Russian avant

[Кирилл Сызранский]

Сообщение от Maroussia

I'm still trying to draw attention to another collector - Boris Gribanova

All this is read, who to this topic followed.

Сообщение от Maroussia

And no-gu-gu ...

And who should "try-crow," I do not quite understand?
Participants of the forum or Ministry of Culture of Russia and Ukraine?

[Meister]

Valentin Mikhailovich Yustitsky (1892 - 1951)
  Born in 1892 in St. Petersburg.

He studied at art school YS Goldblatt in Vilnius, then in private workshops

In 1913-1914 he studied at a private academy Blanchard in Paris. After the revolution, lived in Saratov, where he became one of the organizers GSHM. Since 1918 he taught at the Saratov Art College. Member of Society "4 Arts" (from 1926). Participated in exhibitions since 1915: MTH, Moscow, 1915; "Top", Moscow, 1916; personal, Saratov, 1923; IV exhibition of paintings-plastic culture. Saratov, 1920, "Exhibition of paintings", Saratov, 1924, "Exhibition of paintings, drawings and sculpture, Saratov. 1925 "4 Art", Moscow, 1926. 1928, 1929, "Exhibition of acquisitions by the State Commission for 1927-1928", Moscow, 1928, etc. He was one of the representatives ranneyu constructivist style of painting.


In 1920 he founded the Society of Artists New Art in Saratov.

Participated in exhibitions of "13".

In 1937, a closed court Yustitsky was sentenced to 10 years in prison svobody.V 1937-1946 he served in strict regime camps in Karelia. After returning from the camp in 1947, the artist turned to the free, artistic style, shimmering reflections of the great traditions of the Saratov Symbolists. Even the titles of works relevant: "Entrance of Don Quixote in Salamanca," "Ball in Versailles", "Arlecchino" ...

He has worked in painting, drawing.

He died in 1951 in Saratov.


The most famous) works include: "The scenic design with wire" (oil on cardboard, oil, 1920), "Scenic Design" (oil on canvas, 1921), "Scenic Design" (oil on wood, 1921) - all in the State Art Museum of them. Radishshev, Saratov.

[Meister]

Samuil Adlivankin. 1897-1966

Born in 7 (19) July 1897 in the town of Mogilev district Tatar family pharmacist. Mother at home. From 1905 until 1911 he studied at the private school of the city of Mogilev. It is to this period is preserved picture "Rebbe Elle has a new student in the header.
In 1912 he entered the Odessa Art College. His teacher was KK Kostandi. In 1914, tragically killed his father.
School fees, the family can no longer, and Samuel submits a petition for permission to provide an opportunity to finish their studies free of charge. Kostandi supports this request, and C. Adlivankin was allowed to finish school. During his studies he took part in the exhibition "Independent" in Odessa. In 1917 he finished the Odessa Art College and received a diploma teacher of drawing and sketching. At this time he first becomes acquainted with the work of Mayakovsky.
In 1918godu arrives in Moscow. Is engaged in the class GSMH VE Tatlin.
In 1919 he enlisted in the city Busuluk. The first painting Red Army club in the spirit of Cubism. Organizes guild of artists, which is engaged in agitation and decorative arts. It also manages the studio program of the Moscow art studios.
In 1919 the Commissariat of Education sent to Samara authorized the organization of the Higher art studios. Takes part in the agitation and monumental works and presentation of events. (Painted House press, the Paris Commune in 1905, the taking of the Winter). Head of Section izoiskusstva Samara GUBONO (Gubnarobraz). Meets Ryazhskiy and Popov. Comes to the idea of creating a new form of realism based on modern painting culture left art. (This impulse, resulting in Samara, has found its development on his return to Moscow in the organization of a knife). Is engaged in a poster and painting clubs. Also in 1918 the sculptor Frikh Har-headed sculpture studio Samara Proletkult.
Since 1921. S. Adlivankin operates in the People's Commissariat. In 1922godu together with other artists is organizing the new society of painters, and in the same year held the first and only exhibition of a knife. Adlivankin is exhibiting over 30 works.
Until 1925 S. Adlivankin teaches Fine Arts at the pre-proletarian courses with a salary of 70 rubles. In 1923-1928. S. Adlivankin works for the publishing house "Young Guard", illustrated magazines Lapot "," Military Crocodile "and" Bezbozhnik. Since 1923, over three years working with Mayakovsky in the windows GROWTH. Participates in the creation of the film "A Cup of Tea" (1927).
C in 1924 lives in the village of Malakhovka near Moscow, where he teaches in the colonies for homeless children. In the early 20-ies are taught drawing children Marc Chagall.
In 1918 he moved to Moscow. The family lives upstairs in the former gymnasium Petrovsko-Razumovskaya avenue and in 1930 moved into a new apartment in the second house artists on Petrovsko-Razumovskaya alley. In 1931, enters into the artistic society "Izobrigada. In 1932 became a member of the newly formed department of the Moscow Union of Artists. It was at this time, he engaged in monumental murals of pavilions VSHV, clubs. Since 1933 an active business trips throughout the Union.
In 1942 the family was evacuated to Sverdlovsk. There he worked in Agitplakate. In late 1943, returned to Moscow. After the war continues to go on business trips to the Union. All this time, wrote a different picture of the plan.
Samuil died March 7, 1966 on the way home from the workshop, is buried at the Donskoy Cemetery. His works are in many museums in Russia and abroad, in private collections.



