Heirs, answer

[Тютчев]

Сообщение от Cyril Syzransky

"hung"! That's it.

And this principle?

Added a 57 seconds

Сообщение от Cyril Syzransky

I want to remind you, the forum of a site you are. "Market"!
The works of Oleg Kulik's interesting from an investment point of view. From another point of view on his works, I do not watch. You-can.
Maybe you need somewhere else to go, but?

You recommend to readers a forum to invest in works of Oleg Kulik?

[Konstantin]

Tjutchev
You recommend to readers a forum to invest in works of Oleg Kulik?

I will answer you for Chirila Syzran, we Artinvestment.ru at its yesterday's seminar on investment in contemporary art, was advised to invest in Kulik too. More, our editor in chief Vladimir explained. I for example, after visiting the Kandinsky Prize, with interest listened to this seminar. And about Kulik in particular.
Another thing if I invest myself - no. But not because I was disgusted with his performance with a dog, but because the investment in contemporary art, I think it is very risky, and this, too, yesterday we talked a lot.

[Тютчев]

Сообщение от Konstantin

I will answer you for Chirila Syzran, we Artinvestment.ru at its yesterday's seminar on investment in contemporary art, was advised to invest in Kulik too. More, our editor in chief Vladimir explained. I for example, after visiting the Kandinsky Prize, with interest listened to this seminar. And about Kulik in particular.
Another thing if I invest myself - no. But not because I was disgusted with his performance with a dog, but because the investment in contemporary art, I think it is very risky, and this, too, yesterday we talked a lot.

And what you have presented arguments in favor of such investments? Interesting ...

P.S. It was necessary for visibility of the Kulik invite! Only if you still decide to take my advice, make sure that cats in the room was not ...

[Konstantin]

One of the few contemporary artists, who sell on the secondary market

1) Swamp
15.10.2009 PhillipsDePury, London (GB) Lot 144, 4000 - 6000 GBP, 16 268 USD
2) Two
10.6.2009 Galerie Fischer Auktionen, Luzern (CH) Lot 155, 7400 - 9250 USD Not Sold
3) Mongolia
17.3.2008 Sovcom, Moscow Lot 48, 183 000 - 183 000 RUR 22 019 USD
4) fear ... 29
12.3.2008 Sotheby's, London, New Bond Street Lot 134, 8108 - 12 162 USD Not Sold

[Тютчев]

Сообщение от Konstantin

One of the few contemporary artists, who sell on the secondary market

For the credibility of the sales must be at least 10 times more stones and diamonds. It's a modern (now living) artist! He is full of strength and energy, and according to this, if there's serious demand sales should be considerably greater.
 
Yes, even if they were, I still would not recommend to invest in his work. There is much more interesting contemporary artists!

[Konstantin]

For the credibility of the sales must be at least 10 times more stones and diamonds

Most modern artists do not secondary sales, rather than something that auction. The price level is not easy to learn. Now raise the statistics sheet.

[Vladimir]

Сообщение от Konstantin

The majority of contemporary artists, there are no secondary sales, rather than something that auction. The price level is not easy to learn. Now raise the statistics sheet.

Price level will not find on the internet. But in fact not difficult to learn. To shorten the way: for a particular artist to find a modern profile gallery (it's not difficult), and competently formuliruete question gallerist. Not at all in the abstract "How much Pepperstein?" or "How much is the Sandpiper, and specifically to: choose the exhibition, a specific series of works (let's" City of Russia "or" Russian "by Kulik (it almost does not)) and ask - how much is working-class girl with abuzom" Does it really buy and for how much?

[Тютчев]

Сообщение от Konstantin

The majority of contemporary artists, there are no secondary sales, rather than something that auction. The price level is not easy to learn. Now raise statistics, put.

Therefore the price of contemporary art proportionately the credibility of the seller on the one hand, and suggestion from another buyer. In the market of contemporary art are other laws, rather than on the market of old (or not, but with past history), art.

Added a 54 seconds

Сообщение от Vladimir

price level will not find on the internet. But in fact not difficult to learn. To shorten the way: for a particular artist to find a modern profile gallery (it's not difficult), and competently formuliruete question gallerist. Not at all in the abstract "How much Pepperstein?" or "How much is the Sandpiper, and specifically to: choose the exhibition, a specific series of works (let's" City of Russia "or" Russian "by Kulik (it almost does not)) and ask - how much is working-class girl with abuzom" Does it really buy and for how much?

Here, here I am about this ...

[Vladimir]

Сообщение от Tjutchev

For the credibility of sales must be at least 10 times more stones and diamonds. It's a modern (now living) artist! He is full of strength and energy, and according to this, if there's serious demand sales should be considerably greater.

Eventually it will. But after 5-7 years. Demand for the artist and the auction sale did not have a direct relationship. At auction veschit comes to profitable resale. Sell owners. But now people get to their meetings, is primitive accumulation, almost no one sells - that's not their auctions. Not yet. Y Zvereva lot of work has been at auctions in life? And the demand was not there? And Michael Laroionova? How are they treated without auctions?

Your opinion on Kulik's work is based on the media cliches (Kulik - a dog on a chain in Brener), as well as Hurst - a shark in formaldehyde. Creation of both - is much wider and more varied.

Added after 1 minute
Country we found a branch for such discussions.

[AlexanderG]

Demand for the artist and the auction sale did not have a direct relationship.

Sporno, no mozet byt '. Auktsionnye prodazi podtverzdaiut likvidnost ', a znachit i spros investorov.

At auction veschit comes to profitable resale. Sell owners.

Ne obiazatel'no vygodnoi. Galeristy by ne pokupali na auktsionah, esli by ne imeli vozmoznosti zarabotat '.

Ochen 'chasto auktsiony prodaiut po nizkim tsenam (inache rezerv byl by ne nuzen).

Prodaiut tak ze estates (nasledstva posle smerti vladel'tsa), galeristy (chasto zastoiavshiisia material), kompanii, razvody ipr.