Very brief history of forgery - Форум по искусству и инвестициям в искусство

Кирилл Сызранский · 05.07.2009, 16:09

Цитата:

Сообщение от Glasha

no?

Yes, but I find it hard to imagine that

Цитата:

Сообщение от LCR

Soutine and Kisling produced a fair number of "Modigliani" commissioned Zborowski, Modigliani Marchand.

Must be at least slightly Modi, but whether they Soutine?

Glasha · 05.07.2009, 16:22

Of course, it would be interesting to see specifically, but

Цитата:

Сообщение от LCR

Now they are all authenticated as original by the Italian artist

Marture if and jabbed his finger "in any work, is unlikely to publicly designate.

Цитата:

Сообщение от Cyril Syzransky

It should be at least slightly Modi, but whether they Soutine?

If the work of imitators, so Soutine has become a time Modigliani:

Цитата:

Сообщение от LCR

put themselves in the place of the artist, to feel their feelings, to pass his way and to work instinctively, not thinking, "disconnect reason" not to lose the spontaneity and automaticity hands

Кирилл Сызранский · 05.07.2009, 16:37

Цитата:

Сообщение от Glasha

If the work of imitators, so Soutine has become a time Modigliani

I am in this version, Sutin wrote "Modelyani" - do not really believe, to be honest.

Glasha · 05.07.2009, 16:51

Цитата:

Сообщение от Cyril Syzransky

I'm in this version, Sutin wrote "Modelyani" - not really believe, to be honest.

I just can not imagine this ...

Jasmin · 07.07.2009, 10:36

The website http://pintura.aut.org/, where I often now I go, drew attention to a single peculiarity. There are many anonymous authors of the 15-18 centuries. And the impression that all the paintings - all of the Infanta, gentlemen, dwarfs and so on .- hand of one artist, and the modern.

Allena · 07.07.2009, 15:23

And I think that must feel the forger. If a very talented person successfully adopts the manner of another, and somewhere even become them, what is inside him while going on? The result is not an artist, a brilliant imitator. By the way, is why, in my opinion, Soutine and Kisling on to forge Modigliani, too much in them was a proper beginning, that they were able to overcome his forgery.

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07.07.2009, 10:36	Язык оригинала: Русский #5
Jasmin Гуру Регистрация: 10.04.2009 Адрес: ישראל Сообщений: 2,566 Спасибо: 6,355 Поблагодарили 2,524 раз(а) в 963 сообщениях Репутация: 4255	The website http://pintura.aut.org/, where I often now I go, drew attention to a single peculiarity. There are many anonymous authors of the 15-18 centuries. And the impression that all the paintings - all of the Infanta, gentlemen, dwarfs and so on .- hand of one artist, and the modern.

07.07.2009, 15:23	Язык оригинала: Русский #6
Allena Гуру Регистрация: 03.06.2008 Адрес: Москва Сообщений: 5,170 Спасибо: 14,181 Поблагодарили 6,377 раз(а) в 1,656 сообщениях Репутация: 13104	And I think that must feel the forger. If a very talented person successfully adopts the manner of another, and somewhere even become them, what is inside him while going on? The result is not an artist, a brilliant imitator. By the way, is why, in my opinion, Soutine and Kisling on to forge Modigliani, too much in them was a proper beginning, that they were able to overcome his forgery.