At that living contemporary artists

[NATA NOVA]

Originally Posted by Berth

Trade paints something different from trade shoes? That's news to me

Certainly different! Qualified shoe seller understands "in boots"
advises the seller of paints, in colors "(ideally) .. Is not it?

[Причал]

Originally Posted by NATA NOVA

Of course is different! Qualified shoe seller understands "in boots"
advises the seller of paints, in colors "(ideally) .. Is not that so?

Key in the names of the two professions - "seller", not "colors" or "boot".

[NATA NOVA]

Originally Posted by Berth

key in the names of the two professions - "seller", not "colors" or "boot".

For the perfectionist "key" - a professional level and professional level, a thorough knowledge of prodmeta ...
Pier, you, too, "seller", but it was not the key for you .. (manipulate, but !...)

[Pavel]

Originally Posted by Berth

Well, they are about you and do not know anything.
And do not think so. ever know.

Of course! But it is unclear when you're talking about 90%of the artists you have in mind these 4?
 Here for LSR, I think opened OtelDruo and French art. She was interested Vollarom. Maybe for you that the je opens in Sverdlovsk?

[Причал]

Originally Posted by NATA NOVA

Pier, you, too, "seller", but it was not the key for you .. (manipulate, but !...)

Mistaken.
I sell paintings. Dorosshy to very good goods manager . Acting as director and without the release of other responsibilities, too
Extremely proud of his "haggling". Money has been 10 years earning very selling art.
And that you are substituting the concept. Paints - exactly the same standardized commodity, like shoes.

[Pavel]

Originally Posted by Berth

You are mistaken.
I sell paintings. Dorosshy to very good goods manager . Acting as director and without the release of other responsibilities, too
Extremely proud of his "haggling". Money has been 10 years earning very selling art.
And that you are substituting the concept. Paints - exactly the same standardized commodity, like shoes.

One art dealer (you know it they are there in the so-called Paris art dealer) was asked why he was selling paintings. He said that before he was pastry chef and sold the cookies, but cookies these rapidly deteriorating and he had to sell them at a loss, and pictures, the older it becomes more expensive.

[Семен Семенович]

Originally Posted by Pavel

Yes, and in general every artist should be responsible for their creativity, rather than hiding behind the exhibition.

I still want to say that the making of the exhibition - is also creative and very hard work. To a large extent on the correctness of the display of a work depends on its success of the exposition ... It seems to me little things and in our case can not be. Wrong selection of frame, bad light, bad camera angle ... It all does not affect the quality of work (where all the power of the artist), but the effect on its success at the exhibition. And not always the artist sees these things better galereista (said so as not to offend the artist) ...
Therefore, the artist responsible for their creativity, and galereist - for their ...

[NATA NOVA]

Originally Posted by Cyril Syzransky

You, Posav, NATA NOVA-this is not "all at the forum, fortunately

They called us? (why would it ?)... and where?

Added after 8 minutes

Originally Posted by Berth

You are mistaken.
I sell paintings. Dorosshy to very good commodity specialist. Acting as director and without the release of other responsibilities, too
Extremely proud of his "haggling". Money has been 10 years, earning only selling art.
And that you are substituting the concept. Paints - exactly the same standardized commodity, like shoes.
     

I apologize humbly, but I do not see (for themselves) the meaning and purpose in obskusristkoy manipulative casuistry.

[Семен Семенович]

Originally Posted by Pavel

But for gallerist vsetaki, I think, should be important to create a name, but not that all the work looked equally good.

For the curator, it is important that the exhibition was successful. And a name of one exhibition possible. Exhibition - svoiobrazny creative outcome. Relationships of the artist and curator as well. And that show went well, everything is important: predvystavochnye sales, advertising, adequate pool of invitees, exposure to all work looked ... So I myself controlling the exposure and 80 percent think it is a matter of galleries. Certainly, the artist has the right to certain requirements in exhibiting their works, but it is the work of gallery owner. After all, his task to approximate the artist's work to the needs of the buyer. And this information, excuse me, the artist does not own. And it is the best. Everyone must do his own thing ...

[L-ana64110]

From my personal experience I would say that to promote the artist's better to arrange personalku \\ sorry for gallery owners do not like or is not fashionable now, \\
Well and in full volume you can see all the interesting findings is clearly seen in nature and attitude of the artist - a more subtle dialogue turns with the audience. I personalki always come out successful in terms of sales. True to turn out to personalku \\ Serious personalku \\ need 2-3 years, aiming to work and not particularly shine, but a good result.