Mimmo (Domenico), Palladino (1948)

[LCR]

In 16 years at the Venice Biennale, he became acquainted with the works of Claes Oldenburg and Jim Dine, who made a tremendous impression on him. His first independent works date back to 1970, he first engaged in abstract painting. In his early works he used a photograph, they markedly silnoe influence of conceptual art. Criticism of their Streten very well, but the artist himself considered them unsatisfactory.

Gradually, his works become more figurative: he belongs more to syncretism: along with the inspiration that he draws on the works of artists of European avant-garde 1910-20 gg., He willingly turns to mythological and esoteric traditions, depicts a strange beast, a hybrid creature, emaciated body ... Recurrence of his subjects - skeletons, skulls, as if the artist was playing with death, mocked her.
Gradually, the artist has developed a kind of a personal system, which is devoid of mysticism, it is rather a modern myth-making.

[LCR]

Especially important for him was the character of Icarus. Aesthetics Transavantgarde fully consistent with his quest - this movement in the strongest terms were isolated from the dematerialization, abstraction and anonymity of conceptual art, calling for a return to the subject of painting.
  1976 in Brescia, he had his first personal exhibiton. In 1978 he went to New York, where in 1979 it was organized in the exhibition galleries, Marian Goodman and Annino Nosei.

In 1980, Achille Bonito Oliva invited him to set up their section "Aperto 80". He first participated in the Venice Biennale together with Sandro Kia, Francesco Clemente, Enzo Kuchchi and Nicola De Maria, Italian artists, members of the movement Transavantgarde. After this exhibition, the movement gained international fame, is now the exhibition followed one after another. For example, in 1980 their works were exhibited in the Kunsthalle Basel in 1981 at the London Academy of Art had an exhibition entitled "New Spirit of Painting", in 1982 an exhibition "Avant-garde - Transavantgarde" in Rome.

In 1984, work Palladino were selected to participate in the exhibition "Sculpture of the twentieth century in Basel, and in 1985 - in Lenbahhauze in Munich organized his first retrospective exhibition at the Museum ptsublichnom. In 1988 he was invited at the Venice Biennale, his works were exhibited in the Italian pavilion in the park.

[LCR]

In 1991, he participated in a large exhibition in Prague in 1994, he exhibited his works at the National Gallery of Fine Arts in Beijing, becoming the first foreign artists were exhibited in China.

In 1995, the Naples organized a large exhibition of his work at three prestigious stages: in the stables of the Royal Palace, the Villa Pignatelli and the Piazza del Plebishito, where he established his monumental "Salt Mountain".

In 1999, he presented his series "Sleeping» (I Dormienti) in London on the occasion of a major exhibition organized by London South Gallery. In the same year the Royal Academy elected him an honorary member.
In 2002-2003. Center for Contemporary Art Luigi Pecci in Prato, organized his retrospective.

In 2006, he made a film Quixote by Cervantes' novel. This film consists of living kartinokneobyknovennoy formal beauty.
He also raised "Tancredi" by Rossini at La Scala.

[LCR]

In 2008 in Rome Museo dell'Ara Pacis was an exhibition event: Paladino and musician Brian Eno have submitted his or her joint "product". "Paladino and Eno as if fused together their individuality - Achille Bonito Oliva, wrote in his essay Ara Artis, placed in the catalog of this exhibition - the first brought in a joint project of all the Western European tradition, from Lombardy, Gothic and Baroque sculpture to the historical avant-garde, the second also enriched him with his knowledge of the history of musique concrete, leading the beginning of the Eastern tradition of sound. This project - merging of East and West, in which the image dissolves into the music, the sound is specified in the iconography. "

"The product consists of many elements: the silhouette of a tree, which, as it were in an unstable equilibrium rests cylinder prestidizhitatora fragments of human faces, painted charcoal, mysterious characters, typical of the artist's work; tridtsatipyatimetrovy" Train ", composed of anthropomorphic forms of iron and terracotta ; in the center of the room - a niche in which a bronze figure of a man from the back of which grow a tree branch. In the central part of the exhibition walls are decorated with frescoes, in which red on a white background shows the crosses and other geometric symbols ...

[ВЯЧЕСЛАВ]

Сообщение от LCR

Gradually, the artist has developed a kind of a personal system, which is devoid of mysticism, it is rather a modern myth-making.

imho /His work is inherent in the symbolism, but not the mystic (from what is not clear and difficult to perceive) a mythological, identified with the art of ancient civilizations on an accessible level modern man.