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Original language: Russian #2 |
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![]() Kurzin Mikhail Ivanovich 1888-1957 Mikhail Ivanovich Kurzin was born in 1888 in Barnaul. Art education has received in the Kazan school. In 1908 he studied at the Moscow School of Painting, Sculpture and Architecture in the class K. Korovin. In 1916 he was mobilized to the front. At the end of the war has become an active member of the Altai Art Society in Barnaul. In 1919 the artist traveled to China for the return of which were implemented in the technique of a series of works avtotrafareta Chinese Theater. "In the early 1920's Kurzin taught in VHUTEMAS technology materials, and also worked with Mayakovsky in the windows ROSTAF.Imenno he taught GROWTH taehnike avtotrafareta. In 1923, the artist goes on a long journey through the cities of Crimea, the Caucasus and Central Asia, which will be completed in 1926 in Tashkent. In 1927 Kurzin is a creative group "Masters of New East", and in 1929 became chairman of the Association of Fine Arts workers in Tashkent. Those who worked closely with Kurzin, often became the object of his harsh public statements, the wizard does not recognize trade-offs. Not surprisingly, he was the first unification of the "Masters of New East" was arrested in 1936 and exiled to Siberia, where was unable to work. After his release in 1946, Mikhail Kurzin was sent to exile in Bokhara, without the right to visit Tashkent. The same, in 1946 he was taken to the Union of Soviet Artists of Uzbekistan, but two years later was arrested and exiled to Siberia for eight years. The pretext for his arrest this time was the unauthorized arrival of the artist in Tashkent. Mikhail Ivanovich Kurzin died May 1, 1957. Option biography: In 1904-1907 he studied at the Kazan Art School, in 1908 - at the Moscow School of Painting, Sculpture and Architecture. From 1910 to 1912 was a student at a private studio M. Bernstein in St. Petersburg. Autumn of 1919, traveled to China. In 1921, he taught in the Higher Art. In 1922, together with Kurzin Korovay left in the Crimea in Simferopol, where in 1923 he moved to Tashkent. In Tashkent, worked in opera and ballet theater, newspapers, taught. In 1927 Kurzin co-organized group of artists "Masters of New East." In 1936 Kurzina arrested and sentenced to 5 years 'imprisonment and three years' disqualification. Kurzina accused of hostile to the Soviet power, the utterance of terrorist intentions against Stalin, antisovestkoy agitation. The works of the artist recognized "formalistic" distorting Soviet reality, the artist deliberately portrays Soviet man ugly. Penalty artist served in Kolyma. In late 1945 Kurzin arrived in Bukhara. In 1948, for unauthorized travel to Tashkent Kurzina arrested again by presenting the same accusation of anti-Soviet activities and deported to the Krasnoyarsk Territory. In 1957 Kurzin died. Option biography: http://artinvestment.ru/auctions/23450/biography.html Pictures at an Exhibition: |
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Original language: Russian #4 |
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Boys with a quail
(420 000 USD) Weddings (10 000 000 RUR) Morning in Shahmardane (218 500 USD) Caravan (34 850 GBP) Playmates (21 250 GBP) Tea Time (11 500 EUR) Abstract figure, Uzbek style (8 400 GBP) Uzbek workers (2 800 EUR) National clothes. Central Asia (960 GBP) View from Venice (850 EUR) |
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Original language: Russian #5 |
