Russian avant

[Кирилл Сызранский]

Сообщение от Maroussia

unique person - an engineer submariner, participant BOB, which, in spite of everything in 1968 was sentenced to ten years for speculation pictures!

Boris Gribanov was born in 1918. Naval officer, brought together a collection of paintings by Russian and foreign artists, including the Russian avant-garde. The Soviet authorities have accused Boris Gribanova speculation in pictures. In 1969 he was arrested by the KGB.

Collection of paintings - more than 200 works of Russian and Western schools of painting - which included the masterpieces of world-class - was confiscated. Sentenced to 10 years. Punishment served in Chita, and Kostroma. After the release of Boris Gribanov emigrated to the United States and later moved to Europe.
BN Gribanov
paintings and life. Collector's Notes
In the autobiographical book of the famous Russian collector Boris Nikolayevich Gribanova tells how originated and evolved is one of the finest private collections of Russian and foreign art, in particular, the Russian avant-garde. The reader learns how sincere and inquisitive interest in art expressed by submarine officer, came into conflict with the savage ignorance of Soviet government officials on how still managed to maintain remarkable collection.
http://www.hrpublishers.org/ru/katalog/464.html

[Кирилл Сызранский]

Сообщение от Maroussia

The COP did not quite understand your statement ...

1. This is not "speech".
2. I gave the link.
3. This is a quotation from the book anatatsii Gribanova.
It is clear now?

[Кирилл Сызранский]

Сообщение от Maroussia

Or do you think before you write your message, I did not read the book B. Gribanva?

Or do you think I'm writing just for you?

Сообщение от Maroussia

I did not quote, usually, no foreign books, or other people's thoughts ...

Yes? Just do not quote?
And here I quote, quote, natsitirovatsya can not ... : D

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Сообщение от Maroussia

then at least learn the grammar of Russian language (I provided)

Got it, sit at a Russian language textbook.
Tomorrow.
No, Monday.

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collection I have collected paintings, drawings and watercolors in different years of life consisted of two to four and a half thousand works, my library of books on art now includes more than four thousand volumes. I possessed such masterpieces of world art, both paintings and Zorn Diaz, Goya, and Raffaello, dreams, and Corot, and the Russian part of my collection features artwork Rokotov, Briullov Aivazovsky, Shishkin and other famous artists of Russia. These paintings are a different fell to me, but some of them I had just saved from death in postwar Leningrad, saved from export abroad, qualitatively restored, and in some cases even establish the authorship of the greatest artists. Not a single museum of the former Soviet Union has enriched his collection of paintings acquired through my work. My works have been exhibited many times in different cities of the country, many of my acquisitions reproduced in the famous exhibition catalogs.

A special place in my collection has always been Russian avant-garde. Probably, I and G. Kostaki were among the first collectors of domestic work are little known at that time we Malevich, Kandinsky, Cluny and etc. Some unique works of these artists were given to me in museums, many confiscated, and the rest, that is their main part, to still remain with me.

The story of my life, almost half a century associated with the collecting of Russian and Western painting, would be incomplete without mention of the Navy. Engineer-submariner by training, I have many years of dedicated service on submarines. Fought. He defended his thesis and taught in many higher naval schools of the country. As captain of the second rank, for health reasons I retired, and only then was able to devote himself entirely to the main cause of my life - the collection of paintings.

Life naval officers and customs of the capital's art collectors in the years of Stalinism and the post-war devastation in the 50's and 60's, in Moscow and Leningrad - all I knew from the inside (in this sense that I had written could be considered "eyewitness testimony"). As, unfortunately, and the darkest pages of my biography: arrest, persecution of the KGB, the confiscation and looting of my paintings, ad me speculator, ten years in the camps ...

After his release, I emigrated to the United States, but after living there for twenty years, interesting, new and, of course, related to the pictures of life, moved to Europe.

Part of the confiscated from my collection of pictures - a few dozen! - Are in the Tretyakov Gallery and the Pushkin Museum. Any visitor can easily locate them. Describe all findings and discoveries, which I managed to do, of course, impossible - this would have required tons of paper and years of life. And I have 80 years, the forces left a little. The book is a purely autobiographical in nature and is not intended to become a professional artistic studies, I wrote almost all his life. Many chapters were nanisany me in the "zone", ie, in custody.

Perhaps reading it will be useful to a beginning collector, it is interesting - lover of painting, and the events described here, probably will be recognizable to people of my generation ...

Boris Gribanov
1998 (c)
http://olgaimayeva.narod.ru/bng/gr00.html

[Тютчев]

Сообщение от Cyril Syzransky

do not understand.
In the State Tretyakov Gallery, paintings by the same, "donated" Kogtaki worth mentioning: "Dar Costacis GD" .

