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Язык оригинала: Русский #91 |
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The situations are different, probably, there are. But, in my opinion, this is - the bust. So the artist may have been missing .... But when in one hand to periodically enter the picture, it's really nice.
About formats. There was a collective exhibition in the Museum. And, far from modern big hall. But the work of 100x120, 120х130 kept at the limit. Seen for themselves that in such cases need a format. |
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Язык оригинала: Русский #92 | |
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The format needs to address the specific task. Not vice versa.
Once the artist starts to increase, as well as reduce the format artificially - comes pipepts. generally turns out badly. In all, perhaps, there were occasions when a particularly-good work trying to replicate in another size, and what came of it . ![]() Posted 6 minutes Цитата:
And the artist must decide at least mundane tasks goals are less commercial properties, ehhh Blin, I will here their reasonable and the eternal will begin to teach, and then you look up and abusive words like "spirituality" a short time Последний раз редактировалось Причал; 13.02.2010 в 19:44. Причина: Добавлено сообщение |
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Язык оригинала: Русский #93 |
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[QUOTE=Berth;914062] The format needs to address the specific task. Not vice versa.
Once the artist starts to increase, as well as reduce the format artificially - [COLOR="Silver"] generally turns out badly. Posted 6 minutes Why artificially? Simply put, and such tasks as well, if someone is not suitable or interested, then focus only on the chamber space. After all, artists are not an ass . That's what the exhibition to draw conclusions and change, if it's clear that it is necessary. [QUOTE=Berth;914062] It's me, gallery owners, should decide the appropriateness of the selection of finished works /works of many artists /moves for a given picture size Added after 6 minutes Of course, the artist better, if only a selection of ready-made work. But, as a rule, quite without advice or gallery owners who can not do. They are just in different forms, depending on the level of culture gallery owners. But the council, of course, not an order. Then everyone decides for itself, comes out of this something or not .
Последний раз редактировалось Marta; 13.02.2010 в 20:24. |
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| Этот пользователь сказал Спасибо за это полезное сообщение: | NATA NOVA (13.02.2010) |
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Язык оригинала: Русский #94 |
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Regarding the names of dealers, barygi, buyers.
I think the approach should be so; - Everyone has to imagine who he really is and whether it can be called a business activity or hobby or something else. If you are a business, then you can safely consume this peculiar field of concepts such as dealer, broker, representative of an interested person, the mediator, and so on. I want to clarify that there is a significant difference between the dealer and the broker. Diller vyvolnyaet transactions involving the purchase - sale at its own expense, and the broker does the will of the buyer-seller and provides the technical side of the process. One can say that Diller is a full-fledged member state of any market. But as we know we have dealers all called anyone. I think one needs to distinguish between the concepts. A mercenary known dealers squalid and nizkoobrazovannye people, they and national artist and professor of the name will be found. I think you should not even discuss this topic, here zavitst there and ignorance. |
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| Этот пользователь сказал Спасибо tivoli за это полезное сообщение: | Евгений (14.02.2010) |
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Язык оригинала: Русский #95 | |
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Tips curator - is to know what people want, who built a bungalow, bought a flat of 100-200 meters, traveled everywhere and finally, wanted to pattern. And the problems associated with the art, the artist decides one. Added after 2 minutes And maybe people mercenary called squalid and nizkoobrazovannyh dealers? After all these, too, are
Последний раз редактировалось LCR; 13.02.2010 в 20:23. Причина: Добавлено сообщение |
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Язык оригинала: Русский #96 | |
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That is what I had in mind. |
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Язык оригинала: Русский #97 |
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[QUOTE=LCR;914212] gallery owner show finished work, like - takes, do not like - that's God, but the threshold.
Tips curator - is to know what people want, who built a bungalow, bought a flat of 100-200 meters, traveled everywhere and finally, wanted to pattern. And the problems associated with the art, the artist decides odin.QUOTE = LCR; 914211] This is where to operate from a position of strength, we can argue so clearly - not everyone can afford. Besides, in my opinion, it is not a "bungalow" and councils (ie the view from the outside, but no recipes) are extremely useful. And, sometimes in a completely different perspective. In general, it depends on the particular situation. I, for example, received such advice. Although not utilized fully (not lay on the soul), but the attempt led to a sudden expansion of the range. In that gallery owners are very grateful. P.S. As you click, to quote from the message to which the answer was on a gray background? |
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Язык оригинала: Русский #98 |
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Marta, under their avatar on the Quote selected click before this select the desired text in blue.
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Язык оригинала: Русский #99 |
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[QUOTE=Berth;914062] The format needs to address the specific task. Not vice versa.
Once the artist starts to increase, as well as reduce the format artificially - comes pipepts. generally turns out badly. QUOTE] Did you happen to be familiar with this phenomenon as the painting of the Sistine Chapel? It would change your idea about where the horse, and where the cart. For centuries, artists have entered their ideas in an absolutely rigid format, free to choose the format started recently. The artist may also increase and decrease as he thinks fit. This artistic device. I recommend you review the forum bouquet-Konchalovsky size of 4 meters. A great bunch! Or a Picasso, a few lines, look size-250h150.
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художник Ixygon - http://artnow.ru/ru/gallery/3/9765/picture/0/0.html |
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Язык оригинала: Русский #100 | |
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![]() And you got to do with it? |
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| Этот пользователь сказал Спасибо Причал за это полезное сообщение: | Евгений (14.02.2010) |