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Язык оригинала: Русский #1 |
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Banned
Регистрация: 25.07.2009
Адрес: Россия, Москва
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Discovers the exhibition publishing house, which professionally produces the series "Artists of the Russian emigration. Details - see the topic about 22 MIBF:
http://forum.artinvestment.ru/showth...005#post585005 Today acquired two Labas: 1) "Personal Labas. Alexander Labas in private collections." edition of "Cultural Revolution", 2007 2) Alexander Labas Arkadevich "publishing house" Inkombuk, 2006 3) the interest "Expressionism" Ashley Bassi, ed "BMM", 2007, which reflects the European artists he 1900-1910-1920 (Schiele, Kokoschka, Nolde, Marc, Kirchner, Gros, Dix, Beckmann, Klee, and Kandinsky and Jawlensky . At that time, before the revolution, Europe and Russia were close enough. |
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Язык оригинала: Русский #2 | |||
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Гуру
Регистрация: 16.06.2008
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P. Potipaki
There are three references to: 1.Viktor Shklovsky. Hamburg by: articles, memoirs, essays 1914-1933.: Цитата:
Цитата:
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N. Rogovin Nikolai Efimovitch Rogovin as an artist, now forgotten. He began his career in the years 1910-1911. participation in the exhibition Jack of Diamonds. In 1912 at the exhibition Donkey's tail is exhibited 12 works. From the catalog of this exhibition to store the address of Nicholas Rogovina in 1912: Moscow, Ostozhenka his house. In the same year he and Goncharova and Larionov illustrated book Mirskontsa "Velimir Khlebnikov (cover seen at MoMA). Participated in the exhibition "Target", 1913. Among the exhibitions of the Soviet time Rogovina not, but in 30-40-ies face made up of albums architectural uvrazhey, he participates in the creation of the first volumes of the General History of Architecture. His father, an engineer-technologist Yefim Samoilovich Rogovin in 1905, bought in the Ryazan estate - 447 acres of land in the village of Leski Ekimovsky parish Ryazan district, and when the peasants have burned his house in 1908, sold off most of the estate. Later, in 1919, his son in the direction Narcompros come to Ryazan to be in the shops "left" direction: "I find it necessary to acquaint students with the world painting instead of writing with students horsies ... General education for students not necessarily need to cultivate not mind, and spirit of the students' "... personal taste are the artists: Leonardo, Cellini, Polayolo, Daumier, Cezanne, Corot and others, to any direction absented himself." |
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Язык оригинала: Русский #3 |
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Гуру
Регистрация: 16.04.2008
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Some illustrative material to the topic "1912."
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Язык оригинала: Русский #4 |
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Гуру
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and yet a very little:
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| Эти 10 пользователя(ей) сказали Спасибо qwerty за это полезное сообщение: | LCR (04.09.2009), lusyvoronova (16.09.2009), Meister (04.09.2009), Tana (04.09.2009), usynin2 (31.07.2011), Кирилл Сызранский (04.09.2009), Маруся (09.09.2009), Тютчев (04.09.2009), Ухтомский (06.09.2009) |
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Язык оригинала: Русский #5 |
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Гуру
Регистрация: 16.04.2008
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1913
January. Third exhibition "The Knave of Diamonds" opens in St. Petersburg with the participation of D. Burlyuk Lentulova, Tatlin, Exter, Braque, Picasso, Rousseau, etc. In March, a shortened version of the exhibition will move to Moscow. February. Society "Knave of Diamonds" will organize a debate in Moscow, which Mayakovsky and David Burliuk, talking about contemporary art, call for the destruction of museums, "these sarcophagi of art. Larionov has organized an exhibition "Target" in Moscow with the participation Goncharova, Malevich, Pirosmani, Shevchenko and Chagall. In this exhibition, first exhibited "luchistskie" work Larionov. April. Tatlin, visited Paris, met with reliefs of Picasso. August. Huge Goncharova's solo exhibition opened in Moscow, a smaller version of the exhibition next year will move to St. Petersburg. November. The last exhibition of the Youth League has opened in St. Petersburg with the participation of Burliuks, Exter, Filonov, Cluny, Malevich, Matyushina, Morgunova, Rozanova, Tatlin, a separate section of the exhibition was devoted to the works of Elena Guro, which in May at age 36, died of leukemia. December. In the theater of the Luna Park in St. Petersburg put the tragedy Vladimir Mayakovsky in the design Filonova and schoolchildren. In the same theater later staged opera "Victory over the Sun" (music Matyushina, texts Khlebnikov and Kruchenykh design Malevich). Later Malevich characterize this performance as an important step on its way to Suprematism. At the exhibition "World of Art" exhibited Altman, Goncharova, Larionov, Tatlin, Yakulov etc. The main outcome of this year can be regarded as strengthening the vanguard of the vector in painting, expanding it to the related art. And, although the mass of criticism innovators are still subjected to abuse and ridicule, there are other opinions. Thus one critic wrote in a review of the exhibition "Youth Union": "The audience laughed. Laughed uncontrollably. They laugh because they do not understand. Russian people do a lot of laughter from the defensive misunderstanding. |
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Язык оригинала: Русский #6 |
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Гуру
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A black square for the first time appeared in the design of this opera?
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Язык оригинала: Русский #7 |
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Гуру
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Fross, so a detailed answer to your question in the article Yevgeny Kovtun, "Victory Over the Sun" - Beginning of Suprematism "
"Our Heritage", 1989. № 2 http://www.silverage.ru/stat/pobeda.htm And another interesting article by Valery Turchin "Iconography of the Black Square by the light of Theosophy: an icon, symbol, sign." http://www.gelos.ru/result/inkom/blacks2.html Incidentally, he noticed a curious continuity: a triangle Kulbin - a square of Malevich. |
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Язык оригинала: Русский #8 |
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Гуру
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I have found a solution I've found myself "Chronicle of the Union of Youth. Unfortunately, neither the author nor the source I have not been preserved. But compiled news, albeit in abbreviated form, based on the Department of Manuscripts and RM St. Petersburg Archive of Literature and Art, that is valuable.
In my opinion, the Youth League - a unique organization not only in the history of Russian avant-garde. This association of artists, for whom there was not any artistic idea or concept. (I do not remember another such). The main principle of association was in Novelty, ie It was officially established and registered society of innovators in many different directions. Perhaps it is this principle of association allowed peacefully, and most importantly, a fruitful co-exist in such different masters, as Philo and Malevich, Tatlin and Matyushin, Rozanova, Bubnov, etc. Since CM is quite comfortable collaborated Larionov and Goncharova and brothers Burliuks. Artists joined the company, came out of it, but after some time again to return. Because nowhere else they could find innovative quests such support as the SM. And the name "Union of Youth" had no relation to the age of the participants. If the footnotes to see the date of birth - the majority of the CM were not at the youth age category. "Young" means to them "a new, growing, growing. And the very idea of novelty is not haunted our innovators. They are usually signed their policy statements indicating the exact date. And not by chance - to secure a priority (as an invention). TO SEE absolute merit, in my opinion, should include the fact that they organized the first edition, entirely devoted to the avant-garde art in various fields. They first drew attention to the theater, as the scope of application of its innovative ideas, first started talking about the synthesis of various arts, but who knows what more ... Hopefully, I've found, will be useful. |
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Язык оригинала: Русский #10 | |
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Гуру
Регистрация: 26.07.2008
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