In order to appreciate the contribution Costacis need at least to open the hall, as part of the permanent exhibition, which would have collected all of them cast in the State Tretyakov Gallery.

[Маруся]

Сообщение от qwerty

In the halls of the Academy of Fine Arts in St. Petersburg opened a huge "exhibition of paintings by artists of all areas of the Petrograd 1919 - 1923.
The exhibit featured various factions, including UNOVIS Malevich, "Zorved" Matyushina, "With the new trends in art." A total of 1,621 product exhibited 263 artists, including L. Bruni, S.Dymshits-Fat, Mansurov, Matyushin, P. Miturich, P. Filonov, B. Ender, K. Ender, etc.
Under the exhibition in the magazine "Life Art» № 20 were published declaration Matyushina, Malevich, Mansurov and Filonova.

Scan the "Declaration of the world dawn" Filnova - in the report of the Ad#8
Statements Malevich, Mansurov and Matyushina -#16

[Meister]

Valentin Mikhailovich Yustitsky (1892 - 1951)
  Born in 1892 in St. Petersburg.

He studied at art school YS Goldblatt in Vilnius, then in private workshops

In 1913-1914 he studied at a private academy Blanchard in Paris. After the revolution, lived in Saratov, where he became one of the organizers GSHM. Since 1918 he taught at the Saratov Art College. Member of Society "4 Arts" (from 1926). Participated in exhibitions since 1915: MTH, Moscow, 1915; "Top", Moscow, 1916; personal, Saratov, 1923; IV exhibition of paintings-plastic culture. Saratov, 1920, "Exhibition of paintings", Saratov, 1924, "Exhibition of paintings, drawings and sculpture, Saratov. 1925 "4 Art", Moscow, 1926. 1928, 1929, "Exhibition of acquisitions by the State Commission for 1927-1928", Moscow, 1928, etc. He was one of the representatives ranneyu constructivist style of painting.


In 1920 he founded the Society of Artists New Art in Saratov.

Participated in exhibitions of "13".

In 1937, a closed court Yustitsky was sentenced to 10 years in prison svobody.V 1937-1946 he served in strict regime camps in Karelia. After returning from the camp in 1947, the artist turned to the free, artistic style, shimmering reflections of the great traditions of the Saratov Symbolists. Even the titles of works relevant: "Entrance of Don Quixote in Salamanca," "Ball in Versailles", "Arlecchino" ...

He has worked in painting, drawing.

He died in 1951 in Saratov.


The most famous) works include: "The scenic design with wire" (oil on cardboard, oil, 1920), "Scenic Design" (oil on canvas, 1921), "Scenic Design" (oil on wood, 1921) - all in the State Art Museum of them. Radishshev, Saratov.

[Meister]

Samuil Adlivankin. 1897-1966

Born in 7 (19) July 1897 in the town of Mogilev district Tatar family pharmacist. Mother at home. From 1905 until 1911 he studied at the private school of the city of Mogilev. It is to this period is preserved picture "Rebbe Elle has a new student in the header.
In 1912 he entered the Odessa Art College. His teacher was KK Kostandi. In 1914, tragically killed his father.
School fees, the family can no longer, and Samuel submits a petition for permission to provide an opportunity to finish their studies free of charge. Kostandi supports this request, and C. Adlivankin was allowed to finish school. During his studies he took part in the exhibition "Independent" in Odessa. In 1917 he finished the Odessa Art College and received a diploma teacher of drawing and sketching. At this time he first becomes acquainted with the work of Mayakovsky.
In 1918godu arrives in Moscow. Is engaged in the class GSMH VE Tatlin.
In 1919 he enlisted in the city Busuluk. The first painting Red Army club in the spirit of Cubism. Organizes guild of artists, which is engaged in agitation and decorative arts. It also manages the studio program of the Moscow art studios.
In 1919 the Commissariat of Education sent to Samara authorized the organization of the Higher art studios. Takes part in the agitation and monumental works and presentation of events. (Painted House press, the Paris Commune in 1905, the taking of the Winter). Head of Section izoiskusstva Samara GUBONO (Gubnarobraz). Meets Ryazhskiy and Popov. Comes to the idea of creating a new form of realism based on modern painting culture left art. (This impulse, resulting in Samara, has found its development on his return to Moscow in the organization of a knife). Is engaged in a poster and painting clubs. Also in 1918 the sculptor Frikh Har-headed sculpture studio Samara Proletkult.
Since 1921. S. Adlivankin operates in the People's Commissariat. In 1922godu together with other artists is organizing the new society of painters, and in the same year held the first and only exhibition of a knife. Adlivankin is exhibiting over 30 works.
Until 1925 S. Adlivankin teaches Fine Arts at the pre-proletarian courses with a salary of 70 rubles. In 1923-1928. S. Adlivankin works for the publishing house "Young Guard", illustrated magazines Lapot "," Military Crocodile "and" Bezbozhnik. Since 1923, over three years working with Mayakovsky in the windows GROWTH. Participates in the creation of the film "A Cup of Tea" (1927).
C in 1924 lives in the village of Malakhovka near Moscow, where he teaches in the colonies for homeless children. In the early 20-ies are taught drawing children Marc Chagall.
In 1918 he moved to Moscow. The family lives upstairs in the former gymnasium Petrovsko-Razumovskaya avenue and in 1930 moved into a new apartment in the second house artists on Petrovsko-Razumovskaya alley. In 1931, enters into the artistic society "Izobrigada. In 1932 became a member of the newly formed department of the Moscow Union of Artists. It was at this time, he engaged in monumental murals of pavilions VSHV, clubs. Since 1933 an active business trips throughout the Union.
In 1942 the family was evacuated to Sverdlovsk. There he worked in Agitplakate. In late 1943, returned to Moscow. After the war continues to go on business trips to the Union. All this time, wrote a different picture of the plan.
Samuil died March 7, 1966 on the way home from the workshop, is buried at the Donskoy Cemetery. His works are in many museums in Russia and abroad, in private collections.



