That's such trouble, can I recover it? - Форум по искусству и инвестициям в искусство

Пелагея Ларина · 07.02.2011, 23:01

Vyalov Konstantin 04/19/1900 - 1976
One of the founders of the OST. In 1914-17 he studied at the Stroganov School of Industrial Art, 1918-20 - at the State Free Art Workshops with A. Morgunova, Wassily Kandinsky, Vladimir Tatlin, in 1920-24 - in VHUTEMAS from J. Shterenberg. In the early 1920's did kontrrelefy and abstract compositions under the influence of Kazimir Malevich and Wassily Kandinsky.
As a painter Vyalov was created in 1924 a member of the Society (OST).
The Society had such great masters as Deineka, Y. Pimenov, P. Williams, A. Labas, A. Tyshler, A. Goncharov. The main purpose of these artists was to create a painting on a modern theme, written by a new language, the rejection of literary narrative.
The artist's works were exhibited at international exhibitions in Paris (1925), Berlin (1927, 1928), Venice (1932), New York (1933), London (1934). The works are in the Tretyakov Gallery, timing and other museum collections.

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07.02.2011, 23:01	Язык оригинала: Русский #2
Пелагея Ларина Бывалый Регистрация: 14.01.2011 Адрес: Москва Сообщений: 405 Спасибо: 2,810 Поблагодарили 2,195 раз(а) в 344 сообщениях Записей в дневнике: 1 Репутация: 4396	Vyalov Konstantin 04/19/1900 - 1976 One of the founders of the OST. In 1914-17 he studied at the Stroganov School of Industrial Art, 1918-20 - at the State Free Art Workshops with A. Morgunova, Wassily Kandinsky, Vladimir Tatlin, in 1920-24 - in VHUTEMAS from J. Shterenberg. In the early 1920's did kontrrelefy and abstract compositions under the influence of Kazimir Malevich and Wassily Kandinsky. As a painter Vyalov was created in 1924 a member of the Society (OST). The Society had such great masters as Deineka, Y. Pimenov, P. Williams, A. Labas, A. Tyshler, A. Goncharov. The main purpose of these artists was to create a painting on a modern theme, written by a new language, the rejection of literary narrative. The artist's works were exhibited at international exhibitions in Paris (1925), Berlin (1927, 1928), Venice (1932), New York (1933), London (1934). The works are in the Tretyakov Gallery, timing and other museum collections.