How to work an artist with a gallery and a gallery to work with an artist?

[v_r]

Сообщение от Chernomashentsev Vladimir

From my own experience: any artist can learn Photoshop and PeydzhMeyker and prepare the layout. This is the main expense for a small circulation. No one will come up with design and debug a better picture of yourself.

Do-It "(also from my own experience)
Iron:
Tripod
digital camera mirror
color laser
glue machine
guillotine

consumables:
paper, toner

Must need to master:
Adobe Photoshop
QuarkXPress

Photograph, for layout, print.

[Тютчев]

Сообщение от Chernomashentsev Vladimir

objected.

Print book-catalog in ed. "White City" [they produce a series of "Masterpieces of World Art"] cost about 10 thousand dollars for circulation 1000 copies. (10 bucks for the album average thickness). This includes all: you give the text and photos, they create a book, printed in Finland, and brought tamozhat. The quality of secondary education, do not recommend. You can make more copies to 3000 thousand - then the price of one specimen. less. Besides, they are ready to take part of the circulation and disseminate to their dealer channel. So any artist may be next to Rembrandt, Aivazovsky and Malevich. Vermeer are not printed.

I was told about their demands to the artist:
1) No pornography
2) not advertising fascism.

That's all the requirements to become a "masterpiece"!

    "White City" produces products of dubious quality. Colors are terrible, all the floats, flares! Texts no. In their albums, they are often placed frank falshaki. Especially in the thick series.
But at least doing something.
      In fact, in Soviet times, good books released. But they were always in short supply.
      The galleries of the same, which produce good directories in Russia once or twice - and's all. Is it cause we have delivered. What can you say!

[NATA NOVA]

Сообщение от Semen Semenovich

However, in every country there are galleries, which tend to get artists, because it is already a certain level of artistic value and market value ...

Start.
Subject:
How to work an artist with a gallery and a gallery to work with an artist?Semen Semenovich, surely you still have doubts that the "market value" and "artistic value" are one and the same?
  Maybe it makes sense to specify the concept? What gallery and What artist?
If you look not philosophising:

Everyone (formed), the artist is the "philosophy". A gallery is a "company" (not including charities) ..
But the gallery is not just a company, and the enterprise with your philosophy
red thread, which is money (and their quantity in the range from tiny one artist in the gallery basement to the network of galleries Saatchi ...
The difference is that Saatchi would never change his philosophy, and the "basement artist"-easily. (Especially if the "basement" of his property and he has something there, if not usually reeducated in the "superintendent")

The company avoids the risk (in other bankruptcy or undrawn profit)
The company sells something that is bought.
Buy what is in demand
(almost) No gallery would not even try to sell something that is not in demand. (or is not a "potential" demand)

Can I ask you to clarify what artists and what picture you had in mind on a particular topic?

[kozhinart]

Сообщение от Buscador

.....
Honestly, never met a single artist, who himself would have produced a catalog or album (I did not say that they are not). Simply, this process takes too much time and money. Typically this is also engaged in a dealer
(Gallery) or sponsor ...

I personally made 2 books on their honestly earned ...
http://kozhinart.com/ru/publications/cataloge
http://www.belygorod.ru/catalog/25550/

[NATA NOVA]

Сообщение от kozhinart

I personally made 2 books on his honestly earned ...

Oops. show!

Oh, thanks! I delighted! (that's how good that zaschel conversation and I as always with her (as some think "pointless" questions ..).
I feel like sitting and not be met with Semyon Leonidovich, wonderful artist! Delighted!
I really liked the book. and the idea .. and pictures!

I have such beautiful not (yet) ..
It is unlikely that I will be able to do it "for their" ..
.. I'm just the last few years, I have the opportunity to engage in creative work and (some what) of exhibition activities ..
Here are just a directory of international exhibitions modestly (but free!)
Not much. of course, but it will come down but for a start, I think ...

[kozhinart]

The more publications, the better ... I, too, starts with ...: shy:
All free extracted your "free labor" and mind ....

[NATA NOVA]

Сообщение от kozhinart

The more publications, the better ... I, too, starts with ...: shy:

A publication that is now considered to be: printed? Virtual? radio? TV? or is it all together? or only on paper?
Or "folios"?

[kozhinart]

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Сообщение от Chernomashentsev Vladimir

That's all the requirements to become a "masterpiece"!

Yet, in albums such as: "Russian Landscape", "1000 Russian Artists", "History Painting" and other works of artists accepted besplatno.Nekotorye albums from the series "Masters of Painting" were issued free of charge to the artist, the means of publishing ...

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Сообщение от NATA NOVA

Oh. show!

Oh, thanks! I delighted! (that's how good that zaschel conversation and I as always with her (as some think "pointless" questions ..).
I feel like sitting and not be met with Semyon Leonidovich, wonderful artist! Delighted!
I really liked the book. and the idea .. and pictures!

What I do not understand ...

http://forum.artnow.ru/showthread.php?f=1&t=5027
[U][I] [B]cursory glance at the work for me enough to immediately see a reference material, (photo), bezkotoroy as can be seen, the work of S. Kozhina impossible, makes it possible for this I am interested in the question of "esteticheskoy expediency." WHY? And why?

And that means "be like everyone else?

What this means to say? I would be extremely prmznatelna

THAT YOU WRITE?

[Wladzislaw]

Сообщение от kozhinart

I personally made 2 books on his honestly earned ...
http://kozhinart.com/ru/publications/cataloge

Strange you write Latin names, for the Cohen not take? Especially in conjunction with the coat of arms Kozhin: D

[K-Maler]

Сообщение от Semen Semenovich

adjustments, but I continue to work with some of the case. In my practice, the artists do not stand up and try after some time (when the ads began to operate, the catalog is made, a personal exhibition held ..

I knew a good artist, who for some time so worked, then declined to very creative reasons. He said that he begins to feel "obyazalovku", a sort of captivity ... "I want to look like, think ... and gnawing thought that I should ... that did not have time to date ..." So all is not easy.

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Сообщение от Chernomashentsev Vladimir

can be displayed in shopping malls - if an artist paints a "commodity" for sale mass audience, per residential designers and their clients-glamorous clientele.

It seems to me, in passing emerged an interesting question: who he expects today from the arts and as "legitimate" subjects of painting moved to "step-daughter" of art. To illustrate what I mean quote: "A trading system is outdated and pictures of moldy ... need to upgrade, the old ways of doing things are no longer suitable. Price, the audience - all need to be updated. Cheap works for people - this is the future of painting, because that the present art lovers seem more and more come to a standstill and stale. That's it. " Van Gogh.