How to unleash the artist

[antip]

Dear Samvel and Joseph! A remarkable and useful dialogue you have turned.
Regarding: "look, do not watch." Of course to watch! Curiosity is important
"tool" of observations and assessments of what is happening in iskusstve.Nu, and if unbearable
is from what he saw or devils begin to seem, with the physically tangibly taking blows to the neck region of the damned, and feel your
soul hurt, this is a sign that it's time in the most healthy instance of our habitat, to the bathhouse.

[Самвел]

Incidentally, in the bath for the last time I was a kid, in the USSR, it was in the Nagorno-Karabakh, and what I saw there, from moldy walls, and the structure of the human body, Gagosian otdyhaet.Eto was the first and last visit public baths.

[Vladimir]

Originally Posted by Samvel

what I saw there, from moldy walls, and the structure of human bodies, Gagosian otdyhaet.Eto was the first and last visit public baths.

It's you, Samvel, German Expressionism see there And, the schedule.

[Самвел]

Sergei Paradjanov almost in a similar situation in the prison, called the \ Grot Venus \

[AlexanderG]

Na moi vzgliad, net takih hudoznikov, kotoryh ne nado raskruchivat '.

Sidit hudoznik, krasit - nikto ego ne vidit, ego kartiny nikto ne vidit - kak byt '?
Kak stat 'velikim?

Vsio ot liudei. Zamechatel'nyi primer istorii A. Durera i Griuneval'da.

Kstati, Dali ili Picasso-uspeh eto 10%of inspiration and 90%of perspiration.

V period Barokko eschio odin primer Bernini i Borromini.

[Самвел]

The worst thing to want to be better than you really are. Why do want to be great? I would rather be a loser, but to live their own life than to be great, but to live imposed, t.e.chuzhoy life. You live in Australia, there are important success at any cost, but then Russia, although there is already felt grin of capitalism, but there are still people who are indifferent to this greatness.

[artcol]

National love not privesh promotion - at least may say, though Throw. For this hath need of the artist's talent.
 
If works of art considered as a specific commodity - where do without her? Advertising - the engine of trade, here and there is nothing to discuss. Flew in a hurry - buy paintings: D At the level of semantics that more than equal to the word "promotion". Hyped - and dumped on the market!

But there is also a cultural process. He has a different logic, another episteme. And the goals and objectives at the promoter is other (at least the priority - for sure). But the means are the same: confused: This process at the level of semantics more than conform to "promotion", "promotion".

[Wladzislaw]

Originally Posted by Vladimir

Can I say that this rating fashionableness artist? Or is it a rating of profitability? Why?

In some ways.

The meaning of any ranking is to show the state is in a particular time.

[AlexanderG]

Spor proishodit ot nedogovorionnosti v kategoriiah.

Kstati, kak tol'ko art, kartina poiavliaetsia na rynke, ona stanovitsia tovarom. U vseh tovarno-deneznyh otnoshenii odna shema. Mozno iulit 'i nazyvat' po-raznomu, chto suti ne meniaet.

Esteticheskie tsennosti is drugoi opery.
K sozaleniiu hudozniki chasto smeshivaiut v odnu kuchu esteticheskie i finansovye tsennosti.
Otsiuda voznikaet konflikt.

To Samvel:

Cto dlia vas opredeliaet horoshego hudoznika?

[dedulya37]

Originally Posted by AlexanderG

K sozaleniiu hudozniki chasto smeshivaiut v odnu kuchu esteticheskie i finansovye tsennosti

Typically, the buyer financial values take precedence over aesthetics.
Having the artist in the studio, he asks to show him something for sale.
The artist, of course, ready to sell anything and has already prepared a few things.
During a buyer begins mentally to figure that he took, but the appetite comes with eating. He asked to show something else, while admiring the paintings of the artist. That "melts" and proudly displays the fact that he did not want to sell, so-called "exhibition" of work (that's aesthetics!). Buyer understands that the last work better and begins to ask to sell them. The artist understands that the "spill the beans" and refuses to say that this exhibition of work. A buyer does not understand why he refused. His arguments are as follows: if the show-so sold. Gentlemen The artist is not a trader and not a gallery owner, and he did not us ... its work for the money.
That's the whole conflict between aesthetics and finances.