Technique of oil painting and preservation of paintings

[Кирилл Сызранский]

Сообщение от K-Maler

It is not warped, it's kind of accident.

We just looked at paintings on hardboard. Thing 74-year, 190х160, perfectly smooth sheet of hardboard, perfect!

[NATA NOVA]

Сообщение от Cyril Syzransky

Now just look at the painting hardboard. Thing 74-year, 190х160 without stretcher-perfectly flat sheet of hardboard, perfect!

You can specify: bodies and hardboard-one and the same?
Orgalitny list (in stock) 2x3 m?

[Pavel]

Сообщение от iside

NATA NOVA, "painting technique" DI Kiplika can download here 7, 27 mb

I hope the administrators will not swear.

It was interesting to know what Pavel a of acrylic paints, you work with them?
Some tricks or thin?

acrylic paints I had not worked, but had with them, trying to wash off. Concluded that the classroom thing. Strength unbelievable. Oil paints, of course much more plastic, and they have easier and more convenient to work. but if you want to work with acrylic take it and work without a doubt. I really like the acrylic primer. It is supple and durable, does not darken, allows to turn off the canvas.
Alkyd paints were at one time used by artists. Dyakonitsin their work, but I did not like the result. These paints are not designed for long storage, do not have the kind of aesthetic and dried skukozhivayutsya. Get bright combinations and tonal relations are not possible.

[NATA NOVA]

Сообщение от Pavel

oil paints, of course much more plastic, and they have easier and more convenient to work.

I would not say. If not high (in the orthodox sense of realism) tasks, the lovely acrylic material. Dries quickly.
 Acrylic color (and gouache) and dry mokryye differ in tone. (and very quietly in color)
By the way, wanted to ask Ranzhera about 100%hit of color. (From the topic of fakes)
I'd love to learn more about this ..

[Seriy]

somewhere in the message becomes of editorial ...

Nath, fiberboard, fibreboard and hardboard plate-one and the same. Many standard sizes, there are also unusual. Kiev, Epicenter, 120x240, Moscow, Leroy-135h170.

[Кирилл Сызранский]

Сообщение от Seriy

red lead paint, and one hundred years of floating in the salty sea, he had not done anything

Now VYACHESLAV will clarify about "salt sea" and pro "minium", but I think that " hundred years " -hyperbole.

[Pavel]

Сообщение от Cyril Syzransky

Now just look at the painting hardboard. Thing 74-year, 190х160 without stretcher-perfectly flat sheet of hardboard, perfect!

I'm not the buyer, and my attitude is based on the experience that I have received abroad.
At hardboard west I have not seen the work but saw on the tree-a-bois but it is not a tree as thick plywood. In my case that when the question is about the very high prices that plays a major role. No need to bother with. We have to work on material for which you are more comfortable and easier. Centuries of experience yet nobody ever got fired.

[Seriy]

Cyril Syzransky, of course, hyperbole, but you will agree that there is nothing stronger than iron-oxide pigments not exist in nature.

[Кирилл Сызранский]

Сообщение от Seriy

somewhere in the message becomes of editorial board ...

Add do not forget to turn off when editing.

[Seriy]

And we in Russia have a good waterproof birch plywood with an ideal surface. Two negatives, it is not cheap, it is (at normal thickness) is very heavy. I bought myself for the reliefs as a heavy-relief materials to keep the other will not. But I see that Western artists too, like plywood plywood.