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![]() Ufimtsev Viktor Ivanovich Victor Ufimtsev one of many Russian artists, for whom Uzbekistan became creative homeland. Born in 1899 in the southern Urals in the village Barnevka. In drawing was in Omsk (1916-1919) courses of drawing and painting. In 1918, while studying in the studio A. Klementyeva and being "ordinary realist," got the lecture David Burliuk on futurism. Having received futurism art of the future, defined his creative credo: "The new content and need a new form. In 1923, in search of new leaves in Turkestan. Everything seen, at first, reminded a carnival. Bright colors, unusual architecture, people in exotic garb. Tashkent, then even more colorful Samarkand and Bukhara. I became acquainted with many artists who lived in those years in Uzbekistan - A. Isupov, A. Nikolaev (Usto-Mu'min), A. Volkov, L. Bure, M. Kurzin, Korovay. A characteristic feature of the works of those years were concise and traditional artistic language, bound with a decorative color. The artist completes his work the technique of collage. Uses a different material: the patterns of paper, fabric, rug, cane. The product of "the train" combined the bold experiments of the young artist - camera angle, the shape of paintings, mixed media. Option biography: November 21, 1899 (s Barnevskoe, Southern Urals) - December 31, 1964 (Tashkent) He spent his childhood in Tobolsk and Omsk. He studied at the Omsk Commercial College (1910-1919). Since 1917 engaged in a course of painting and drawing at the Institute of practical knowledge. In 1918 he was called up for military service, fought in the ranks of white and red (from 1919) Armies. In 1918, met in Omsk with DD Burliuk carried away futurism. Together with like-minded (NA Mamontov, Shabul-Tabulevich) founded the Futurist group "Chervonnaya Troika" (1921-1922). Since 1920 worked as an artist at Club Red Army and lecturer Chervonoarmiiska art studio, took part in trips to agitparohode «III International. In 1923 he traveled to Moscow, where he met in VV Mayakovsky, Meyerhold, AN Tolstoy. In 1923-1925 he lived in Turkestan (Tashkent, Samarkand, Bukhara), became friendly with Alexander Volkov, AV Nikolaev (Usto-Mu'min), L. Bure, AV Isupovo. Worked in Samarkand Commission for the Protection of works of art and antiquities. In September 1925 he returned to Omsk. He worked as chief artist of the Omsk gorteatra (1926-1933). Many travel throughout the country, repeatedly visited the Altai, the Caucasus, the Far East, in Central Asia. From 1933 he lived in Tashkent. He worked as chief artist of the theater. Hamza (1933-1936). He actively participated in the creation of the Union of Artists of Uzbekistan, since 1933 Member of the organizing committee, since 1940 - chairman of CX Uzbekistan. In 1944 he was awarded the Distinguished Artist UzSSR. He was engaged in organization of exhibitions, creative teams with the departure of five-year construction. In the late 1950's - early 1960 traveled to Afghanistan, Tunisia, India and the result became a series of gouaches "The Afghan Diary", "Tunisia", "On the roads of India." He proved himself in various fields of art, in charge of easel graphics, posters, collages, decorated samizdat poetry collections ( "The Futurists - Sbornik1" 1921; "Autographs", 1920-1923), led a "visual diary" ( "A piece of life", 1920 -- e). I created portraits, landscapes, still lifes, in the 1930's - works on historical-revolutionary theme and the theme of Soviet life. From 1921 - participant of exhibitions (1-I "Chervonnaya Troika"). Participated in the 1-st All-Siberian exhibition of painting, sculpture, graphic art and architecture in Krasnoyarsk, Novosibirsk, Tomsk (1927), 1-st Kazakhstan traveling art exhibition (1928) and others. Held solo exhibitions at Novo-Nikolayev's (Novosibirsk, 1921), Samarkand (1924, together with Usto-Mu'min), Omsk (1926). Exhibitions of works Ufimtseva held in Moscow (2007, 2009), Omsk (2009). Creativity is represented in many museum collections, including the State Tretyakov Gallery, State Russian Museum, Omsk Regional Museum of Fine Arts. MAVrubel, State Museum of Arts of the Republic of Uzbekistan in Tashkent, the State Museum of Arts of the Republic of Karakalpakstan. Savitskiy in Nukus. Pictures at an Exhibition: |
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Original language: Russian #6 | ||
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Original language: Russian #7 |
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SAH, and "Wedding" for 10 000 000 RUR? And this is 389 000 USD or EUR 286 198 in case.
