Armenian artists - Страница 12 - Форум по искусству и инвестициям в искусство

Armenian artists · 04.01.2010, 08:21

Armenian artists on our site ARTinvestment.RU

A

National Gallery of Armenia
Minas Avetisyan (1928-1975)
Hakob Hakobyan
Hmayak Hakobyan
125th anniversary of Sedrak Arakelyan
Avakimyan Makarovich Victor (1935 -2007)
Agamyan Karen Gurgenovich
Avanesyan S. Rook
Vahan Ananian (1959-2007)
Aslamazyan Arshakovna Miriam (1907-2006)
Aslamazyan Eranui Arshakovna (1910-1998)
Arutyunyan, NA Solov'eva, Arutyunyan, SA, Solovieva AV
Avoyan Ayvaz
Adalyan Ruben
Avakian, Sergei
Armenian Ceramics of Jerusalem
Armenian Ceramics of Jerusalem (2)
Armenian Ceramics of Jerusalem (Marie Balian)
Armenian ancient ceramics (Jerusalem).
Arthur Avetisyan, Ananikyan Hagop (1919-1972gg), Ananian Pato (1908-1991), Gagik Antashyan, Michael Arakelian, Vahram Haroutunian, Arutchyan Sergei Voskan Asatryan, Rafael Atoyan
Abajian Edward
Agamyan Karen
Arevik Arevshatian
Aladzhalov Manuel Hristoforovich
Amalbashyan Sarkis
Robert G. Avetisyan
died folk artist Edward Artsrunyan
Suren Ayvazian
Suren Abrahamian Artashesovich
Abrahamian Seda Artashesovna
Abrahamian Elena Levonovna
Abrahamian Vladimir Smbatovich
Abrahamian Karapet Rafaelovich
Abrahamyan Sargis Surenovich
Abrahamian David Aramaisovich
Abajian Eduvrd Gareginovich
Abrahamian Artashes Saakovich
Abrahamyan Gagik Aramaisovich
Atamyan Karabed Charles (1872-1947)
Stepan Aghajanian Meliksetovich (1863 - 1940)
Gyumri home Aslamazyan sisters
Arutyunyan, NA Solov'eva, Arutyunyan, SA, Solovieva AV
Arpine Vartanovna Bekaryan
Ashot Adamian Kh (1951g.r.)
Adamian Olivia Ashotovna (1974g.r.)
Adamian Ovsepovich Stepan (1959.)
Harutyunyan, Anna (1976)
Stepan Aghajanian Meliksetovich (1863 - 1940)
Adiyan Anna V. (born 1972)
Azatyan Alexander Tadevosovich (1930gr)
Azatyan Levon Garushevich - 1957gr.
Azizian Tsolak L.
Susanna Azatyan Garushevna - 1947gr.
Azizian Tsolak (Private collection of pictures)
Abraham Azarian Karapetovich (1950gr).
Azizian Minasovich Gregory (1923 to 2009)
Azizian Rafael Karenovich-1937gr
Azizian Khachatur Surenovich-1948gr
Azizian Isabella Hachaturovna - 1973gr.
Atayan Alexander Keropovich-1953gr.
Armen Atayan Arshakovich-1922gr.
Atayan Armen (2)
Museum of the History of Armenia

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Just Armenia ... I really like this country ..

Samvel · 20.01.2010, 20:02

Цитата:

Сообщение от Samvel

His daughter, Seda-1953gr., And granddaughter Arpine-1984gr. very talented artists.

Seda Araevna Bekarian-1953gr .. Graduated from the Yerevan Institute of Theatrical Art Dir.

Добавлено через 5 минут
Arpine Vatanovna Bekarian-1984gr .. Graduated from the Yerevan Fine Arts Academy.

Samvel · 20.01.2010, 20:07

Arpine Vartanovna Bekarian (Vartanian) 1984gr ..

Самвел · 20.01.2010, 22:12

Movses Baghramyan 1921-1980 from the personal collection.