Much about this artist is here (including about the exhibition): http://www.maslovka.org/modules.php?...ge&pid=184

[artmig1978]

Please help. who may be a telephone fund Michael Schwartzman?

[qwerty]

1924 January. In the Museum of Fine Arts in Moscow, at the second exhibition association "Makovets" (273 pictures of 22 artists), among the major names - L. Bruni, L. Zhegin, V. Pestel, S. Romanovich, N. Sinezubov, A. Fonvizin, V. Chekrygin.
May. Moscow hosts "First Exhibition of associations active discussion of revolutionary art, which was attended by groups of" Gen "," The combination of three "(A. Goncharov, A. Deineka, Yuri Pimenov)," konkretivisty "(P. Williams, B. Volkov, K. Vyalov, V. Lyushin, Y. Merkulov), constructivists (B. and G. Stenberg, K. Medunetsky) proektsionisty (S. Luchishkin, S. Nikritin, M. Plaksin, K. Redko, N. Tryaskin, A. Tyshler), "First Working Group of Constructivists" (G. Miller, AL Sanin, A. Hahn, O. and G. Chichagovs, N. Smirnov, Mirolubov), etc.
May 25. Death Popova, two days after the death of her six-year son from scarlet fever.
June 19. In Venice opens XIV International Exhibition of Arts, in the Russian section, which was presented to N. Altman, Annenkov, Yu, L. Bruni, A. Vesnin, S.Dymshits-thick, L. Zhegin, Konchalovsky, BA Korolev, A. Lentulov, K. Malevich, P. Mansurov, M. Matyushin, L. Popova, Rodchenko, Stepanova, AN Udaltsova, R. Falk, V. Chekrygin, D. Schr, A. Exter, B. Ender, K. Ender, etc.
There are still a few years will be development of the Russian Avant-Garde: next year Filonov organized group "Masters of Analytical Art" and Schr - Society of Artists, Studio Artists (OST), to oppose a "production" art, in St. Petersburg (or rather, already in Leningrad) will continue its search for a group Matyushina still appears postsuprematichesky "peasant" cycle of Malevich, but it will be not only development but also the extinction of the phenomenal work of Russian avant-garde, because the state has already decided that he does not need.
In October 1924 the Museum of painterly culture, created enormous efforts Rodchenko, Malevich, Udaltsova Tyshler, Labas, Miturich, passes under the jurisdiction of the State Tretyakov Gallery. All huge fund of the museum disbanded. Creates commission to review the Fund, instead of the above luminaries in the leadership of the commission includes some N. Meshkovtsev, A.Fedorov-Davydov, E. Orange, Yuri Sokolov.
It creates lists of paintings, recognized that the commission "does not have museum value and the sale value" and be destroyed. These lists were 15 paintings Rozanova, 2 relief G. Stenberg, work Goncharova, Chekrygin, Le Dante, Vesnina, Pevsner, Bruni, Queen, Kandinsky, Konchalovsky, Udaltsova Lentulov, Cluny, Medunetskogo etc. This was the first, but not least the destruction of works of Russian avant-garde, the first result of the coming victory of the Stalinist academics.

[Allena]

Сообщение от qwerty

V. Lyushin

His biography and work is in the catalog of the exhibition "Graphic OST" in "Elysium".