Its market there, practically. |
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Original language: Russian #9 |
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![]() Tatevosyan Hovhannes Karapetovich In 1908 he entered the Tbilisi Art College. In 1910-1917 he studied at the Moscow School of Painting, Sculpture and Architecture by K. Korovin, then in VHUTEMAS (1921-1927). Since 1917 the artist lived in Samarkand. Was close to Nikolaev, V. Ufimtsev. One of the organizers of the school "municipality Samarkand" (1918) and the School of Painting and Sculpture in Yerevan (1921). In the years 1918-1919 Tatevosyan actively participated in the decoration of Samarkand to the revolutionary celebrations. He was the author of colorful promotional displays. For the artist's works in the twenties typical conventional planar decorative style, which led to accusations of stylization and passion of the exotic. Since 1932 Tatevosyan lived in Tashkent. In 1937 Tatevosyan worked as chief designer of the pavilion of Uzbekistan at the All-Union Exhibition in Moscow. Participated in exhibitions since 1912. In 1966 Tatevosyan moved to Moscow. Option biography: (1889, Yerevan - 1974, Moscow) Member of the Association of traveling exhibitions, RALIS and board member of the Union of Artists of Uzbekistan, People's Artist of Uzbekistan. In 1908 - 1909 he studied at Tiflis art school, then seven years the Moscow School of Painting, Sculpture and Architecture A. Vasnetsov. NA Kasatkin and K. Korovin. V1914 was as the result of student practice, there was a cycle of works "Trebizond", which marked the birth of the original artist. In 1915 Tatevosyan arrived in Samarkand, where he organized an art school (1918 - 1919) and the Commission for the Protection of Antiquities (1919 - 1920). In 1921 Tatevosyan enters the Higher Art of Ceramics Department. In 1927 he returned to Samarkand, organizing studio ARIZ (Association of Fine Arts), and in 1930 - Izofabriku (experimental production workshops spatial arts). In 1932 he moved to Tashkent, the custodian of funds of the museum works of art. One first drawn to the topic of the Civil War and the construction of socialism in Central Asia, creating a thematic pictures "on the fly, Bassmachis village" and "prosperous life" (1933). In 1935 he wrote "of the collective farm" - a huge multi-figured fabric, transforming the village harvest festival in the apotheosis of the collective existence. In 1937, Tatevosyan - the main artist of the pavilion of Uzbekistan on VDNH in Moscow in 1941 - 1948, working on a series of paintings devoted to the Great Patriotic War. Personal exhibitions Tatevosyana held in 1912 (Yerevan), 1929 (Samarkand), 1949 and 1964 (both in Tashkent). The works of artists adorn the exposition of many museums of the former USSR. Pictures at an Exhibition: Last edited by Тютчев; 07-02-2010 at 04:56. |
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Original language: Russian #10 |
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![]() Gajdukevich Mikhail Z. He was born in Bessarabia, he was only seven years old when a family with nine children moved to live in Siberia. His father, a farmer, a laborer, initially taught children to read and write himself, in 12-13 years they have been sent from the village to earn money. So it was with Michael. He became assistant clerk, and soon was transferred to Semipalatinsk, where in 1914 - 1916 years, participated in a secret revolutionary group. Someone gave the underground, and Gaidukevich with friends fled to the Altai. In 1918 he joined the squad Shchorsa fought against Kolchak, and later escaped from his torture chambers in Mongolia. In 1919 - m back in Semipalatinsk, then for the first time participated in an art exhibition. Emboldened by success, Gajdukevich went to study in Moscow, but only the autumn of 1923 became a student in the class VKhUTEMAS Pavel Kuznetsov, where he studied drawing, painting. He also attended classes at the Alexandra Exter, technology, materials he taught Michael Kurzin. Spring 1923 Gaidukevich, Kurzin and Elena Korovay made foot journey to the Crimea - painting, arranging exhibitions and speaking before an audience in spas, parks and clubs. In May 1924 the first Gajdukevich traveled to Turkmenistan, and a year later - on Uzbekistan: he visited while in Bukhara, Urgench and Kokand. Impressions from the "new" East reflected in numerous full-scale landscapes. And 1926 Gajdukevich lived in Rostov-on-Don, worked extensively in watercolor, charcoal, pastels, and sanguine, and both dabbled in lithography. Since 1927 the artist worked on the construction Turksib as an officer in the technical department and teacher of the school construction foremen. The base of the gigantic construction site was located in Frunze, but in 1928-m an artist and his family moved to Alma-Ata, where he was invited to teach drawing and aesthetics in a local university. In 1931, the family moved to the capital. A year later Gajdukevich was appointed artist at the Moscow Museum of Ethnology, entered into a creative union, many urban landscapes 1932 - 1936 period are made with watercolor and ink. In 1938 he was arrested on a tip-off and soon shot. Alternative Biography: Genus. 1890, c. Akkerman, Bessarabia, Russian, b /n, artist, work under the contracts. Rassstrelyan 10/06/1938. Place of burial: Butovo. Option biography: http://artinvestment.ru/auctions/12470/biography.html Pictures at an Exhibition: |
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