Евгений · 21.01.2010, 05:49

If your country is desolate and austere, and the towns and villages windy, veyuschimi with snowy mountain peaks, if there are almost no forests, and trees are valued like gold when all around, as far as the gaze stretches, rocky ground with sparse shrubs, if that grow crops, you need to carve terraces on the hillside and covered them with fertile soil, it would be if you have time to think more about a beauty? And what are you going to decorate your country, if all that you have, this stone steppe under your feet and rock the mountain over their heads? Do not despair if you is not scared if difficulties?

Is our planet an amazing country, whose inhabitants call it Karastan, which means "land of stones", and the world it is known as Armenia. It was here nearly two millennia ago was born and continues to develop the unique art of stone working. All that build the Armenians, whether at home or the church - all built of stone.
Stone in the hands of skilled craftsmen transformed from a lifeless piece of lumps in the life-affirming symbol of the people, his hardworking nature. The stone used here not just as a building material, but also as an opportunity to express my love for art. Anaglyphy - one of the greatest art forms. And if Russia is famed for its unique wooden temples, Italy - magic glass processing, the RA to create priceless works went to the stone.

Читать дальше...

Even in ancient times, Armenian masters knew how to deal with stone, though with plasticine. Is amazing, despite millennia of stone monuments - and they are found in Armenia at every step, everywhere. Special love of the people have won the so-called cross-stones. "Hach" translated from Armenian means the cross, and what a "car" - you already know. It turns out "cross-stone.

The emergence of cross-stones connected with the adoption of Christianity in 301 and the cross as a symbol of eternal life. Armenia became the first country to adopt Christianity, and this largely determined the fate of the rich. Since Khatckars appear everywhere, and since V century masters in simple images of crosses begin to make the artistic elements of decoration. With every age the beauty of stone crosses would be more generous and varied

He usually has about a meter at the bottom and a half meters in height. But it is not necessary - there are more and less cross-stones. A stone with a special tooth is attached to the ground, on the tombstone, in the niches of the rocks in the walls of churches. He can stand at a crossroads, or somewhere else, reminiscent of an important event or just for decoration. Khachkars there and in Moscow and other cities of Russia. Sam stone rather thick, its thickness can be up to fifteen or even twenty centimeters. The upper part of the cross stone often bent forward.

Typically, a master of carving a cross in the box, and all around ... and around the grass, flowers, fruit, people, animals, birds, all kinds of ornaments and whimsical characters. Everything depends on the skill and desire of the artist. Greek scientist Mitsos Alexandroupolis was amazed: "They take a big stone and turn it into lace, rug, sad, song." Such gardens and songs in the country, so much, probably tens of thousands, and each unique cross-stones. None stonecutter not repeated in the other, each tried to create their own creature peculiar to his artistic style. Interestingly, the wizard creates cross-stone, not only did not borrow from others, but not repeated itself. Moreover, at the same Khatckars not repeat any one motif decor. No copying!
For example, one of the cross-stones. Cross occupies almost the whole plate, leaving a narrow border of the two vines. They playfully fill the entire space, and four points, as if embraced, produce a few leaves and four clusters, one on each side. Four lobes of the cross out of round, heart and expanded at the ends. Is discovered, they are divided into two triangles, in their nests is the vine. Most khachkars is such: a cross and a tracery ornament around him.
Often used in the ornament plant motifs. But there is cross-stones with the image of warriors on horses with spears and clubs, the peasants in their everyday clothes, priests in robes, women and infants. There among the cross-stones and telling stories about the Gospel, depicting the crucifixion and evangelists, with the angels and saints. Often, and this motif is not only Armenian, but generally Christian culture, portrayed a man with a lion and an eagle and a bull, - the symbols of the evangelists. At one of the cross-stones they are harnessed to the chariot, aspiring to heaven. There are cross-stones of the historical events, battles and battles. There are stones in which the musicians are depicted with musical instruments, household scenes

Special veneration in Armenia have always enjoyed cross-stone laid in the wall. This was left in a wall niche, it was inserted and secured with cross-stone, which became not only the most magnificent detail of decoration, but also emphasized the sanctity of the cross. Several series of such cross-stones are in Geghard, an ancient Armenian monastery. This monastery is known that the ancient architects did not build a temple on the foundation, as usual, but felled him inside the rock, meter by meter otkalyvaya pieces of rock. Masters so decorated it inside, that involuntarily refuse to believe that all this was once a stone!
In Armenia, there are places where cross-stones are gathered together hundreds and even thousands - a real forest! Only instead of trees stretch into the sky man-made stone masterpieces. Listen to hear the names of Armenian monuments. It seems hard master patiently cuts off pieces of solid tufa, namely the so-called most common in Armenian stone. Hadavan-Hatravank, Gegard, Khachen Noraduz, Hadrut Joogh, Haghpat, Goshavank.

