How to unleash the artist

[Buscador]

Сообщение от Pavel

Why do I seek, I know myself. That I read and write to you.
It's good that you like someone else besides Savrasov, but for some reason you do not like that and I like many different artists. You are so watered me and what I see, your avatar strangely reminiscent of Malevich. This is not good, pretending not to be like, should be original. What about still life. What price? You are such a connoisseur.

Perhaps I'll start with the end ... I never considered myself a connoisseur, but only with their views on certain issues. Cash equivalents are not given work and not going to give. This section, how much it costs. Speaking at this forum, I do not pretend to that, but I do not think that I am at someone similar. As for my work, it is called "Conversation with Casimir, and it's just banter, seeming to me quite original.
Nowhere and never wrote to you that I do not like what you like many different artists. Is your right. I just did not like (naplyuyte) that you are all taught how to work with the artist, but as no ...
And the last. What am I watered you? I just do not always understand your allegory: - "That I read and write to you." That's trying to "enter "...

[color="# 666686"]Posted 6 minutes[/color]

Сообщение от Cyril Syzransky

The report from Pavel
Prices luchshe all determine the quality. Amateur odd job differs from the masterpieces at the cost.

Prices often determines those who are currently engaged in an artist and how seriously. And the quality can be secondary. A amateur forgery is just different quality.

[color="# 666686"]Posted 12 minutes[/color]

Сообщение от Pavel

But what Savrasov? Where is the logic?

Logic is not ... Savrasov and all is well - until now in the Tretyakov Gallery.

Сообщение от Pavel

I think it is not well under Malevich Malevich.

You flattered me

Сообщение от Pavel

I wanted to say: "different costs".

You flattered me again.

[Pavel]

You forget how to say that I have a lot of French people, so it's natural because they are my teachers, but I itself. In art, the most important thing to be at no one, like the original, let it be at first sight worse-будующее will tell, but be afraid of borrowing and the similarities. It is immediately apparent to experienced specialists.
I have no one to teach, and speak for and defend their point of view.
I am sure, based on the French experience that artists and dealers are much more profitable to do business and work, not counting on a narrow elite stratum, and as soon as more democratic. More collections, the more customers and sales.
This still life of Edouard Manet, Impressionist chapter.

[Кирилл Сызранский]

Сообщение от Pavel

but afraid of borrowing and the similarities. It is immediately apparent to experienced specialists.

You're not afraid of borrowing and shozhestv.

[color="# 666686"]Added after 5 minutes[/color]

Сообщение от Pavel

but I have mine

O! I do not like jokes. I asked all of them make you nervous. I myself
State Board of fear. What indeed? I like that! I do not look any
for whom ... I tell everyone: "I myself know myself." (c)

[Pavel]

Сообщение от Cyril Syzransky

You're not afraid of borrowing and shozhestv.

[color="# 666686"]Added after 5 minutes[/color]

O! I do not like jokes. I asked all of them make you nervous. I myself
State Board of fear. What indeed? I like that! I do not look any
for whom ... I tell everyone: "I myself know myself."(a)

I do not understand.: Confused:
Think that might defend his opinions are not humble?: Shy:

[Кирилл Сызранский]

Сообщение от Pavel

I do not understand. : confused:
Think that might defend his opinions are not humble? : shy:

No, normally ...
Just like a text view. He gave a quote for comparison. : D

[color="# 666686"]Added after 1 minute[/color]

Сообщение от Pavel

I have no one to teach, and speak for and defend their point of view.

But sometimes your statements sound like sermons.
By celebrities, as they say ...

[Pavel]

Let us return to our sheep. Order. to unleash the artist need?

[Кирилл Сызранский]

Pavel, your message above 388th in the subject How to unleash the artist.
I think that among the nearly four hundred messages, you can find a few tips. What do you think?

[Art-lover]

Сообщение от Pavel

Let us return to our sheep. Order. to unleash the artist you need?

Good shepherd? : confused:

[Altim]

Сообщение от Pavel

Let us return to our sheep. Order. to unleash the artist you need?

Do you need more positive dynamics of GDP and a high index of consumer sentiment, which corresponds to finding the economy as "growth" phase of the economic cycle. Painting relates to goods excess demand, ie such are not part of a set of basic household needs, thus the demand for it (painting) differs sharply procyclical character - namely, the cost of painting units and sales of beautiful goods falling off sharply after the main macroeconomic indicators, and often faster than their lower .
Everything Else - subjectively.

[Pavel]

Сообщение от Altim

Need a strong positive dynamics of GDP and a high index of consumer sentiment, which corresponds to finding the economy as "growth" phase of the economic cycle. Painting relates to goods excess demand, ie such are not part of a set of basic household needs, thus the demand for it (painting) differs sharply procyclical character - namely, the cost of painting units and sales of beautiful goods falling off sharply after the main macroeconomic indicators, and often faster than their lower .
Everything Else - subjectively.

I think the arts are not dependent, and suffer from economic factors. The history of French art, and our before and after the revolutionary development shows that even in the most difficult times, art has developed, and sometimes through, and contrary. I think that point is not that people can not buy, but the fact that they can not sell for a price. This can be done through the auction and the wider the market the greater the supply and higher prices. Further benefits include factor-collectors gather the collection for years denying themselves in many ways, but the heirs to divide the collection often try to turn it into money. When these things are getting any cheaper to acquire its value, but only if the sale is open. And not from under the counter and without fraudulent tricks. At different times of the artist are different conditions and paintings fall into different hands sometimes vain. When price increases, all these works appear, and x is literally saves trade. Pictures can and should fall into the hands of the broadest range of people and I think the wider the better for the artist. Somewhere If someone gets a podvolovki picture and get it at an auction for a round sum of all will know by this artist. So it was with Sezen.
I like your avatar, good job.

[color="# 666686"]Added after 4 minutes[/color]

Сообщение от AlexanderG

Buscador

U nih byla gruppa hudoznikov, vydelennaia imi samimi, kotorye schitalis' veduschimi.

Manet poluchil prisnanie blagodaria svoemu shkol'nomu drugu Antoninu Proustu, kotoryi stal ministrom kul'tury v 1881 godu i podderzal 'koresha'.
Podderzal do takoi stepeni, chto daze orden pochiotnogo legiona vydal.

It deserves in the opinion of the Impressionists and history.

[color="# 666686"]Added after 7 minutes[/color]

Сообщение от Buscador

You did not ask me the name of the artist, and asked to evaluate the work. And such nonsense, I am not engaged. This is the first. Secondly - you as a connoisseur of French Impressionists and the French language would need to know that the name was Edouard Manet. And the third - the impressionists did not, and there could be neither a "chapter". This is not the Provisional Government ...

You should read more, it is very interesting. The name means Manet masterpiece, it means tens of millions, it is natural.
Imitation and the study is two different things. Malevich most brilliant artist, look Suprematists work at his institute. This is the way to the brightness, the construction and tonal color. If you understand this, you will reach togozhe result without imitation.