B. Sveshnikov, work of reference, Vetlosyan

[ФАИв]

Hermie, and this work is very good, I think the first years of his release. Written probably in the fabric of the sheets or pillowcases. Very thin, not pravdali?

Added after 1 minutes
Cyril Syzransky, Share technology, just in Google? I noticed that you can quickly find the information you ACC in this case

[Кирилл Сызранский]

FAIv, you kidding?
I am a computer can not learn until the end.
Yesterday learned from the camera to transfer photos to your computer. Yes, and began to photograph the day before, the photographer knew all do. He was tired, I went to the store and bought a camera ...

[Эрми]

Yes, you are right it thin, really, it is likely pillowcase or sheet.

To Monsieur Syzran Comment on the work "under his arm"
memories from my early childhood and my mother's stories
 about the camp work, the parents in the camp was a close friend of Ludwig Yanovich Seya, cat. sitting under Section 58, like many others, in a past life he was Minister of Foreign Affairs of Latvia and helped BS to forward its work on the will. And thank you for the care and concern for my person.

[Кирилл Сызранский]

Сообщение от Hermie

Ludwig Yanovich Seya, cat. sitting under Section 58, like many others, in a past life he was Minister of Foreign Affairs of Latvia and helped BS to forward its work on the will.

Yes, there is a story about it.
For example:

Ludwig Yanovich Seya was over sixty. Once he served as Minister of Foreign Affairs of Latvia, and before the war was the Latvian ambassador in London. When the Germans occupied Latvia, he made his way to his homeland to take the family, but she has already managed to emigrate to the United States. Throughout the war he spent in a German prison, and after the war is automatically moved to the Soviet, was accused of espionage and sentenced to five years in the camps. Somewhere in 1949, his term ended, but he voluntarily remained in the camp, because, like many then, well understood: in his will almost inevitably awaits a new arrest. LY Seya worked at the factory warehouse and lived among the prisoners. One of the few of its advantages was the right to leave the camp area. Man wider European culture, he obviously understood: what makes Sveshnikov, represents a unique artistic and historical interest. Going for the zone, he took the artist a new batch of drawings and paintings and, using the occasion arises, they sent them to Moscow. Special obstacles to overcome here is not accounted for: the authorities were interested in little things - the case was unprecedented and does not provide instructions.
So - contrary to the logic of the police, contrary to the spirit of the era and the conviction of the artist himself in a hopeless situation - they captured it on paper dreams reality broke free and collected together for the first time presented to the public in this album.

Fragments from the preface Igor Golomshtok.
Boris Sveshnikov. CAMP PICTURES
Moscow, Community Memorial, Publisher "links", 2000