CHA - Artist. City

[Konstantin]

XIV Moscow International Art Salon " CHA - 2011 . Artist . City »
held 11-20 March 2011 at the Central House of Artists .

The concept - two personalities : the artist and the city . City - figurative interpretation of the relationship of spiritual development and the real world . The author - as a source of inspiration, beneficial for artistic creativity, awareness of its nature , the relationship with society .
Exposure 17 unions of artists of the CIS and Baltic States ( 2 nd floor ) are the works of selected artists 'unions in these countries.

I went and looked to the filing of our members of the forum .
1 . No erotica . And it's sad .
2 . A large number of self-portraits . And it's fun .
At the entrance to the exhibition immediately ran into two events that reflect ... what ? I do not know , but something is accurately reflected .
Episode One :

from the floor cleaner out , coming up with a security guard sprashivet him :
- Well, what he was looking already ?
Reply with feeling :
- Yes, looked bl ... Th !

Episode two - self-portrait Tsereteli .
Nor subtract not add - man in full blossom .

[Konstantin]

On the whole exhibition as an exhibition and people walking on it , mostly young people - and that's good.
What surprised many self-portraits . Often, creativity is only represented by one picture and a self-portrait . It is strange that is? The artists believe that their self-portraits of the most successful products ?
All (except one ) male boring self-portraits inspired men age 30-35 . Some were alive , and portraits often do not match , life is already much battered as a rule .
But women's self-portraits were very interesting contrast .
1 . Xenia Nechitailo
2 . Anna Birstein
3 . Olga Gavrisheva
4 . Irina Orlova , Dembrovskaya
5 . Olga Bulgakov
Could not find the portrait Gavrisheva , others will find themselves .

[Евгений]

"Family Album of Tatyana Nazarenko .."
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Pictorial stories about love, suffering and hopes ....

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Much attention was attracted by the work of Tatyana Nazarenko, which are incorporated into the project "Family Album." This is understandable: in the first place, really fresh idea, and secondly, it is of genius is simple - to transfer to canvas the old photos from family archives. Pre-revolutionary, with recognizable details of everyday life - especially the design banquette, which "negligently" stacked neatly trimmed, well-groomed child, all the aunts with hairstyles, the same velvet ribbon around their necks and brooches for blouses, imperturbable man and a fragile teenage ... And then there are photos of recent times, with the cracks and torn corners, where among the inspirational people necessarily is one hatched, and only some of this "enemy" - turn-down collar and a velvet jacket with a zipper.

But with all that 'transfer' and the composition and depth to the canvas almost one to one, no one would call it a mechanical, as executed in a slightly primitiviziruyuschey, costive-minimalist style Nazarenko, where the painting deliberately graphically, and because sometimes a little grotesque. Sometimes the artist combines in one canvas a few pictures: Central leads the title role, as it were aloof, but no less shrill, the other helps to correlate with a dramatic story of a family in retrospect times. Live, full-blooded family is torn apart, someone rushes in America, someone - in Palestine, Israel ... In canvases put scraps of real letters like: "Dear Dounia! Leaving Rossiyu send you a heart privet and nailuchshie pozhelaniya ..." or "Taken out of the steamer Convicted triple to 10 years incommunicado Going nowhere He arranged life without expectation of me all kiss Nick."

This is not some kind of special story especially families - that's the drama that is recognizable history of most families. That awareness leads to empathize, to feel part of an infinite chain - as a life-giving DNA helix is ​​hard light of consciousness through the storms of change. And not just because, I believe that work on the project, from the first stroke to the last, lasted nine months is very symbolic.

We must pay tribute Nazarenko: forever fascinated the abyss of space between the communal rooms and chronicles, she is able to itself, it would seem, mossy, shabby theme sound is not just today, but nostalgic, schemyasche. So it was when she wrote her paintings and in the 70's and 80's - The Execution of the People, "" The guerrillas came, "" Rise of the Chernigov Regiment, "" Pugachev, and others. And last spring showed at the fair HUDGRAF strong to inflame sentiments and minimalist graphic series of Gospel stories, made fresh tracks on a trip to Israel. "Family Album", if you look wider, too, the Gospel stories - about how to love and suffer, as betrayed and suffer as a hope for the best and how to die, continuing to hope for.

I asked Bertha, Tatjana husband, worried whether his native Netherlands something similar to our family history. He thought, and with a distinctive accent said: "We have the same years, 500-600 in the country of democracy. But the dramatic stories in the past - during the German occupation, when half a million Jews, Communists and homosexuals were sitting in the camps. And we have only some ten million .. ".
We often hear: special history of Russia, a special Russian way, a special Russian mentality. And that's not enough to become the most cohesive, very friendly with a large family? All the more so that, as scientists assert, any of us, every tenth person on the planet is almost a relative, regardless of ethnicity, religion, known orientation and political views.
http://www.izvestia.ru/obshestvo/article3152685/

Guzel Agisheva

Site Tatyana Nazarenko .. http://www.nazarenko-art.ru/russian/main/

[Tamila]

Originally Posted by "Konstantin

But women's self-portraits were very interesting contrast.

