Christina Krasnianskaya: "Good taste - is the ability to choose"

[dedulya37]

Сообщение от Veronic

can knock half, and why? Professional work is expensive.

Lady! Take the advice PROFESSIONAL. LCR advice will not be in vain. She knows what he is talking about!

[Артём]

Сообщение от Veronic

happens blueprint

Veronic! Sorry, but you are not with a glass in hand, an hour sitting?

[Veronic]

Сообщение от Artem

Veronic! Sorry, but you are not with a glass in hand, hour sitting?

Where did you get that idea, I hope not for a judge?

[LCR]

Today I saw 3 very good Sarsuns (well, actually I'm not quite a fan, but they were really beautiful) and several Lansky, one of them black, I greatly liked. There were even pictures Pascin and many other nice things.
And next week will show a few Soutine (see photos - офигительные work) and most importantly - the joy of my eyes, de Stael!

Videla gallery, which sells a printed schedule of Bacon, and around a very brisk trade in primitive art. People of many, nasttroenie, despite the crisis, which everyone says, without ceasing, Pre, so that we can hope that the gallery owners will be able to finish the year optimichticheskoy note: p

[Art-lover]

Veronic, I saw your site. There, all competently and harmoniously in their own way - and the texts and pictures match each other. But you make the mistake of positioning, trying to ensure his success here.

You husband may very well represent the painting in parallel universes, and there alone to hear compliments, passing into raptures. Commercial success and recognition of the many fans are guaranteed in any case, and - importantly - in life.

And here - the other rules and concepts, and if you were not clear about - and this you prevent your business interest, you will be confronted with a situation where people are nice and fun suddenly become fierce and bile spiritual guardians.
Believe me, they have something to protect. This - the territory of art. In your entire life biting opponents put on it to learn how to feel - because there is no obvious lines of demarcation - the boundary of the territory. This is not a whim or willfulness, it is - their profession and vocation.
Trying to bring the world of art "contraband" goods, you, not knowing that, trying to blur the boundaries and criteria of art - and they are not a commercial success are defined. Your bravery of the Amazons are nowhere: You are not fighting with people, and to intangible ideas.
If you stop to fight them, but try to understand them - you will have a chance to win. Good luck.

[Wladzislaw]

Сообщение от LCR

the joy of my eyes, de Stael!

This Yes I am in the twentieth century "saw the photo, and the like

[Евгений]

Gallery Eritazh ".... artist Valery Kharitonov.
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Born in 1939 in Moscow. After the Moscow Art School (MSHSH) enters the All-Union State Institute of Cinematography (VGIK), where as a student of the Faculty of Arts, draws his first theatrical productions on the stages of training and fighting positions theaters GITIS (State Institute of Theatrical Art): "The Player" by J. Renyara and "The Threepenny Opera" by Brecht. Upon graduation he worked two years at the Mosfilm as art director, and then under contract at the Maly Theater - the first dramatic scene in Russia, where as a set designer draws up a play of Russian and foreign classics.

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The main work in the theater:

1967. Quiet Flows the Don Sholokhov. Project for the Maly Theater.
1971. "Robbers" Schiller. Little Theater.
1972. "Man and the Globe" V. Lavrentiev. Little Theater.
1973. "Stone host" L. Ukrainka. Little Theater.
1978. "Tsar Fyodor Ivanovich, AK Tolstoy. Project for the Maly Theater.
1982. Yakov Pasynkov "Turgenev. Little Theater.
1983. "Ordinary Story" by Goncharov. Panevezys Drama Theater.
1985. "Three Sisters" by Chekhov. Panevezys Drama Theater.

Since 1967. in 1984. - Permanent exhibitions of theater artists of Russia.

Since 1967. Member of USSR Union of Artists.

Since the late 70-ies his paintings acquire private galleries and collectors, Denmark, Israel, Spain, Italy, Norway, USA, France, Germany, Czech Republic, Sweden, Yugoslavia and Japan.

Major solo exhibitions:

1986. Moscow. Exhibition Hall of Artists Union of Russia.
1988. Palermo (Italy). Exhibition Hall of the Municipal Library.
1989. Gorizia (Italy). International Fair.
1993. Moscow. Central House of Artists.
1994. Bulgarian Cultural Center in Moscow.
1995., April. Moscow. Gallery Nagornaya ".
1995., June. Moscow. Exhibition Hall of the Federation Council.
1996. Moscow. House of Friendship. By the 50 th anniversary of the Italian Republic.
1998. Athens (Greece). Gallery Kardasidis ART. "
2004. Moscow. New arena.
2005. Moscow. Museum of Modern Art.
Private collections and collections, which works by the artist: Michel Alge (Lyon), J. Perez de Cuellar (New York), Ionnisa Kardasidis (Athens), and Queen Sofia of Spain (Madrid: "Russian Legend", 1991), as well as Museum of Contemporary Russian Art (New York: "The coolness of silence", 1997).
http://www.heritage-gallery.ru/artis...f688cc260be98c

Вложение 83745Вложение 83755

[Евгений]

Сообщение от Sandro

in my brutally - to spread on this forum for all topics such references, like Veronica

I agree that such advertising (obsession) brings unfortunately, the opposite effect.

Сообщение от LCR

Today I saw 3 very good Sarsuns (well, actually I'm not quite a fan, but they were really beautiful) and several Lansky, one of them black, I greatly liked. There were even pictures Pascin and many other nice things.

And what is interesting for the gallery, in Paris?

[Admin]

Continued discussion of creativity Arthur Braginsky postponed in a separate topic.

[Евгений]

Admin, Thank you, Veronica a new person on the forum .... the experience can be acquired.