Mistrust of the Internet

[lusyvoronova]

Ninni, Thank you! With me were similar istorii.Moi friends (now former) tried to work "a la Lucy." Disgusting that were included in the trust, close terlis.Hodyat and declares themselves my friends.
Friends, I have enough! Continuing work on opening days and so I go often to invite me very rarely, only for cause and for a short vremya.Truzhus!
What's happening in the Internet do not know, yet nobody noticed.
Thank you for having opened this temu.Vremya, of course all will judge, but the thieves have oglashat.Spasibo!

[Ninni]

Such stories are common unfortunately. I hope you it does not threaten - your style is firmly entrenched behind you and all copyists will remain at the bottom.

[Konstantin]

Here I attach a picture of Ben Hashanah and this woman to compare and you will understand what and how to steal unscrupulous "artists"

Well in my paintings are different.

[Ninni]

Сообщение от Konstantin

Well in my paintings are different.

Honestly do not even know that you answer this ...... : shy:
Apparently someone like ....

[Черномашенцев Владимир]

Сообщение от Ninni

Here I am attaching a picture Ben Hashanah and that Pr

The line between plagiarism and citation is very thin. Perhaps this woman is strongly influenced by Ben Hashanah. Personally, I like to find in the paintings of subtle allusions to predshestvennnikov - so the artist can sometimes be better to bring their thoughts to the audience. It's all relative.
On the other hand, the emergence of a copyist and parodists should rejoice - fame!

And much like the Internet to do with it. Can not previously plagiarism? Yes, it used to be difficult, it was required to go to the exhibition, to tear his body from the chair. Now much easier - many draw inexhaustible knowledge of the global network, forgetting that it's only a weak copy of the true knowledge. This is especially true of paintings, which make a good photo can only professionals. And a copy placed in the Internet, is a weak reflection of the original.

[Meister]

Сообщение от Konstantin

Well in my paintings are different.

boy is clearly modeled in detail, it may be a case of so ordered.

  You know, this is a rather short-sighted so afraid of the Internet. Such fans can go up and to the exhibition, where photographs taken liked work, and then her home safely overwrite. On the contrary, I believe the Internet - is an opportunity to contemporary artists to show themselves and begin to climb the mountain's popularity. This is an additional possibility of contemporary artists to show itself, which did not exist in nature, and rather strange not to use it.

[Konstantin]

Yes, if you look strong, the central girl sketched one in one.

The first cartoon, the second major of Munch's something there. I do not know ...
Here is one write to the Kremlin, others can not now? Yes please. Obviously what I mean.

[Черномашенцев Владимир]

Сообщение от Konstantin

Yes, if you look strong, the central girl sketched one in one.

  But the picture is different. Girl very similar, but the plot a little bit similar. But it is not obvious plagiarism.

Here, in my opinion, an obvious plagiarism of the State Tretyakov Gallery:

1) left someone Leporskaya "The female figure in red, 1932-34. Right - Malevich "The girl with the red shaft" 1932-33. Who's who?

2) On Rozanov clearly smacks of a later Rothko.

3) About a month ago discussing the contemporary artist Sutyagin HF. For me, so it is very similar in style to Rybchenkova or Vedernikov. I see so.

4) If we talk about modern conceptualist - find spoloshnye borrowing ideas, words and logos.

What is that? Where plagiarism, and where the quote?

[Konstantin]

Leporskaya pupil of Malevich, so it's not plagiarism, and development issues.

[Meister]

Сообщение от Konstantin

Leporskaya pupil of Malevich, so it is not plagiarism, and development issues.

absolutely true, so it works like somewhere in Malevich, because it developed his ideas.
That Rothko like Rozanov, it has long been known. question he had seen her work or not? but it seems unlikely.
In principle, it is well known that all the new ideas in art were conceived and implemented in the late 19 - the first quarter of 20.