But the names of the masters: Pavgos, Momik, Petros, Vartan ... The list is endless.

And how many artists went down in history, leaving behind only works, but not leaving names ... The art of working stone alive, every year in Armenia, an increasing number of talented boys who want to become varpetami - so in a wonderful country called the stone of the great masters.

To become a master-varpetom, you need to learn from childhood. Only the love of art and hard work can rise upward and to give joy to people. Millennia pass, but it works great varpetov not cease to cause in man a good thing that only can cause a real art
---------------------------------------------
By topic:
Khachkar-- Wikipedia, the free encyclopedia http://ru.wikipedia.org/wiki/%D0%A5%...BA%D0%B0%D1%80

Евгений · 21.01.2010, 06:40

People's Artist of Armenian SSR Lorisovich Rudolf Khachatryan was born in 1937 in Yerevan. His childhood was difficult, it had the harsh war and postwar years. The family had no points of contact with professional artistic life and generally had little interest in art. All this could hardly blagopriyatsvovat formation of the artist. Meanwhile, the boy was carried away drawing, hobby soon grew into a genuine passion, and already at the age of eighteen years, Rudolf Khachatryan presented their drawings to the republican exhibitions.
Engaged Khachatryan at the famous Armenian painter and sculptor Yervant Kochar. His creative formation occurred in the 1960's, when it comes to active renewal artistic traditions.

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Добавлено через 3 минуты
Rudolf Khachatryan (1937-2007)

Евгений · 21.01.2010, 06:43

Rudolf Khachatryan (1937-2007)

Ninni · 21.01.2010, 06:56

Eugene,
a very talented artist - thanks

SAH · 21.01.2010, 11:36

Цитата:

Сообщение от Samvel

Arpine Vartanovna Bekarian

I liked the good pictures.

luka77 · 21.01.2010, 13:29

Цитата:

Сообщение от Eugene

Rudolf Khachatryan (1937-2007)

Interesting fact about the artist --

Rudolf Khachatryan colorblind (partial or total color blindness).
The artist is the "color" picture, but the surrounding discovered that because of violation of color vision it is very distorted colors paintings, and work decided not to stand, it is stored in a private collection.

sur · 21.01.2010, 14:17

Leo Bayahchev ( 1930-1992 ) . Another Armenian Tbilisi artist .
   " I would like to highlight two features art Bayahchev Leo , the main components of its noteworthy : high culture and what I would call the multidimensionality mnogozhanrovostyu.No and all his works are marked by a special seal vysokoesteticheskoy sensuality. "
   "The only artist who was able to recognize the old Tiflis the traits it with Parizhem.Blesk , energetic , genuine , and his ostentatious panache external splendor lurks in the very homely , everyday . "
  " This is the world Bayahcheva - kind, teplyy.I as always festive luxury .
   The worn pitchers , rusted old spoons , pieces of crockery , - his favorite subjects are transformed under his brush , finding the very luxurious look , which the artist said : "Everything , everything must be great "
   "His intelligent deep artistic nature inherent simplicity and restrained obhoditelnost.Etogo affectionate man with an artistic appearance, in a trendy velvet jacket with a silk handkerchief around his neck, is often seen in the community angular carpenters , masons . This may seem from the outside strannym.A he readily accepts invitations people away from iskusstva.On shares with them a feast , and participates in their lively conversations - sporah.Ego touches their naturalness , simplicity , vitality . "
  Quotes from the book Thalmann Zurabian "Waves of Happiness" 1981

