In that invest beginner?

[Сергеич]

Margaret

The easiest option is to choose a gallery credible.
  It's work, but it is understandable. Here are a few criteria:
1) Lifetime (year, five, ten or more above).
2) reputation in the market (ask around, read newspapers, what activities are available).
3) What are the guarantees given (for example, there are galleries that guarantee that will take you back to work at any time, although for the same money. And this is their "grease" the picture is likely more expensive, but you will not be wasted money that your insurance) .
4) The normal price policy (this does not mean that there must necessarily be the cheapest option, it means that prices should be at the level of the market)
And so on. A select gallery, you can safely engage in purchases through them until you have your own experience.

[qwerty]

Margaret,
cayman, how to communicate with the experts is a matter of seconds. First question - is to communicate with anyone. Universal, omniscient experts do not happen. Typically, one or another expert decently versed in some area, for example, "the Russian schedule the first third of the twentieth century" or "German Expressionism. More common when the expert knows some direction or association of artists, such as "Blue Rose" or the "Group of 13". But most often, including in the West, there are situations where the expert is considered as such (with the absolute and sole) in respect of one artist, such as an expert on Lansky is Mr. Schoeller. Finally clear: to peruse works of a single artist must spend many years of time "to rest" simply does not remain.
Unfortunately, there are also "wrong" experts. This occurs as follows: a person examines the work of an artist, writes books, dissertations, articles, etc., earned authority, receives the public recognition ... and begins to use it. Producers of fakes come to him, and he begins to give a positive review on a completely "wrong" things. Typically, this situation becomes clear to professionals in a year and a half, but only to professionals. I know a dozen of these "experts", and, as Russian and Western, know them and most professional people working on the art market.
So my advice, unless you have a great expert on the art, do not try to buy their own, must be plucked to the trouble. It is better to find a consultant, but rather a decent gallery. Decent gallery not only takes all the trouble to study the attractiveness of buying a particular job, but, failing that, will return all the money.

[Маргарита]

maybe someone knows a decent picture Zapadnoy Europe, showing as Russian painting?
would be very grateful!)

and even if there are auctions that guarantee authenticity?
Provision is in fact a take away from the market!

[Glasha]

Сообщение от Margaret

qwerty

prisoedinyayu to the question cayman on the experts!

Another question on the experts: why so different prices for examination? (because there are a number of experts), and is there enough examination of the expert specialist to confirm (there are also cases where obvious!), or is required, plus technology-X-ray diffraction study?
  And if the latter is not necessary, then the final price will be less expertise? Do I understand?

[Admin]

Сообщение от Gala

Another question on the experts: why so different prices for examination?

This question passed in a separate topic.

[AlexanderG]

In that invest beginner?

V samoobrazovanie, bank, konservativnye aktsii.

[Veronic]

Сообщение от Margaret

and even if there are auctions that guarantee authenticity?
Provision is in fact a take away from the market!!

If a little money, then it is better to buy a modern painting or the artist himself or by his relatives, or in the gallery, which is on a permanent basis with the artist, and issues a certificate for his work. Then there is a big chance that the original purchase. Because when buying antiques 100%guarantee of authenticity can not give one.
Consider Antiques as an investment can only be a person who is willing to invest considerable sums, and who will not try to sell in a year job. Investing in art is a very long period.

[Meister]

Сообщение от AlexanderG

bank, konservativnye aktsii.

Enron - also in his time was supernadezhy companies, and Lehman Brothers was one of the most reliable banks in the world.

Сообщение от Veronic

Then there is a big chance that the original purchase. Because when buying antiques 100%guarantee of authenticity can not give one.
Consider Antiques as an investment can only be a person who is willing to invest considerable sums, and who will not try to sell in a year job. Investing in art is a very long period.

Not agree with you. There are a number of paintings whose authenticity can be podtvezhdena with 100%certainty, but when buying a modern artist no problem at all can not be. BUT! buying a contemporary artist (even the already successful), there is generally no guarantee that it will rise in price. NO! Hirst and Koons won has sunk to 50%. Investments in the art tested by time. Moreover, investing in antiques are possible from $ 1000, so it's not such big amount and period of investment may be less than a year.

[AlexanderG]

Сообщение от Meister

Enron - also in his time was supernadezhy companies, and Lehman Brothers was one of the most reliable banks in the world.

Vy namerenno vybrosili samoobrazovanie? bez etogo kartina iskazaetsia

[Veronic]

Сообщение от Meister

Enron - also in his time was supernadezhy companies, and Lehman Brothers was one of the most reliable banks in the world.

Not agree with you. There are a number of paintings whose authenticity can be podtvezhdena with 100%certainty, but when buying a modern artist no problem at all can not be. BUT! buying a contemporary artist (even the already successful), there is generally no guarantee that it will rise in price. NO! Hirst and Koons won has sunk to 50%. Investments in the art tested by time. Moreover, investing in antiques are possible from $ 1000, so it's not such big amount and period of investment may be less than a year.

100%chance of authenticity once again I repeat can not give anything, if the artist did not say "Yes, it's my job, but on antiques that can not be done, as you can imagine. A lot of pictures that were already in museums later identified as a forgery, or school .....
And the fact that the thing will grow in value and there are no guarantees on antiques, it's like a lottery or securities, or perhaps real estate, something to gain and something to lose, and in the future and can be swapped several times (всмысле win-lose) .