How to work an artist with a gallery and a gallery to work with an artist?

[kozhinart]

Сообщение от Wladzislaw

strange you write Latin names for Cohen did not take? Especially in conjunction with the coat of arms Kozhin

Who do I just have not accepted, dazh for a spy to take on the sketches in the village anliyskoy case was, ..: D
Writing names on anglitskom historically when working with dealers ...

[NATA NOVA]

Сообщение от kozhinart

http://forum.artnow.ru/showthread.php?f=1&t=5027
[U][I] [B]cursory glance at the work for me enough to immediately see a reference material, (photo), bezkotoroy as can be seen, the work of S. Kozhina impossible, makes it possible for this I am interested in the question of "esteticheskoy expediency." WHY? And why?

And that means "be like everyone else?

What this means to say? I would be extremely prmznatelna

THAT YOU WRITE?


  

Yes I am!
Your work here and there so unrecognizable and different level,
What they can not relate ..
And I really do not understand the aesthetic need to use reference materials by artists who have behind realist school.
I do not want to learn photo.
  In those landscapes, which I mentioned, even formatting typical "photography" - at least I feel so. As I wrote in "Notes", the West All realism (except for Schmidt, Green and Silverman, our contemporaries)
So what? The books is still great! And it works fine.And from his words, I do not refuse. And still no one to me does not explain about the "aesthetic need" ... Maybe YOU can finally?
  I would be grateful

[Семен Семенович]

Сообщение от NATA NOVA

Did you still have doubts that the "market value" and "artistic value" are one and the same?

Certainly, there are always doubts. And for me there is not an equal sign (or only when you can write - the market value corresponds to the artistic value ...).

Сообщение от NATA NOVA

Maybe it makes sense to specify the concept? Which gallery and what artist?

Here I do not understand the question ...

Сообщение от NATA NOVA

The company avoids the risk (in other bankruptcy or undrawn profit)
The company sells something that is bought.
Buy what is in demand
(almost) No gallery would not even try to sell something that is not in demand. (or is not a "potential" demand)

"Enterprise" - and risks, and deals that have not yet sold (the calculation for the future), and "makes" the artist, so he used the demand ... Everything depends on the purpose - simply to make money (for one and all) or to engage in the promotion of artists and to make this ...

[color="# 666686"]Added after 3 minutes[/color]

Сообщение от NATA NOVA

Can I ask you to clarify what artists and what picture you had in mind on a particular topic?

Here I would like to galereisty artists and shared their views on this issue. And, above all, they must be professional (I think) ...

[color="# 666686"]Posted 11 minutes[/color]

Сообщение от K-Maler

I knew a good artist, who for some time so worked, then declined to very creative reasons. He said that he begins to feel "obyazalovku", a sort of captivity ... "I want to look like, think ... and gnawing thought that I should ... that did not have time to date ..." So all is not easy.

I agree with you. But there is already a lot depends on the approaches. The combination of creative works and custom - gives artists the opportunity to more fully develop. Disproportion in one direction or another is fraught with (or move away from the profession and become a philosopher, or lose its identity and opportunity to grow ...).

[NATA NOVA]

Сообщение от Semen Semenovich

I would like here to galereisty artists and shared their views on this issue. And, above all, they must be professional (I think) ...

Here again.
About the artists:
  Professional in realism, a professional in abstract art. professional in conceptual art, They're very different nature and they have different ....( a one-name "artist")
and sootnoshenie-hud.tsennost/rynochnaya cost is also very different.
(Figure Feshin on "Trinity" was worth as much as flshivaya spoon, for example)
all of them (artists) are called professionals at what point? (since the end of the institution. from the time of participation in exhibitions, from the moment of merchantability, from the moment of fame, since the institution's own students, with momennta find work in museums?) Who do you call "professional ?
About the curator:
Who is a gallery owner, a professional? (I do not know .. I have not yet come across.)

What tapes galleries, they are many and they are very different.
For me personally important personal qualities galeristki, psychological compatibility, look at art and philosophy of life. (Not yet found, and gallery owners, afraid)

Therefore, there is thought to organize "independent" group, similar in spirit to painters' works, which would not depend
in all aspects of the gallery. Interdisciplinary efforts of Alert (advertising) I see even very promising.
Seats (independent) available for rent too many. Main problems in the organization ..

[Семен Семенович]

Сообщение от K-Maler

"The system is outdated and trade pictures of moldy ... need to upgrade, the old ways of doing business no longer suitable. Price, the audience - all required updates. Cheap works for the people - that's the future of painting because that the present art lovers seem more and more come to a standstill and stale. That's it. " Van Gogh.

And how then argue, looking at the signature? Yet I dare say that slovosochitaniya - "trading system pictures" - I think gives ulichnosttyu. (Do not know that meant Van Gogh). For this important system of galleries promoting a particular direction in painting, and how the correct steps would be taken (the selection of artists, system approach to their art ...), so successful and will work (including trade).

[color="# 666686"]Posted 17 minutes later[/color]

Сообщение от NATA NOVA

Who do you call "professional"?

Artist professional - a man who owns his profession (its basics - drawing, color, composition ...). And constantly improving it ...
"At one share of talent to have ten times as much diligence and ability to work. Talent is like our inner body, which can, like the muscles to develop." (KF Huon)

[color="# 666686"]Added after 18 minutes[/color]

Сообщение от NATA NOVA

look at the work

This is one of the main components of cooperation ...

[NATA NOVA]

Сообщение от Semen Semenovich

a professional artist - a man who owns his profession (its basics - drawing, color, composition ...). And constantly improving it ...
"At one share of talent to have ten times as much diligence and ability to work. Talent is like our inner body, which can, like the muscles to develop." (KF Huon)

  That, my dear Semen Semenovich, that's you and articulate what I call the "real" (Orthodox), and realism is only a small (and rare already) a part in contemporary art in which a catastrophic lack of terminology .
So, you gallery exclusively "Hight Art" (by Nicholson )..." Fine Arts used to be called .... Gallery rarities.

[Семен Семенович]

Сообщение от NATA NOVA

professional in conceptual art

Извените, if you here the word "conceptual art" is because of something like Hirst's installations, then there is another profession that does not have any relation to the artists.

[NATA NOVA]

Сообщение от Semen Semenovich

Извените, if you here the word "conceptual art" is because of something like Hirst's installations, then there is another profession that does not have any relation to the artists.

So I also think .. But dosih then the whole world why you use the old terminology (I even read it. Like a shark "sculpture" called in English. Edition for children)
So I ask so many questions, because it confused all ... Even the realistic interpretation is taken as realism (usually) right now.

[Семен Семенович]

Сообщение от NATA NOVA

Gallery raretetov.

If the understanding that such art becomes rare, it can be. I have been, exclusively, contemporary artists, preaching the same principles that I did.

[NATA NOVA]

Сообщение от Semen Semenovich

If, on the understanding that such art becomes rare, it can be. I have been, exclusively, contemporary artists, preaching the same principles that I did.

Then necessarily see those that I sent you (get a true pleasure-level rare)