20.01.2010, 20:07	Язык оригинала: Русский #112
Samvel Гуру Регистрация: 08.07.2008 Адрес: Москва Сообщений: 1,066 Спасибо: 4,574 Поблагодарили 3,129 раз(а) в 444 сообщениях Репутация: 5931	Arpine Vartanovna Bekarian (Vartanian) 1984gr .. Миниатюры

20.01.2010, 22:12	Язык оригинала: Русский #113
Самвел Гуру Регистрация: 27.08.2008 Адрес: Москва-Шуши. Сообщений: 4,525 Спасибо: 4,922 Поблагодарили 5,759 раз(а) в 1,470 сообщениях Записей в дневнике: 2 Репутация: 10306	Movses Baghramyan 1921-1980 from the personal collection. Миниатюры Последний раз редактировалось Самвел; 20.01.2010 в 22:17.

21.01.2010, 05:49	Язык оригинала: Русский #114
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,460 раз(а) в 4,507 сообщениях Записей в дневнике: 271 Репутация: 32447	CROSS-STONE - STONE CROSSES If your country is desolate and austere, and the towns and villages windy, veyuschimi with snowy mountain peaks, if there are almost no forests, and trees are valued like gold when all around, as far as the gaze stretches, rocky ground with sparse shrubs, if that grow crops, you need to carve terraces on the hillside and covered them with fertile soil, it would be if you have time to think more about a beauty? And what are you going to decorate your country, if all that you have, this stone steppe under your feet and rock the mountain over their heads? Do not despair if you is not scared if difficulties? Is our planet an amazing country, whose inhabitants call it Karastan, which means "land of stones", and the world it is known as Armenia. It was here nearly two millennia ago was born and continues to develop the unique art of stone working. All that build the Armenians, whether at home or the church - all built of stone. Stone in the hands of skilled craftsmen transformed from a lifeless piece of lumps in the life-affirming symbol of the people, his hardworking nature. The stone used here not just as a building material, but also as an opportunity to express my love for art. Anaglyphy - one of the greatest art forms. And if Russia is famed for its unique wooden temples, Italy - magic glass processing, the RA to create priceless works went to the stone. Читать дальше... Even in ancient times, Armenian masters knew how to deal with stone, though with plasticine. Is amazing, despite millennia of stone monuments - and they are found in Armenia at every step, everywhere. Special love of the people have won the so-called cross-stones. "Hach" translated from Armenian means the cross, and what a "car" - you already know. It turns out "cross-stone. The emergence of cross-stones connected with the adoption of Christianity in 301 and the cross as a symbol of eternal life. Armenia became the first country to adopt Christianity, and this largely determined the fate of the rich. Since Khatckars appear everywhere, and since V century masters in simple images of crosses begin to make the artistic elements of decoration. With every age the beauty of stone crosses would be more generous and varied He usually has about a meter at the bottom and a half meters in height. But it is not necessary - there are more and less cross-stones. A stone with a special tooth is attached to the ground, on the tombstone, in the niches of the rocks in the walls of churches. He can stand at a crossroads, or somewhere else, reminiscent of an important event or just for decoration. Khachkars there and in Moscow and other cities of Russia. Sam stone rather thick, its thickness can be up to fifteen or even twenty centimeters. The upper part of the cross stone often bent forward. Typically, a master of carving a cross in the box, and all around ... and around the grass, flowers, fruit, people, animals, birds, all kinds of ornaments and whimsical characters. Everything depends on the skill and desire of the artist. Greek scientist Mitsos Alexandroupolis was amazed: "They take a big stone and turn it into lace, rug, sad, song." Such gardens and songs in the country, so much, probably tens of thousands, and each unique cross-stones. None stonecutter not repeated in the other, each tried to create their own creature peculiar to his artistic style. Interestingly, the wizard creates cross-stone, not only did not borrow from others, but not repeated itself. Moreover, at the same Khatckars not repeat any one motif decor. No copying! For example, one of the cross-stones. Cross occupies almost the whole plate, leaving a narrow border of the two vines. They playfully fill the entire space, and four points, as if embraced, produce a few leaves and four clusters, one on each side. Four lobes of the cross out of round, heart and expanded at the ends. Is discovered, they are divided into two triangles, in their nests is the vine. Most khachkars is such: a cross and a tracery ornament around him. Often used in the ornament plant motifs. But there is cross-stones with the image of warriors on horses with spears and clubs, the peasants in their everyday clothes, priests in robes, women and infants. There among the cross-stones and telling stories about the Gospel, depicting the crucifixion and evangelists, with the angels and saints. Often, and this motif is not only Armenian, but generally Christian culture, portrayed a man with a lion and an eagle and a bull, - the symbols of the evangelists. At one of the cross-stones they are harnessed to the chariot, aspiring to heaven. There are cross-stones of the historical events, battles and battles. There are stones in which the musicians are depicted with musical instruments, household scenes Special veneration in Armenia have always enjoyed cross-stone laid in the wall. This was left in a wall niche, it was inserted and secured with cross-stone, which became not only the most magnificent detail of decoration, but also emphasized the sanctity of the cross. Several series of such cross-stones are in Geghard, an ancient Armenian monastery. This monastery is known that the ancient architects did not build a temple on the foundation, as usual, but felled him inside the rock, meter by meter otkalyvaya pieces of rock. Masters so decorated it inside, that involuntarily refuse to believe that all this was once a stone! In Armenia, there are places where cross-stones are gathered together hundreds and even thousands - a real forest! Only instead of trees stretch into the sky man-made stone masterpieces. Listen to hear the names of Armenian monuments. It seems hard master patiently cuts off pieces of solid tufa, namely the so-called most common in Armenian stone. Hadavan-Hatravank, Gegard, Khachen Noraduz, Hadrut Joogh, Haghpat, Goshavank. But the names of the masters: Pavgos, Momik, Petros, Vartan ... The list is endless. And how many artists went down in history, leaving behind only works, but not leaving names ... The art of working stone alive, every year in Armenia, an increasing number of talented boys who want to become varpetami - so in a wonderful country called the stone of the great masters. To become a master-varpetom, you need to learn from childhood. Only the love of art and hard work can rise upward and to give joy to people. Millennia pass, but it works great varpetov not cease to cause in man a good thing that only can cause a real art --------------------------------------------- By topic: Khachkar-- Wikipedia, the free encyclopedia http://ru.wikipedia.org/wiki/%D0%A5%...BA%D0%B0%D1%80 Миниатюры