Much about this artist is here (including about the exhibition): http://www.maslovka.org/modules.php?...ge&pid=184

[artmig1978]

Please help. who may be a telephone fund Michael Schwartzman?

[qwerty]

1924 January. In the Museum of Fine Arts in Moscow, at the second exhibition association "Makovets" (273 pictures of 22 artists), among the major names - L. Bruni, L. Zhegin, V. Pestel, S. Romanovich, N. Sinezubov, A. Fonvizin, V. Chekrygin.
May. Moscow hosts "First Exhibition of associations active discussion of revolutionary art, which was attended by groups of" Gen "," The combination of three "(A. Goncharov, A. Deineka, Yuri Pimenov)," konkretivisty "(P. Williams, B. Volkov, K. Vyalov, V. Lyushin, Y. Merkulov), constructivists (B. and G. Stenberg, K. Medunetsky) proektsionisty (S. Luchishkin, S. Nikritin, M. Plaksin, K. Redko, N. Tryaskin, A. Tyshler), "First Working Group of Constructivists" (G. Miller, AL Sanin, A. Hahn, O. and G. Chichagovs, N. Smirnov, Mirolubov), etc.
May 25. Death Popova, two days after the death of her six-year son from scarlet fever.
June 19. In Venice opens XIV International Exhibition of Arts, in the Russian section, which was presented to N. Altman, Annenkov, Yu, L. Bruni, A. Vesnin, S.Dymshits-thick, L. Zhegin, Konchalovsky, BA Korolev, A. Lentulov, K. Malevich, P. Mansurov, M. Matyushin, L. Popova, Rodchenko, Stepanova, AN Udaltsova, R. Falk, V. Chekrygin, D. Schr, A. Exter, B. Ender, K. Ender, etc.
There are still a few years will be development of the Russian Avant-Garde: next year Filonov organized group "Masters of Analytical Art" and Schr - Society of Artists, Studio Artists (OST), to oppose a "production" art, in St. Petersburg (or rather, already in Leningrad) will continue its search for a group Matyushina still appears postsuprematichesky "peasant" cycle of Malevich, but it will be not only development but also the extinction of the phenomenal work of Russian avant-garde, because the state has already decided that he does not need.
In October 1924 the Museum of painterly culture, created enormous efforts Rodchenko, Malevich, Udaltsova Tyshler, Labas, Miturich, passes under the jurisdiction of the State Tretyakov Gallery. All huge fund of the museum disbanded. Creates commission to review the Fund, instead of the above luminaries in the leadership of the commission includes some N. Meshkovtsev, A.Fedorov-Davydov, E. Orange, Yuri Sokolov.
It creates lists of paintings, recognized that the commission "does not have museum value and the sale value" and be destroyed. These lists were 15 paintings Rozanova, 2 relief G. Stenberg, work Goncharova, Chekrygin, Le Dante, Vesnina, Pevsner, Bruni, Queen, Kandinsky, Konchalovsky, Udaltsova Lentulov, Cluny, Medunetskogo etc. This was the first, but not least the destruction of works of Russian avant-garde, the first result of the coming victory of the Stalinist academics.

[Allena]

Сообщение от qwerty

V. Lyushin

His biography and work is in the catalog of the exhibition "Graphic OST" in "Elysium".