- Xenia Nechitailo

Yes, interesting.
The first picture in the second announcement - Nechitailo.
But with other self-portraits can not decide.

[Евгений]

Originally Posted by Konstantin; 1557923 "

free no . And it's sad .

about erotica is understandable ..
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Constantine , and the partition you have pictures ? . ' Special Exposure " ( 2 nd floor ) opens large-scale projects : "Painting 1950 -1980 - ies From the funds of the International Confederation of Unions of Artists " , " Above us the sky at all one ... " ( Self ), where in a single exhibition space contains works made ​​widely known and honored by the authors - people's artist , academician, professor,

[Konstantin]

1-2.
Two more self-portrait

3-4.
Originals


Now, what I found it interesting.

5-7.
Victor Kalinin

and

8-10.
Igor Gubsky

Picture of these two artists - like, vibrant with energy.
To even ask the price Gubsky, 10-30 t.Evr.
Price does not directly say little.

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[QUOTE="Tamila; 1558031]But with the rest of the self-portraits can not decide[/QUOTE]

The photographs have names.
But what?
Women are quite self-critical.

[size="1"]Добавлено через 23 минуты[/size]

Originally Posted by "Eugene, 1558041

, and with this section, you have pictures?

It attracted the attention of the sculpture.

A series of large pdstakannikov

2-5.
Rodionov

6-7.
Kharlov

8-9.
Lubennikov.

[Konstantin]

Originally Posted by "Tamila

But with the rest of the self-portraits can not decide

The photographs have names.
But what?
Women are quite self-critical.

[Konstantin]

Originally Posted by "Eugene, 1558041

, and with this section, you have pictures?

It attracted the attention of the sculpture.

A series of large pdstakannikov

2-5.
Rodionov

6-7.
Kharlov

8-9.
Lubennikov.

[Евгений]

The main difference from other CHA salon held in Moscow collective exhibitions is that the artists come to Moscow - representatives of virtually all the artistic unions, were part of the USSR Union of Artists, including the Baltic countries. The costs assume the International Confederation of Unions of Artists.
     Told a press conference marking the opening of the Salon, the Chairman of the Board of the International Confederation of Unions of Artists Masut Mahmudovich Fatkulin for MKSH that the fourteenth time together under one roof representatives of artists of all post-Soviet countries, it is important that it was at the salon can be seen most complete picture development of fine arts at the post-Soviet space. Another analogue of this kind, with a representation of all the unions of artists - is not there.
     Therefore, for MKSH important that the salon has become a regular, which to him are all used and all are waiting for the second half of March is a big cultural event, which is, on the one hand, it really cultural, and on the other - and an important policy because it emphasizes how important the unity of the artists, regardless of what political changes occur in the states to form new government. Nevertheless, the artists stay in contact, maintain communication, share ideas, products, and a development of humanitarian, creative and artistic connections and is a major achievement and purpose of these salons.
Read more: http://news.nv.ru/?p=1863

Добавлено через 4 минуты

Originally Posted by Eugene ; 1558111 "

Moscow International Art Salon in the CHA .
Section " Special Exposure to the 2 nd floor CHA ...
" Painting 1950-1980 - E G. From the funds of the International Confederation of Unions of Artists . "

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It presents works that were once bought the Union of Soviet artists. Despite the difficulties that arose after the collapse of the Soviet Union , the Confederacy was able save these jobs and now has the opportunity to show their viewers .
In fact , this project - a kind of " fork ", allowing both artist and audience " tune " their perceptions . And to those who participated in the Salon , and those who came here as a spectator - and visitors many artists , including those from other cities and countries - are very useful to compare the works of recognized masters of the second half of XX century modern works , particularly all with their own , although , of course , and the works of those who exhibited at the Salon .

http://news.nv.ru/?p=1875

1.G.Korzhev . " street Bukhara , " 1973
2.U.Taksynbaev " Panj night " in 1965

[Евгений]

Originally Posted by Eugene; 1558111"

Moscow International Art Salon in the CHA.
Section "Special Exposure to the 2 nd floor CHA ...
"Painting 1950-1980-E G. From the funds of the International Confederation of Unions of Artists."

Читать дальше... 

It presents works that were once bought the Union of Soviet artists. Despite the difficulties that arose after the collapse of the Soviet Union, the Confederacy was able to preserve these jobs and now has the opportunity to show their viewers.
In fact, this project - a kind of "fork", allowing both artist and audience "tune" their perceptions. And to those who participated in the Salon, and those who came here as a spectator - and visitors many artists, including those from other cities and countries - are very useful to compare the works of recognized masters of the second half of XX century modern works, particularly all with their own, although, of course, and the works of those who exhibited at the Salon.

http://news.nv.ru/?p=1875

1. Helium Korzhev, People's Artist of the RSFSR, the full member AH the USSR (1970). "Street Bukhara 1973
2.Ural Tansykbaev (1904-1974), National Artist UzSSR Academy of Arts. "Panj night" in 1965