing - a piece of crumpled paper, considered carefully, as if under a magnifying glass. (The roots of the hyper-realism art found in the philosophy of Jean Baudrillard: "the simulation of something that never really existed." Giperrealisty create a false reality, a convincing illusion.) Option hyper-realism, full of Gennady Troshkova has a very theatrical character - portrayed by an object (a piece of crumpled paper ) starts to behave very actively, akterstvovat and grimace under the magnifying glass close observation of the artist.

        Just come to mind a long tradition of painting "dummy", leading its history since the era of the Late Antique art - "snag" is intended to introduce the viewer in a very misleading picture of likely non-existent object. It seems to me that here, even to a greater extent, rather than in the aforementioned giperealizme, mattered a purely technical execution of the picturesque image of the object. And this comparison with an old painting seems to me very proper in the context of a conversation about painting Troshkova, because I already wrote that the degree of "madeness, by the way technically pigment in paintings Troshkova poverhonosti distributed on the canvas, as it shines the most canvas, is something of the thoroughness and patience of the old masters. (My own association may due to the piercing blue backgrounds and colors - are artists of the Northern Renaissance).

Here is my favorite job in this series, and the same fragment.

    movement to the left. 2001. The diameter of the work done on an old wooden table top - more than a meter.