Wall, a nail and hammer, as an instrument togovli on regional markets

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Сообщение от Berth

Museums, these small, not particularly changed since our first tour there in the third grade, oases of stability on a long journey.

Of all the museums that have visited in the third grade, I remember the Armory - lots of interesting knick-knacks, at the end of tired and wanted kushat.S since there was not.
With regard to regional museums, the past 20 years where things have changed and unfortunately not for the better storonu.Prihodish to the museum with the catalog sov.vremen and the question "Can I see this picture?" often hear, or some sort of delusion, or simply - "No!".
But this is so - digression.
 On the art market in post-Soviet space here on the forum, talk, conversation. Starting over again, that water it down.
On the walls, nails not speak interesno.Sten (housing), as well as money, in most cases lack . If someone asks to curtain off the entire space of the walls antiques or paintings, I'm for He does not worry. So there is money, "wall" can build or buy, and then, as they say - "flag in his hands." Everyone is going crazy to the extent of available opportunities.
Speaking of collectors, then for fear of spoiling the walls with nails, it is better to collect too marki.A collection of painting requires certain sacrifices. And not only from the parquet floor.
Now a few words about veschah.Veschi, normal to them, experiencing man-obladatelya.Oni tend to pass from hand to hand. And nothing terrible or sad in this net.Glavnoe that this process was natural, and his hands were "good .

Сообщение от Berth

And how you have distributed to the importance of institutions for the treatment of art objects in the regions?
And why?

I do not understand what "institutions" in question.
If the "wall, a nail and hammer, then the higher they were you called "..... guns trade "?!!!