Pricing policy relationship with the artist gallery

[AlexanderG]

Originally Posted by Cyril Syzransky

Here in the foreground and acts gallerist, hard vzohnuv and typing in the lungs more air- in the battle! shouting for Khabarovsk! For Franklin!

Kirill, inogda hochetsia podkliuchit 'zagrad-otriad !!

[Fed]

Originally Posted by AlexanderG

4. Slabo raskruchennye hudozniki v tsenovom urovne - $ 5,000 - 15,000

Rabotat 'budu s udovol'stviem, s bol'shim napriazeniem, za 50%, navernoe zakliuchu ustnyi dogovor na 3-5 let.

  These prices are based on the fact that you position your gallery, serving as buyers willing to pay from $ 5000 for work? Or is it related to something else? I mean, you go to pass, pass, or just advertising and shares?
 Such amounts, more investment. A gift and decoration of the house or you below a certain level does not drop. This is due to the healthy number of galleries in Melbourne, which is taken over these past-pass, or - and so lacking, do not want to fool around with a large number of small customers?
  But, on the other hand, the smaller its activity boasting and "valuable suggestions" can entice large.
   Share how you have set the bar lower.

[K-Maler]

Originally Posted by AlexanderG

Lavirovat ', chasto znachit vyzivat' na malom biudzete.

Well, as you see, write in Cyrillic, so it was in Russia. I think the trend to a certain refined art galleries business (Western-style) inhibits the development of commerce and art (in Russia) and the development of art itself (in Russia). Everything is not because "everyone" and it is fatal. I think that we will be successful "heterogeneous" gallery. I do not mean the trade "as the panel, but not so that when neither would call, there is empty, no visitor ... There should be promotion of taste for art - and the profits will be.

[AlexanderG]

Originally Posted by Fed

These prices are based on the fact that you position your gallery, serving as buyers willing to pay from $ 5000 for work? Or is it related to something else? I mean, you go to pass, pass, or just advertising and shares?
Galereia gipoteticheskaia!

Mimoprohodiaschie redko mogut vylozit '$ 5,000


 Such amounts, more investment. A gift and decoration of the house or you below a certain level does not drop.

Zdes '$ 5,000 - $ 7,000 mogut potratit' na udovol'stvie, ne obiazatel'no investitsiiu.

 This is due to the healthy number of galleries in Melbourne, which is taken over these past-pass, or - and so lacking, do not want to fool around with a large number of small customers?

Eto toze, odinakovoe kolichestvo energii rashoduetsia na prodazu $ 500 ili $ 100,000 (inogda doroguiu prodat 'legche), a rezul'tat, kak vy ponimaete raznyi.

  But, on the other hand, the smaller its activity boasting and "valuable suggestions" can entice large.

Kraine redko, sotsial'naia razobschionnost 'suschestvuet. Melkie ne v odnoi tusovke s krupnymi, oni kraine redko peresekaiutsia.

   Share how you have set the bar lower.

Iskliuchitel'no is soobrazenii moego vremeni. Ubivat'sia za $ 100 mne ne interesno.

Added after 2 minutes

Originally Posted by K-Maler

Well, as you see, write in Cyrillic, so it was in Russia. I think the trend to a certain refined art galleries business (Western-style) inhibits the development of commerce and art (in Russia) and the development of art itself (in Russia).

Est 'raznye galerei, i rafinirovannyh nemnogo.

 Everything is not because "everyone" and it is fatal.

Zakony rynka vezde odinakovy.

I think that we will be successful "heterogeneous" gallery. I do not mean the trade "as the panel, but not so that when neither would call, there is empty, no visitor ... There should be promotion of taste for art - and the profits will be.

Obiazatrel'no! Vovlekat 'publiku v art mir - vospityvat' novoe pokolenie kollektsionerov.

[Семен Семенович]

Thank you, AlexanderG, for this theme! As they say: You live - and learn ....! Here's a little jealous of you (white envy) for the price range in which you work. I somehow fails. My prices are 1500 - 15000 and above did not get to move the artist. Begins the typical movement towards "autonomous" life, there are smart advisers, and have to leave ... Some of then want to return to the previous relationship, but ... As they say: who gave time ... And the price level of painting (not the level of painting), which I do not so grows our market (not so fast). But I can not say with sadness, but simply stating a fact, because the modern (in the sense of "kontemporalnym" and "topical" I do not want to). Of course, there are proposals from individuals (I can not name all those collectors) on the selection of certain names for the home, family .... But this is not the work of gallery, but as times: Buy & Sell (take out-sold) ...
In many respects, the price dictates the overall presentation (culture, fashion, habits ...) of potential buyers about how much should be worth this or that painting .. And let's say the price in Russia to separate from the Ukraine at 50-100%, while in the U.S. - by 100-400%...

Added after 4 minutes

Originally Posted by K-Maler

There should be promotion of taste for art - and the profits will be.

I fully agree with this. Here are just a "vaccination" taste it troublesome and long ...
And the artist wants to quickly, and a lot of expensive ... "Here's the struggle goes on ...