21.01.2010, 06:40	Язык оригинала: Русский #115
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,460 раз(а) в 4,507 сообщениях Записей в дневнике: 271 Репутация: 32447	Rudolf Khachatryan (1937-2007) People's Artist of Armenian SSR Lorisovich Rudolf Khachatryan was born in 1937 in Yerevan. His childhood was difficult, it had the harsh war and postwar years. The family had no points of contact with professional artistic life and generally had little interest in art. All this could hardly blagopriyatsvovat formation of the artist. Meanwhile, the boy was carried away drawing, hobby soon grew into a genuine passion, and already at the age of eighteen years, Rudolf Khachatryan presented their drawings to the republican exhibitions. Engaged Khachatryan at the famous Armenian painter and sculptor Yervant Kochar. His creative formation occurred in the 1960's, when it comes to active renewal artistic traditions. Читать дальше... Rudolf Khachatryan, singing line. This feature of the artist's stated Honored Artist of the RSFSR SV Yamshchikov:,, simply a clear line in the figures Khachatryan becomes a universal means by which he is able to express the richness of the world, subtle nuances of human feelings''. Khachatryan deliberately uslozhnaet problem, depriving them of their heroes specifically svoysvennyh household contact with reality-subject colors and accessories. Those very sparingly and wisely chosen the things that is present in the portraits Khachatryan, 1970, less than the total contributed to a straight-line explanation of a different nature. Simple Kazlu would penciling often results in a dramatic story about a man, each portrait Khachatrian is a reflection of the artist of the time, the meaning and destiny of life on nestarenii fundamental spiritual values. The story of the expanded action does not attract Khachatryan, except that he turned to him, as it may seem strange, in his large still lifes; plot indefitsiruetsya with personally identifiable model, the artist looks for inspiration in the opportunity to express themselves in the character and psychology of the depicted person. He seems to be an ancient philosophical setting: the man is the measure of all things, a spectator, following the artist finds in his way of polysyllabic manifestation of our reality in their crystallized, meaningful poetic form. I aspire to more fully identify the model, the artist resorted to a kind of dramatization, in particular portretetiruemyh dresses up in costumes of different epochs. In the associative range of his creative thoughts portrait of a particular person becomes more and in some story-clergy. Such,, Portrait ethnographer LA Abrahamian''(1976),,, Portrait of a Man''(1977),,, Judith''(1976),, Solomeya''(1977),,, portrait of his wife''(in a shawl with tassels and wearing a crown of wildflowers, 1973) and others. New work Khachatryan were shown in Moscow at the exhibition of paintings of the Caucasus, dedicated to the 50 Anniversary of the USSR, where he was allotted a separate stand. The young artist was seen artistic community. Personal exhibition of works Khachatryan took place in Leningrad (1979), Odessa (1976), Moscow (1978.1984), Yerevan (1980.1983) and enjoyed great success. Chart Khachatryan has always been characterized by monumentality, and not slichayno there are similarities with the Armenian stone-tomb-khachkars. Another property of creativity Khachatryan inspired him to work on levkas-peculiar artist obozhestvelenie man, for man for it-the indisputable center of the universe. Very original method of drawing Khachatryan levkas. He never creates a pre-prochuvstvovaniyu and privino-estestvennuyudlya his form, which could then be reproduced in detail. In the traditional work of, say, over zhibopisnym work, there is a temporal sequence: the creation podmolevka, overlay layer upon layer of paint, the clarification of details, glazing. We Khachatryan all these stages of work there as if at the same time, introducing himself in general terms the whole, he immediately begins with concrete, which does not lend subsequently finalizing the details, and so detail for detail, like carving marble voplaschaet on board the plane his work. In conjunction Khachatryan nesoedinenimogo-drawing with chalk ground is, the unique shape acuity, which gives the chart a completely new quality, a sense of three-dimensional impression and polychrome, despite the fact that work is performed one-color pencil. And his characters do not look as of old heroes of ancient legends, this lively, full-blooded people. Work on the portrait is complicated by the fact that artists are