Odessa artist Lucien Dulfan

[Tana]

Сообщение от VYACHESLAV

ABOUT AL Dulfana solo exhibition in Odessa in 1987 http://art-otkrytie.narod.ru/muzei1.htm Article in the third part of the book online. Way to sell the painting in this exhibition.

Hm with an interesting little book, especially that the author writes about Malevich, and about Vrubel:
"Rehabilitate" Silver Age "RUSSIAN ART"
IN RUSSIAN MUSEUM in April 1990
"Flat-eye" pattern in the dull Vrubel Hall?
VYACHESLAV where you "is" dug up ?????
In general, interestingly, by its opinion has not changed, because he writes in this book that "the time will judge"?
There is simply "pearls" and not a notebook:

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"Intrigued by the ability of my erudite companion (the Manege) to explain something in kalyakah Belutin, I asked him what he can say about the famous black square of Malevich."
the black square of Malevich here:

http://art-otkrytie.narod.ru/muzei5.htm: confused:

"A fashion for surgery blows: to claim that the avant-garde - like it."

and this is just what is the phrase:
"Or let's say: not necessarily a range of reading create by trial and error. Can you, from reputable sources to know what to read, and what is not."
Oh, VYACHESLAV just reminded me of school childhood ...
about Degas Seated Dancer. in 1879 "... with a flat face, awkward figure, and short neck is difficult to recognize the beautiful. However, the bed, like the unique combination of color spots, beautiful. "
And nothing beautiful in a dirty pink spot is not ... "

Yes, the author of the studio:
S. Volozhin "" Notes of a grateful viewer "".
VYACHESLAV if we take the feedback of this author on the art: the Hermitage exhibition, 1995. "Unknown masterpieces.
Volozhin wrote: (and this is something in 1995 !!!!!):
"I was grieved and, remembering the only help available to me to publish, wrote angry minitraktat the book reviews, was filled with unsubstantiated praises to the organizers of the exhibition and in honor of its exhibits.
Here is the text.
"I am amazed that in the main annotations (large size, hanging in the hall prior to the actual show) are sensitive to the prudence not to disclose his ownership of patrons who purchased the product degenerative - defined by the Nazis - art, and do not understand the authors of the same annotations that and we have no sin to join the opinion of the Nazis.
Did not recognize any impartial spectator, that by the end of XIX century painting ill particularly strong aversion to reality, to its people, its scenery, everything.

Compare Fantin-Latour still life (on the same show) with still-life by Renoir (1880, 1896, 1910), Cézanne (1890, etc.). Tusklyatina fruit negligence colors - love the Impressionists and finish, shine apple skin, even a pock-marked, or just shine it (another picture), even glare - a Fantin-Latour.

Saying And, to speak and B. On Fantin-Latour in prikartinnoy annotations written: embodied the joy of life. And about sezannovskoy tusklyatine decided not to write the opposite. Wrote diplomatically: "He tried to get to first principles, identifying the primary, primordial form" and "prostranstvennomaterialnye value of nature in the simplest examples.

Shame hypocrite! Cezanne just a pessimist. And the art of his sore because. And the Nazis were right. And the same can be proved in any of these art work abroad centuries.
Yes, well, you and the sources "!!!

[ВЯЧЕСЛАВ]

Сообщение от Tana

VYACHESLAV where you "is" dug ?????

unearthed a book of this author, a dinosaur in the Internet gathering criticism of paintings and works of kollektsii.Obitaet this S. Volozhin in Russia seems and to this day. With Lyusikom Dulfanom met at a driving course before his departure for permanent residence in SShA.Rasskazyvali that the first time there he worked as a taxi driver - I do not know the truth or net.Navernoe carrying fans of thrills - instructors in courses refused to ride with him, afraid. Confused the pedals and shouted at all so that the counter shunned in different storony.A his wife quietly: "Lyusichek not tear the heart, soon it will all end." "Bombicheskogo" nature of man ....

[Кирилл Сызранский]

Сообщение от VYACHESLAV

unearthed a book of this author, a dinosaur in the Internet gathering criticism of paintings from the collection

You are brave people, such a reading I could not, I confess ...

[Tana]

I first read this masterpiece, do not even believe that someone once so he could criticize the Impressionists, avant-garde, rather thought that it was all in the 30's, 60's years, but that in the 90's? ? in 1995 ?????
Yes, certainly, dinosaur ...

[Кирилл Сызранский]

VYACHESLAV, and where such French name and surname of the artist, Lucien Dulfan?

[color="# 666686"]Added after 1 minute[/color]
Tana, all read?

[Tana]

Сообщение от Cyril Syzransky

Tana, all read?

No, not all, sample, had the impression
Frenchmen lived in Odessa, according to Census 1877. Odessa were 1137frantsuzov, small, about 0.28%of total population

[SAH]

Сообщение от Tana

the French lived in Odessa, according to Census 1877. Odessa were 1137frantsuzov, small, about 0.28%of the population

There were smiling, but Odessa reminds me of Paris and back. Lucien Dulfan far as I know all the pictures evrey.Eti second half of 20c. 60 90goda.Lyusen Dulfan.

[Tana]

But the name is clearly not Jewish, although the father of my Joseph, SAH 'Where does this name?

[SAH]

Сообщение от Tana

But the name is clearly not Jewish,

100%Jew. Kakieto mixing French and Spanish presence.

[ВЯЧЕСЛАВ]

Сообщение от Tana

although the father of my Joseph

Dulfan Lucien Veniaminovich. Born in 1942 in Frunze.V 1963 graduated from Odessa Art uchilische.Uchilsya DM Frumina. Member of the Union since 1966 Неоднакратно awarded. In 1990 left for permanent residence in the United States where he performs to this day. Exhibited in galleries New Yorka.A that's show of his work in the gallery londoskoy Asriev http://www.artodessa.com /index.php?...rtists_id = 39 I wish you a pleasant view and wait otzyvov.Naschet origin of the name - I will know.