[AlexanderG]

Originally Posted by Semen Semenovich

Thanks, AlexanderG, for this theme! As they say: You live - and learn ....! Here's a little jealous of you (white envy) for the price range in which you work. I somehow fails. My prices are 1500 - 15000 and above did not get to move the artist. Begins the typical movement towards "autonomous" life, there are smart advisers, and have to leave ...

Mne eto ochen 'znakomo, poetomu, kak ia pisal ran'she, v otbore soratnikov (imenno soratnikov) idu ot cheloveka, a ne ot togo, chto on seichas delaet.

Some of then want to return to the previous relationship, but ... As they say: who gave time ... 1000 raz soglasen

And the price level of painting (not the level of painting), which I do not so grows our market (not so fast). But I can not say with sadness, but simply stating a fact, because the modern (in the sense of "kontemporalnym" and "topical" I do not want to).

 Ia toze etim ne zanimaius'.

Of course, there are proposals from individuals (I can not name all those collectors) on the selection of certain names for the home, family .... But this is not the work of gallery, but as times: Buy & Sell (take out-sold) ... Ne sovsem soglasen - eto daiot dopolnitel'nye prodazi. Ia inogda daze veshat 'pomogaiu , klienta nado liubit' i ublazat'
In many respects, the price dictates the overall presentation (culture, fashion, habits ...) of potential buyers about how much should be worth this or that painting .. And let's say the price in Russia to separate from the Ukraine at 50-100%, while in the U.S. - by 100-400%...

Added after 4 minutes

I fully agree with this. Here are just a "vaccination" taste it troublesome and long ...

Tem ne menee, bez etogo mozno zastriat 'v nizkoi tsenovoi ramke, vy dolzny byt' zakonodatelem mod.
And the artist wants to quickly, and a lot of expensive ... "Here's the struggle goes on ...

ne na zizn'

[Кирилл Сызранский]

Originally Posted by Semen Semenovich

begins the typical movement towards "autonomous" life, there are smart advisers and have to leave ... Some of then want to return to the previous relationship, but ... As they say: who gave time ...

Many artists just starting to work with a gallery or dealer, already think:

Originally Posted by Pavel

are often turns out, comes Vasya and in the studio, vodka agrees to sell the work of the artist chooses the best paying a penny and a good attitude. This Wasi except that he no dealer clientele nothing. But he sells the work and leaves me 80%.
It's a good attitude?

Originally Posted by Pavel

you did not beget pictures, using the labor of others, at every step of deception.

Added after 1 minutes

Originally Posted by AlexanderG

v otbore soratnikov (imenno soratnikov) idu ot cheloveka, a ne ot togo, chto on seichas delaet.

Yes, it is perhaps more important, kachestroa person with whom you work, rather than the quality of his work. Agree.

[kozhinart]

What do you think about the pricing policy, whether it should be one of the artist to be united, to your взляд, in all countries, roughly speaking, in Switzerland, Britain, China, Russia and t.d.i what price difference is acceptable, if competent price policy ?

[AlexanderG]

Originally Posted by kozhinart

What do you think about the pricing policy, whether it should be one of the artist to be united, to your взляд, in all countries, roughly speaking, in Switzerland, Britain, China, Russia and t.d.i what price difference is acceptable, if competent price policy?

U nas byla takaia situatsiia s Rebeccoi. Ee kartiny prodavalis' v Singapure po $ 20 - 25,000, pri Avstraliiskih prodazah za analogichnye raboty $ 5 - 7,000.
My vynudili Singapurskuiu galereiu snizit 'tseny, tk oni ne mogli byt' podderzany Avstraliiskim rynkom. Esli by pokupateli uznali o tsenah v Au, mogli by byt 'oslozneniia v dal'neishih otnosheniiah.


I want to ask you to correct the ideal
The question arose in a rather poskosti, artist anywhere on raznoimu known, somewhere sold a long time and has a history of sales, but somewhere just for the first time

V reale mezdunarodnyh hudoznikov ochen 'malo. Tseny var'iruiut ot strany k strane. My eto uze obsuzdali (geograficheskii printsip).

Esli est 'tviordaia likvidnost' cherez mezdunarodnye auktsiony, to tseny standartny vezde.

[Ninni]

Originally Posted by Semen Semenovich

... above did not get to move the artist. Begins the typical movement towards "autonomous" life, there are smart advisers, and have to leave ... Some of then want to return to the previous relationship, but ... As they say: who gave time ...
And the artist wants to quickly, and a lot of expensive ...

 Honest "partner" in any case be difficult to find and I do not think that the artist is a measure of instability in the relationship - after all the artists (as well as gallery owners) are different people with different education, different social level, intelligence, etc.
To all added personal likes and dislikes ....
Incorrect stereotypes are not only artists but also about the gallery business - especially in the former Soviet Union where there is still a weighty part of the Soviet mentality (very difficult expelled from the subconscious)
 Many relationships break down of stereotypes and the negative experience and from artists and gallery owners.