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Язык оригинала: Русский #11 |
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Here, look. Presumably, all these people saw themselves as artists in Paris. Most likely, none of them had studied at the Paris Graduate School of Fine Arts (this can be verified, but isklyucheiiya should not be many), but no one protests the fact that they were called
First Paris School: Picasso, Chagall, Modigliani, Paskin, Soutine, Flint, Hmelyuk, Kisling, Kikoin, Fujita, Kirshenbaum, Marevna, Mel-Mutter, Tereshkovich and many others. Second School of Paris: Polyakov, Lanskoy, de Stael, Seifert, Hartung, Heifer, Jan, Pelayo, Pierrakos, Prasinos, Seiler, Senes, Vieira da Silva, Zao Wu-Ki (there are also French, thank God, I leave them blank, but you can see in section "Art Direction") In my opinion, it depends not only on the art critics that detect stylistic similarities and defining the various schools and trends, but also on the willingness of the artist to define himself in any way, to emphasize its connection to some place with a certain style, etc. d.. The fact of birth or even the school itself is not significant. |
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Язык оригинала: Русский #12 | |
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Язык оригинала: Русский #13 | |
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By the way, Mozart also defines itself as "Germany's musician, when it was profitable - not to mention Schumann and Wagner
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Язык оригинала: Русский #14 |
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Artem, LCR, agree with you, but here's looking at pictures of Malik, I can not say that they "Odessa", a work plan can be seen willows Kiev and Moscow, vobschem anywhere, have no their attachment to the city, to the place.
And, for example, Yegorov Yuri graduated Art Institute. Repin (Leningrad), then moved to Odessa, but his paintings, the sea, not in vain even say "Egorov sea! |
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Язык оригинала: Русский #16 | |
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[color="# 666686"]Added after 13 minutes[/color] Serious seen the study, bOldenie preceded writing |
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Язык оригинала: Русский #17 |
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Let me note that this site is and involves a "profitability". I am personally very fond of "Odessa painting, you could be my interpretation of what it is, and what the names of its components. Make a courtesy.
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Язык оригинала: Русский #18 | |
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And you would like to see another dealer and art critic was in the "people go? Sowing a reasonable, good, eternal?? |
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Язык оригинала: Русский #19 | |
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We had in mind something quite different, re-establish the historical context: after the fact, as Mozart wrote a number of Italian operas - I think that there is no need to talk about how they are perfect, and what joy they bring people up to now - the fashion for it has passed. Then Mozart and began to write about myself as a composer germanskom and the need for a Germanic genre of opera, simply because he was interested in musical theater, and he wanted to get a job - because the opera is not a string quartet, it will not write for himself in the chest, and not to carry home with fellow musicians. So, as you can see, nothing predlosuditelnogo behavior Mozart was not, and we wrote about him without any accusatory intentions [color="# 666686"]Added after 13 minutes[/color] But do not you think that baldenie should always be preceded by writing, or in other words, it is better to write about what you love - and do you know? I join the request of the SAH. It would be nice you showed several works, for which you do not deny belonging to the Odessa school, which has become for me, at least read posts on the forum, all the more mysterious. |
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Язык оригинала: Русский #20 | |
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[color="# 666686"]Posted 1 hour, 29 minutes[/color] The mystery of negligence. Are you asking about various things. Works K. Lomykina disciple N. Sheluto, SE Egorova student Frayerman T., A. Freidin, I. Ostrovsogo students D. Frumina, B, Vlasov, the younger Edik Pavlov-so for me the most striking, as they say, the representatives of the Odessa School painting. The generation of the 60-'70s gone leaving students prodolzhateley.Na this is the objective Pritchin - sooner passed away, left for their villages, they could not and did not want to teach. |
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| Метки |
| Alex Malik, Odessa, modern, Ukraine |
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