Цитата:
Сообщение от Buscador
To get to any gallery you any qualities, but the artist does not need. All the rest depends on the gallery. If they realize that you can earn - you can come to an agreement on 40%. Permanent job (if the gallery felt that the artist went) - suggests 45-55%. But I repeat - it is all about gallery (as much flair or other place, this case gallery). And if the artist will try to claim something, something about it on the market, forget it (I mean a decent picture). Sotrudnichanie with several galleries in one region - and the artist again sells itself. And there it is impossible! "(Except when the artist has a gallery, as described by Jasmin. But such cases are known to me only with a very well-known artists).
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The pyramid is growing when the price of the sale to sell to some moment, such as war, and prices are falling, but the possibility of sale should not be in a year, and the next day from purchase. So it was with Utrillo. And here is what happened with Soutine - Dr. Barnes came to Paris and began to buy Soutine, whom no one bought! Traders and Serious recovered and ran everywhere to look for work Soutine, because it started this speculation. Moral-do not want one or the other will be just be yourself.
Worse than another, when a gallery owner knows that it is necessary. What does not happen only in galleries and falshaki and kompelyatsii (I saw kompelyatsiyu with Wyeth with partial) and lyubitelschina and kustodievschina and shishkinizatsiya, with the gallery feels solid. When you simply have to look for artists simply artistic taste. One two names and a good selection of works and can raise prices. But once again the market is an auction, independent galleries.