Presumably, a student of Petrov-Vodkin

[Кирилл Сызранский]

Сообщение от World

I'm not sure whether Americans know the characteristics of the Russian colors in different time periods?

Pigments one and same everywhere, "from bison to Barbizon."

There's an easy task, not a question for the specialist.

[Михалыч]

Сообщение от World

She looked again at the picture in the upper right corner something is painted, suddenly, a signature?

In my vzlyad there are well looked through the absence of the paint layer.
Or slough, or not spelled out.

[K-Maler]

Сообщение от Santa

Mezdra - a layer of subcutaneous fat on unmanufactured skin, clothing.

Since gelatin, especially the food (it is clean), it is extracted by a similar colloid (glue).

[Кирилл Сызранский]

Сообщение от K-Maler

So, gelatin, especially the food (it is clean), it is extracted by a similar colloid (glue).

Just as a carpenter, incidentally.
>

[Игорь Гурьев]

Сообщение от World

Just like that, make glue out of a rabbit?
>

From rabbit skins.
It's called hide glue.

In Russia there was very little known.
For example, the painter Viktor Ivanov never used until I have him in this century has not brought a try.

[Peter]

Apparently, this is a fragment of a larger work cut into pieces (according to the composition). There is a reason to look for the continuation of the hands, the one that the top and the legs (those that below).
>

[Мира]

Сообщение от Peter

Apparently, this is a fragment of a larger work cut into pieces (according to the composition).

And the canvas cut crooked.


Some bare patches, seems to have been tinted green.

[Игорь Гурьев]

Сообщение от World

And the canvas cut crooked.

Some bare patches , seems to have been tinted with green paint .

I say that this fragment .
But it's not Petrov-Vodkin.
Perhaps the student who , in a short time to teach the CPV, went to America and they wrote something in his style.

About among other things.
The young lady like lady figure with CPV , " Dinner " (or " Dinner" , I do not remember , painted black and white , like mascara, look for tomorrow when Comrade . Syzransky not overtake ).
In the region of 1915-1923 .

[Мира]

Сообщение от Guriev , Igor

Perhaps the student who , in a short time to teach the CPV, went to America and they wrote something in his style.

With this assumption does not agree and here's why:

1. Canvas was cut and twisted so violently with the paintings come with further transportation under "adverse circumstances". And, obviously twisted face-down , judging by the condition of the paint layer can be seen in what order the twisted , the main losses in the upper part of the picture , much less in the middle and almost nonexistent at the bottom.

2. Well the main reason - in America to write a Russian painting physiologically impossible . Other atmospheric pressure , sharp edges everywhere , black and gray background , the constant hum of the city, increased anxiety .
 And it is quiet , quiet and very intimate .

[Кирилл Сызранский]

Сообщение от World

Another atmospheric pressure, sharp edges everywhere, black and gray background, the constant hum of the city, increased anxiety.

And if you leave, for example, in rural areas of Maine or in Vermont?