increasingly transferred to the image shape as a whole, almost the size of nature. Khachatryan was not inclined sharply pozdravletel landscape is still life. For him it is an expression of the same phenomenon. Drawn in his studio still life reminiscent of the great natural world that exists outside the windows, sometimes in his paintings nemudrennye things on the table prostransvenno united with houses and trees outside the window and the distant sky. Life takes on particular importance in the work of the artist, and it passed the viewer. In the work Khachatryan, fully dual reality, he laid a great vitality. The whole human world is a world artist. -------------------------------------------------- ------- Memoirs. (Armenian Forum) Born in 1937 in Yerevan. His childhood was difficult, it had the harsh war and postwar years. The family had no points of contact with professional artistic life and very little interest in art. All this could hardly blagopriyatsvovat formation of the artist. Meanwhile, the boy was carried away drawing, hobby soon grew into a genuine passion, and already at the age of eighteen years, Rudolf Khachatryan presented their drawings to the republican exhibitions. "When I was little, God came to me with his way, and its light. And He's one of my light has given me to me from this world to give his art and also to leave "is the interlinear translation of a single poem of Rudolf Khachatryan, published in his time in the magazine Ogonyok. In school, he completed only four classes, from art school he was expelled after three months, he drove his own father in his time from home as a "parasite". Those who withheld 14-year-old Rudolf Khachatryan from Yerevan art school, this is probably not spare the time. But they could not imagine that a "boys-dissident", not consonant with the attitudes of the curriculum to grow, People's Artist of Armenia. His teacher and spiritual mentor was the maestro Yervand Kochar - artist innovator, creator of the artistic principle of «pienture dans I'espace» ( «painting in space"), who lived and worked until 1936 in Paris. "In the park opposite the Opera in Yerevan stood and drew the young man. He was fourteen years old. Suddenly he heard: someone breathing behind him. The boy did not like when we looked, how it works. He turned around - stood behind the old man. It seemed to him then. The old man said: "Here's the address, come and bring all their work." He brought. Master of the house, moved them, exclaimed: "Leonardo's alive!" The boy was surprised. He thought that draws as Repin. It turned out above. So there was a meeting with Rudolf Khachatryan Yervand Kotcharov. Khachatrian was not even twenty when Kochar once said: "You can die. If you die now, stay in the history of Armenian art. He did not die ... For almost seventy years of his Master, not burdened with the diplomas of vocational education institutions, gathered a huge collection of awards and prizes for the series of portraits and paintings. Several of his graphic works are exhibited in the Tretyakov Gallery. Personal exhibition of the artist held in Paris, Los Angeles, Detroit, London, Tbilisi and Moscow. On the one hand artist's work joined in a reminiscence of the ancient Armenian art, monumental nobility of medieval ecclesiastical architecture and ornamentation of carved stones khachkars glare skillfully treated metal and elegant calligraphy of manuscripts on the other product of Khachatryan's inherited traditions of the world's modernist art of the twentieth century, the tradition of Mondrian and the Dadaists, Miro and the Parisian avant-garde. Khachatryan artist was markedly different from the representatives of the official school of art, not included in any of the non-conformist groups: he was not interested in the modern struggle of ideologies - only the art and finding their own style. The artist created a whole universe of living under their own laws, logic and accuracy are attracted to her philosophers and mathematicians, and the aesthetic concept Khachatryan perfect. Ieto gives his art a cosmic scale! "For me, a true artist one who unites the whole world - he once said to his uncle. - So I feel like an Armenian and Chinese, Russian and a black man, Van Gogh and Picasso. I'm Adam, embodies all of humanity. When asked what he would say to God, when the stand before him, he replied: "I say:" Thanks for what you gave me " http://forum.sirumem.com/showthread.php?t=3893 __________________ Добавлено через 3 минуты Rudolf Khachatryan (1937-2007) Миниатюры Последний раз редактировалось Евгений; 21.01.2010 в 06:43. Причина: Добавлено сообщение

