MacDougall's - TopLoty - Page 8 - Форум по искусству и инвестициям в искусство

Ninni · 07-12-2009, 15:38

Quote:

Originally Posted by eva777

But the first three, confused. Me.

I think in vain confused - the first 2 pictures are much stronger in terms of painting than all the rest.

eva777 · 07-12-2009, 16:44

And I think, not in vain.
Where the girl lying on the sheets, she looks the viewer straight in the eye. Not typical for Serebryakova.
Where is the shadows on the hands, pose looks a bit squeezed, and the fabric is shown is not typical.
And that is with a scarf - I think zhdazhe in the Comment does not need, so it falls on the color and вобще of her work.
But this is what I see, the rest of that something else is seen.

Added after 1 minutes

Quote:

Originally Posted by Ninni

I think in vain confused - the first 2 pictures are much stronger in terms of painting than all the rest.

And other than the following?

Ninni · 07-12-2009, 17:00

Quote:

Originally Posted by eva777

And other than the following?

I do something I try not to judge on such contentious matters but what I spat in the eye It is an atypical portrait of solutions and the scarcity of color in the performance of the body in a picture-5 as well as 6-I too with antique features and too stingy on the painting.
This, of course, is only my humble opinion but the first picture is rich in color, sculpture, nature .. the second is also very interesting for its density, performance and composition ... Every artist is a weak picture of the so-what ...

eva777 · 07-12-2009, 18:19

The rest of this reference work, published in the catalog of the exhibition, therefore, must be repelled from them, IMHO, and the first three are not very comprehensible, and perhaps better drawn than even Serebryakova could afford

Кирилл Сызранский · 07-12-2009, 19:06

Quote:

Originally Posted by eva777

it looks the viewer straight in the eye. Not typical for Serebrya.

There "pryamosmotryaschie" her.

Quote:

Originally Posted by eva777

And that is with a scarf - I think zhdazhe in the Comment does not need, so it falls on the color and вобще of her work.

And such "in color" it has.

Ninni · 07-12-2009, 19:29

Quote:

Originally Posted by eva777

More of this reference work, published in the catalog of the exhibition, therefore, must be repelled from them, IMHO

Perhaps you're right.
I love different Serebryakov ...

Кирилл Сызранский · 07-12-2009, 19:33

Quote:

Originally Posted by Ninni

I love the other Serebryakov ...

Two of those shown you can now contemplate a Lavrushinsky.

Ninni · 07-12-2009, 19:37

Quote:

Originally Posted by Cyril Syzransky

Two of those shown you can now contemplate a Lavrushinsky.

Unfortunately I was not in Russia

... looked, would gladly

Кирилл Сызранский · 07-12-2009, 19:45

Quote:

Originally Posted by eva777

so it falls on the color

And as you on this color temperature of the Tretyakov Gallery?
Menton. Beach. 1931, 43H59.

Ninni · 07-12-2009, 19:56

Personally I really like the sketch - alive and juicy.

07-12-2009, 18:19	Original language: Russian #74
eva777 Авторитет Join Date: Nov 2008 Location: Москва Posts: 806 Thanks: 1,778 Thanked 885 Times in 243 Posts Reputation: 1165	The rest of this reference work, published in the catalog of the exhibition, therefore, must be repelled from them, IMHO, and the first three are not very comprehensible, and perhaps better drawn than even Serebryakova could afford __________________ «Художник – это человек, который пишет то, что можно продать. А хороший художник – это человек, который продаёт то, что пишет». ПАБЛО ПИКАССО

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