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| Artists, artworks, art history Discuss artists, their lives and works, the history of works’ creation and other art history issues. |
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Опции темы | Опции просмотра |
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Язык оригинала: Русский #11 |
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Гуру
Регистрация: 16.06.2008
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Run-Run, and about the "other creative pursuits" may be more detail?
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Язык оригинала: Русский #12 |
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Гуру
Регистрация: 26.03.2009
Адрес: Москва-Киев
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well al all in the past :-) And want to talk about the future.
Abstraction decided to hold off, lose one's attraction :-) |
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Язык оригинала: Русский #14 |
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Гуру
Регистрация: 26.03.2009
Адрес: Москва-Киев
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http://tunguskagrooves.com/ru/index....&Itemid=98
http://www.jamendo.com/ru/album/43881 the second link you can listen |
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Язык оригинала: Русский #15 |
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Гуру
Регистрация: 26.03.2009
Адрес: Москва-Киев
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Now that's eye glanced from the game with an element of repetitive work to that, perhaps, inspired by Hearst, which has a hundred paintings and all the same skull, changing only the details. At least, before visiting the exhibition of the Kiev, I do not.
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| Этот пользователь сказал Спасибо Seriy за это полезное сообщение: | sur (10.03.2010) |
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Язык оригинала: Русский #16 |
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Гуру
Регистрация: 19.09.2008
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Seriy, I liked your work, published in the 7 th and 8 th positions. I think that this makes sense to develop further. Especially successful in your still lifes of fruit. Feels texture. You have successfully assigned to a task. Objectives should be clear. I think we should not be ashamed of simplicity, because if you do something that they themselves did not understand until the end, hoping for inspiration, this is reflected in your work.
I think that an artist should be honest, first of all to himself and the rest is sure to happen (attached). Large master, I think, always aware of what they do. And this clarity and integrity of transmitted viewer. Creation of any master - it's always the way, despite the fact that we often perceive it as a result (a set of masterpieces). Masterpieces would not be fair without the daily work, without addressing the small tasks. Good luck in this difficult case. |
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| Эти 11 пользователя(ей) сказали Спасибо Тютчев за это полезное сообщение: | garry1950 (07.07.2012), John Preston (29.09.2010), lusyvoronova (20.09.2009), Sandro (05.11.2009), Santa (21.06.2011), Seriy (20.09.2009), sur (10.03.2010), Евгений (28.01.2010), Елизавета (14.02.2011), Людмила Иларт (01.10.2009), Ухтомский (21.09.2009) |
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Язык оригинала: Русский #17 | |
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Гуру
Регистрация: 26.07.2008
Адрес: РФ, Самара
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Цитата:
Cover up to 100 times more interesting music. : D |
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Язык оригинала: Русский #18 |
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Гуру
Регистрация: 26.03.2009
Адрес: Москва-Киев
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Tjutchev, thanks. From nature to me to write much more easily than from the head and the colors are richer, because the color think such details are already there in nature, in the light of day, you can not ... at least to me ...
But apart from bouquets of flowers, who needs realism? My impression is absolutely no one, other than still-lifes are sold at auctions for pennies ... At art.ru such good-with good color, car and small truck ... and I go in the same place ... IMHO, people, and I want to see in the picture of the intellectual puzzle, stuffing ... Sunflowers just going to write, we get contact with them. Chashetsvetnik, bends checker feet-there still write and write ... a three-liter glass jar looks like a Matisse, but nothing fl ... [color="# 666686"]Added after 59 minutes[/color] Cyril Syzransky, I have an idea to write these two heads, male and female separately, and the diptych in the normal amount of 100 to 120. |
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| Эти 3 пользователя(ей) сказали Спасибо Seriy за это полезное сообщение: |
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Язык оригинала: Русский #19 |
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Старожил
Регистрация: 12.06.2009
Адрес: московская область
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Seriy, I liked the ones that you call Suprematism. Reminiscent of stained glass. If you go in this direction, I would have tried a combination of clear-cut large surfaces containing a variety of shades gently passing each other, and all the smaller and smaller segmenting smooth (geometric) elements. This trick can work out a small amount together using for example acrylic or watercolor for the first and markers for the latter. Use enamel as butter, I think a thankless task, but it's my opinion. And can you leave alone the great (though it is also necessary at some stage) and try to work out their personal equipment (do not touch the inner world). I think you're going just in this direction. Good luck!
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Язык оригинала: Русский #20 |
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Гуру
Регистрация: 26.03.2009
Адрес: Москва-Киев
Сообщений: 7,078
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Поблагодарили 6,613 раз(а) в 2,177 сообщениях
Репутация: 12970
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Tasha, thank you ... Enamel instead of oil are two reasons, from ignorance, to paint in oils quickly, we must use all kinds of accelerators, driers, polymerized oil, which, for me dark forest ... And the enamel and dried again ... Besides her many-opened Bank and kras though kilograms. And all sorts of technology can be fun to invent.
Work-supremacism by oil, traditionally. The boom is sculpting, sketching is all. I quietly take and felt-tip pens and oil crayons, T e increased arsenal of means-on the agenda. From the head did not come from backgrounds of Hearst newspapers and glued pieces of any faktury.Tak that, most likely, and enamel, and more will all be added. As for the identity-itself will reveal, when available. Picasso, as I understand, first saw African masks from his friend, Modigliani. And they, along with the idea he borrowed. And okay. Not to mention, for example, Popova, who simply repeated the Picasso's after a few years after the original. And everyone ran out of room and the audience. |
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| Эти 3 пользователя(ей) сказали Спасибо Seriy за это полезное сообщение: |
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