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Старый 13.02.2010, 19:29 Язык оригинала: Русский       #91
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I have one artist, one person bought 80 paintings.
The situations are different, probably, there are. But, in my opinion, this is - the bust. So the artist may have been missing .... But when in one hand to periodically enter the picture, it's really nice.

About formats.
There was a collective exhibition in the Museum. And, far from modern big hall. But the work of 100x120, 120х130 kept at the limit. Seen for themselves that in such cases need a format.



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Старый 13.02.2010, 19:38 Язык оригинала: Русский       #92
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The format needs to address the specific task. Not vice versa.
Once the artist starts to increase, as well as reduce the format artificially - comes pipepts. generally turns out badly.

In all, perhaps, there were occasions when a particularly-good work trying to replicate in another size, and what came of it .

Posted 6 minutes
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wharf, well, written in the past .. and now hangs over the sofa fresh 150h120. You can master anything, a matter of time and expediency. Physically quite hard to write large canvases. But the impression, of course, creates more than from 30x40.
It's me, gallery owners, should decide the appropriateness of selection ready works /works of many artists /moves for a given picture size.
And the artist must decide at least mundane tasks goals are less commercial properties, ehhh

Blin, I will here their reasonable and the eternal will begin to teach, and then you look up and abusive words like "spirituality" a short time




Последний раз редактировалось Причал; 13.02.2010 в 19:44. Причина: Добавлено сообщение
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Старый 13.02.2010, 19:50 Язык оригинала: Русский       #93
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[QUOTE=Berth;914062] The format needs to address the specific task. Not vice versa.
Once the artist starts to increase, as well as reduce the format artificially - [COLOR="Silver"] generally turns out badly.

Posted 6 minutes


Why artificially? Simply put, and such tasks as well, if someone is not suitable or interested, then focus only on the chamber space. After all, artists are not an ass . That's what the exhibition to draw conclusions and change, if it's clear that it is necessary.

[QUOTE=Berth;914062] It's me, gallery owners, should decide the appropriateness of the selection of finished works /works of many artists /moves for a given picture size Added after 6 minutes

Of course, the artist better, if only a selection of ready-made work. But, as a rule, quite without advice or gallery owners who can not do. They are just in different forms, depending on the level of culture gallery owners. But the council, of course, not an order. Then everyone decides for itself, comes out of this something or not .




Последний раз редактировалось Marta; 13.02.2010 в 20:24.
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Старый 13.02.2010, 19:57 Язык оригинала: Русский       #94
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Regarding the names of dealers, barygi, buyers.
I think the approach should be so;
- Everyone has to imagine who he really is and whether it can be called a business activity or hobby or something else.
If you are a business, then you can safely consume this peculiar field of concepts such as dealer, broker, representative of an interested person, the mediator, and so on. I want to clarify that there is a significant difference between the dealer and the broker. Diller vyvolnyaet transactions involving the purchase - sale at its own expense, and the broker does the will of the buyer-seller and provides the technical side of the process. One can say that Diller is a full-fledged member state of any market. But as we know we have dealers all called anyone. I think one needs to distinguish between the concepts. A mercenary known dealers squalid and nizkoobrazovannye people, they and national artist and professor of the name will be found. I think you should not even discuss this topic, here zavitst there and ignorance.



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Старый 13.02.2010, 20:19 Язык оригинала: Русский       #95
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Of course, the artist better, if only a selection of ready-made work. But, as a rule, quite without advice or gallery owners who can not do. They are just in different forms, depending on the level of culture gallery owners. But the council, of course, not an order. Then everyone decides for itself, comes out of this something or not.
Owners of galleries show finished work, like - takes, do not like - that's God, but the threshold.

Tips curator - is to know what people want, who built a bungalow, bought a flat of 100-200 meters, traveled everywhere and finally, wanted to pattern.
And the problems associated with the art, the artist decides one.

Added after 2 minutes
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A mercenary called dealers squalid and nizkoobrazovannye people
And maybe people mercenary called squalid and nizkoobrazovannyh dealers? After all these, too, are




Последний раз редактировалось LCR; 13.02.2010 в 20:23. Причина: Добавлено сообщение
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Эти 3 пользователя(ей) сказали Спасибо LCR за это полезное сообщение:
Glasha (27.03.2010), nikola (13.02.2010), Причал (13.02.2010)
Старый 13.02.2010, 20:25 Язык оригинала: Русский       #96
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Paul. I understand that you are an artist (and not the worst on this site ). And that you a priori difficult to substitute in my version of the formula with a bad artist, but not with unscrupulous gallerists.
But you still try to suddenly get



On the other hand (re-read ), - I said that the client at the time of the utterance of these long speeches makes the direct transfer of the names on the artist. In his favor.
And not only! I'm working on another
That is what I had in mind.



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Старый 13.02.2010, 20:35 Язык оригинала: Русский       #97
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[QUOTE=LCR;914212] gallery owner show finished work, like - takes, do not like - that's God, but the threshold.

Tips curator - is to know what people want, who built a bungalow, bought a flat of 100-200 meters, traveled everywhere and finally, wanted to pattern.
And the problems associated with the art, the artist decides odin.QUOTE = LCR; 914211]

This is where to operate from a position of strength, we can argue so clearly - not everyone can afford.
Besides, in my opinion, it is not a "bungalow" and councils (ie the view from the outside, but no recipes) are extremely useful. And, sometimes in a completely different perspective. In general, it depends on the particular situation. I, for example, received such advice. Although not utilized fully (not lay on the soul), but the attempt led to a sudden expansion of the range. In that gallery owners are very grateful.

P.S. As you click, to quote from the message to which the answer was on a gray background?



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Старый 13.02.2010, 20:44 Язык оригинала: Русский       #98
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Marta, under their avatar on the Quote selected click before this select the desired text in blue.



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Старый 13.02.2010, 21:23 Язык оригинала: Русский       #99
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[QUOTE=Berth;914062] The format needs to address the specific task. Not vice versa.
Once the artist starts to increase, as well as reduce the format artificially - comes pipepts. generally turns out badly.

QUOTE]

Did you happen to be familiar with this phenomenon as the painting of the Sistine Chapel? It would change your idea about where the horse, and where the cart.
For centuries, artists have entered their ideas in an absolutely rigid format, free to choose the format started recently.
The artist may also increase and decrease as he thinks fit. This artistic device. I recommend you review the forum bouquet-Konchalovsky size of 4 meters. A great bunch! Or a Picasso, a few lines, look size-250h150.
__________________
художник Ixygon - http://artnow.ru/ru/gallery/3/9765/picture/0/0.html



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Старый 13.02.2010, 21:31 Язык оригинала: Русский       #100
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Did you happen to be familiar with this phenomenon as the painting of the Sistine Chapel?
And you, and there is already invited? Hats off .
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I recommend you review the forum bouquet-Konchalovsky size of 4 meters. A great bunch! Or a Picasso, a few lines, look size-250h150.
And you got to do with it?



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