21.01.2010, 06:43	Язык оригинала: Русский #116
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,460 раз(а) в 4,507 сообщениях Записей в дневнике: 271 Репутация: 32447	Armenian artists Rudolf Khachatryan (1937-2007) Миниатюры

21.01.2010, 06:56	Язык оригинала: Русский #117
Ninni Авторитет Регистрация: 05.08.2008 Сообщений: 893 Спасибо: 3,858 Поблагодарили 1,909 раз(а) в 376 сообщениях Записей в дневнике: 1 Репутация: 3163	Eugene, a very talented artist - thanks

21.01.2010, 14:17	Язык оригинала: Русский #120
sur Авторитет Регистрация: 19.01.2010 Адрес: Москва Сообщений: 763 Спасибо: 5,652 Поблагодарили 2,594 раз(а) в 536 сообщениях Записей в дневнике: 14 Репутация: 5220	Leo Bayahchev. Leo Bayahchev ( 1930-1992 ) . Another Armenian Tbilisi artist . " I would like to highlight two features art Bayahchev Leo , the main components of its noteworthy : high culture and what I would call the multidimensionality mnogozhanrovostyu.No and all his works are marked by a special seal vysokoesteticheskoy sensuality. " "The only artist who was able to recognize the old Tiflis the traits it with Parizhem.Blesk , energetic , genuine , and his ostentatious panache external splendor lurks in the very homely , everyday . " " This is the world Bayahcheva - kind, teplyy.I as always festive luxury . The worn pitchers , rusted old spoons , pieces of crockery , - his favorite subjects are transformed under his brush , finding the very luxurious look , which the artist said : "Everything , everything must be great " "His intelligent deep artistic nature inherent simplicity and restrained obhoditelnost.Etogo affectionate man with an artistic appearance, in a trendy velvet jacket with a silk handkerchief around his neck, is often seen in the community angular carpenters , masons . This may seem from the outside strannym.A he readily accepts invitations people away from iskusstva.On shares with them a feast , and participates in their lively conversations - sporah.Ego touches their naturalness , simplicity , vitality . " Quotes from the book Thalmann Zurabian "Waves of Happiness" 1981 Миниатюры

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