Quote:
Originally Posted by LCR
I'm from his Paris, perhaps, open the bikes - get out, for example, found that everyone knows Olga Florensky, which I discovered only recently.
On the other hand, all it knows, but nobody is saying nothing about it - or missed something?
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I think that is largely because of fear of "open wheel" on the forum there are relatively few new themes for individual artists. Though, that such a terrible to spread and discuss the artists even more famous than Florenskaya, the life of me I do not understand. Forum, one way or another, art lovers and here God Himself commanded to watch, share experiences, to "tune" the eyes ... And we are having at hand, all the riches of the Internet, and many besides, scanners, digital cameras, etc. sit, it happens every day in the section Evaluation and Attribution, discussing some secondary stuff ...
Quote:
Originally Posted by fabosch; 1545603"
But the association I have for some reason with the same etchings Whistler
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Somehow I did not feel it ... In Whistler's etchings, in my opinion, more air and light. It seems he is much more interesting environment than an object. Suvorov, in my view, by contrast, are more attracted by the texture of things (here, however, remember Wyeth), which is for him an important means of expression.