Stillife

[Игорь Гурьев]

Written beautifully, maybe even too perfect.

Specific "snotty" and vyalovatosti characteristic of the German imitations of the 18 century, not uzrevayu.

On the other hand, in the 17 th century wrote more "wildly", abruptly, I suppose.

Here - so to speak, overripe baroque, look through albums can be found on.
Well, the same pion and the same tulip.

[sergejnowo]

Сообщение от Guriev, Igor

has written an excellent, maybe even too perfect.

Specific "snotty" and vyalovatosti characteristic of the German imitations of the 18 century, not uzrevayu.

On the other hand, in the 17 th century wrote more "wildly", abruptly, I suppose.

Here - so to speak, overripe baroque, look through albums can be found on.
Well, the same pion and the same tulip.

Widely viewed on the Internet.
Such a high level, with the prefix "even too perfect" is not found.
Ordered in the library a couple of good, old books and pictures on the theme of still life. I will look further.

The black background was in fashion until 1650 - 1680 GG, but wrote more "wildly," then in vogue was a light background.
I have a feeling that it is in the early 18 th century, one of the good "technicians" pampered.

It was already the idea that someone from the modern pampered. There are however a complex and uneven craquelure that I was not as well not believe it. On the face of the mass of the secondary signs of aging.

[Кирилл Сызранский]

Сообщение от sergejnowo

I have a feeling that it is in the early 18 century, one of the good "technicians" to indulge.

That is very similar and in time. If this is an imitation of the Dutch (in the broad sense) paintings by German artists, it is clearly Lane. half of the 18 th. or next.
Incidentally, the Germans specialize in certain manners of the Dutch.
For example:
Justus Juncker (1703-1767) wrote the interiors with scientists in the style of a Dutch T. Weiss;
Christian Georg Schütz Elder (1718-1791) created a panorama of the Rhine River and Main, in the spirit of H. Saftlevena Younger;
Philip Brickman Hieronymus (1709-1761) worked in the style Rebrandta and his school.
But known Mastara Johann Daniel Bager (1734-1815) specialized in the manner of the Dutch natyurmoristov J. D. de Hemy and J. van Heysumaha.
sergejnowo, you identified the species of wood, by the way? The important point, too, no?

[sergejnowo]

Сообщение от Cyril Syzransky

You have identified species of wood, by the way? The important point, too, no?

work on the old, thick canvas, lined to a new canvas, probably in the first half of the 20 century.
A stretcher is not native, probably the first half of the 20 century.
Before the sale at auction canvas pull - fresh nails, old holes in the face.
Rama is not native, but the real 18 th century.
Interestingly Size: about 31 x 37 cm
The Dutch used this size /flamantsy in 17-18 century to flower natyumortov.

[Кирилл Сызранский]

Сообщение от sergejnowo

work on the old, thick canvas, lined to a new canvas, probably in the first half of the 20 century.

These are for! I was sure that the foundation of your still-life-oak.
Then all the more interesting.
Web based! Interesting ...

[sergejnowo]

Сообщение от Cyril Syzransky

These are for! I was sure that the foundation of your still-life-oak.
Then all the more interesting.
Web based! I wonder ...

looked at www.artprice.com material on 15ti leading European artist, specialization still life /flowers /fruit, from 1650 - 1750. They have about 90%of works on canvas. He asked local witch doctor, they say, in kind, was probably not more than 70%on the canvas. However, work on the tree for 300 years have survived worse, so they remain relatively less. Can lie.: Shy:

[Кирилл Сызранский]

sergejnowo, then in another case. For me.
When came the view that your still life may later imitation, for example, the German artist, I immediately remembered this topic.
This theme was very popular among the bohemian artists of the first half of the 18 th century. There are studies on this interesting phenomenon. You can tell a lot, I will briefly.
Those artists who worked in the early 18 th century. Prague achieved striking resemblance to the works of masters of the Flemish school. There is even an expression, "The Second Prague Mannerism. But most of the work of these Germans from Prague written on oak and less copper. But the paintings on the hosts now known little. Actually, I have not seen in the literature. Now blow the whistle, there is where, and then you pour down the names of these German masters-imitators in l /s, and you too will be next on the European bases to compare. Maybe uvidide similar. How?

[sergejnowo]

Сообщение от Guriev, Igor

exaggerated scale, some inconsistency

laid out a picture from a distance of 2 m.
Optical aspect ratio close to the actual photos.

[sergejnowo]

Сообщение от Cyril Syzransky

Then all the more interesting.
Web based! Interesting ...

picture already lecturing.
Clearly visible joint overlap. Interestingly, the label has the same picture craquelure that the paint layer.
New canvas between the old canvas and frame artificially blackened.

[Кирилл Сызранский]

Сообщение от sergejnowo

label has the same picture craquelure that the paint layer.

I never understood it, paper and pasted?