[Meister]

Schr David Petrovich
July 7, 1881 (in literature erroneous date of 14 July; Zhytomyr) - May 1, 1948 (Moscow)

Painter, graphic artist

Born in the family of the employee store. He spent his childhood in Zhitomir, where, apparently, received his early education. In 1905 he moved to Odessa, was engaged in private art studio. He was an active member of the youth section of the Bund, in 1906 in connection with the persecution of members of the party was forced to go abroad. After a short time he lived in Vienna, then moved to Paris. He studied at the Academy Vitti in A. Martin, A. Kamaraza, C. Van Dongen and E. Anglada. He lived in a colony of artists La Ruche ( «Beehive"), met with many representatives of the creative avnagarda, including Picasso, Modigliani A., J. Sutin, A. Marquet, F. Leger, D. Rivera, J. Brack , H. Gries, G. Apollinaire, M. Chagall and others.

In 1912 exhibited in the Salon of the Society of Fine Arts "Portrait ND Schr" which received good reviews and earned him fame in European art circles. In the same year, presented his work in the salon Independent and Salon d'Automne, later becoming their permanent exhibitor. He worked in the field of magazine graphics, cooperated with the magazine "Helios", which produced a panel of artists in the Russian Academy in Paris. In 1917 took part in a group exhibition in gallery "Bernheim", together with P. Bonnard, A. Marquet, Henri Matisse, M. Utrillo, A. Ozanfanom.

In 1917 he returned to Russia until 1918 lived in Petrograd, in 1918 - in Moscow. In 1918, exhibited his paintings at the Exhibition of Jewish Painters in Moscow. He was appointed head of the Division of Fine Arts, as well as chairman of the College of Fine Arts for the People's Commissariat (until 1921). From 1920 (until 1930) taught in VHUTEMAS (in 1925 renamed into VHUTEIN). Participated in the implementation of the plan of monumental propaganda. He went into the Moscow section of the Art Culture League.

In 1922 he held a joint exhibition N. Altman, Marc Chagall and Shterenberg, organized under the auspices of the Cultural League. In the same year the artist responsible for the organization of the First Russian Art Exhibition in the Van Diemen Gallery in Berlin.

In 1925 became a founding member and Chairman of the Society Easel (GRL), which proclaimed "revolutionary modernity and clarity in the choice of the plot," the desire to complete the picture (from the statute GRL). Participated in all exhibitions of the Society. In 1927 Moscow hosted the first solo (and the only one lifetime) Exhibition Shterenberg.

During the Great Patriotic War he was evacuated to Irkutsk, worked in the "Windows of TASS. In the postwar years created a series of "Bible stories" (1947-1948).

Retrospective exhibition of paintings took place in Moscow in 1959, 1978, 1991.

Schr - one of the most original masters of the domestic arts. His work can be divided into three phases.

In the early period (1906-1915) the most influence on his work has Fauvism, Cubism and kubofuturizm. All works of this time written in sharp, expressive manner.

In the 1915-1916 painting style has changed dramatically. After early moderately avant-garde experimentation has developed a special type of planar still life, sometimes decorative, sometimes ostrodramaticheskogo (Herring, 1917-1918, Tretyakov Gallery, Moscow). Artist painted still lifes almost exclusively, expression has been replaced by static, become the dominant primitivist conception. Another was the technique and painting: Schr refused emphasized three-dimensional image with a sharp light and shadow modeling. In his paintings he created a textured surface that is consistent with the nature of the image. 1920 - the heyday of the artist's work and his greatest fame.

In the 1930's style of painting masters again changed. The artist returned to painting with nuanced expressive design monochrome color range, mostly kept in a brown-red colors. In his painting and graphic art (drawing, etching, woodcuts) 1930 - 1940 he became one of the founders of the so-called "silent art", opposing the official order.

Shterenberg works are in many museum and private collections, including the State Tretyakov Gallery, State Russian Museum, one of the most significant collections of paintings and graphic arts master has a GMII im. Pushkin.

[Meister]

and even a little.

[qwerty]

Сообщение от Meister

Shterenberg works are in many museum and private collections, including the State Tretyakov Gallery, State Russian Museum, one of the most significant collections of paintings and graphic arts master has a GMII im. Pushkin.

The most significant collection of works by this remarkable artist has a well-known collector Andrew Eremin, that all this assembly with a flat and an archive of the artist got a legacy from the master's widow for many years. Over the years, Andrew not only wasted but also enrich this collection, and is going to make the museum at the apartment Shterenberg. Today it is he, and no one else is the principal expert on the works of this artist.

[Маруся]

Qwerty, I hope, tell me what's interesting on this topic at the Salon?