The role of art dealer

[AlexanderG]

To VYACHESLAV

then in the body - buy a cheaper (the presence of the initial capital required), sell more. And further on Marksu.Zhelayu you good luck!

Liuboi biznes rabotaet na etoi osnove.
Vsio ochen 'prosto, tol'ko nado znat' chto, kogda i sa skol'ko kupit ', komu, kogda i sa skol'ko pereprodat', chto by poluchit 'pribyl'.
Nesmotria na prostotu operatsii v liubom biznese okolo 5%uspeshnyh predpriiatii.

Nalichie pervicnogo kapitala ne obiazatel'no, obiazatel'na tol'ko ideia.

V pozilom vozraste Marx priznal svoi oshibki.

I vam ne hvorat '

[Allena]

Сообщение от Firebird

there are photos of the sixties, is known (TASS). He wants to make (can not unwind himself), I too (as an art dealer), can anything be thinking or not true

Well, why not true? If the photographer had some popularity, it is not bad, there is at least a minimal base. Until about it nobody knows anything (in this case not even one, but a certain group), no one will buy - it is an axiom.

A general conversation about how to unleash the artist, here on the forum there permanently (or rather do not stop). It is a long, ready-made recipes no one will - not a hazard, but because everything is very individual, since, actually, with what you want.

Try to formulate a goal as specific, then it will be clear how and where to move.

In this case, what you are going to do - this is pure marketing, and, as a tool for his ads. On this issue a lot of books written.

Specifically, the forum read the message Iosif'a. First, it is a professional advertiser, and secondly, it is very competently promotes Igor Sapunkova, such a lovely artist.
Good luck to you!

[IrinaC]

I've got a question. Does the formation of the artist? I looked at artists' biographies, and on this site and at auctions, very impressive, not to mention the number of exhibitions and awards.
(For investment)

[AlexanderG]

To Allena
all very individual, since, actually, with what you want.

V moih peregovorah s hudoznikom eto odin is osnovnyh voprosov!

[color="# 666686"]Added after 1 minute[/color]
To IrinaC

Imeet, no ne vsegda. A vsio ostal'noe perechislennoe daze ochen 'imeet.

[Glasha]

Сообщение от IrinaC

Does the formation of the artist?

Of course, not always.
Sometimes the self (lack of academic), plus a great desire to work gives unusual results (think of Van Gogh)
and it is the lack of an academic in the presence of talent, of course, sometimes give the artist with a bright distinctive handwriting.

[Кирилл Сызранский]

Gala, I agree with your every word.

[iosif]

Gala, and even Gauguin and Sapunkov

[iside]

Сообщение от LCR

But in general, I think everyone will agree with me that this pair of artist /gallery owner, agent - on the side gallery owner, for the rare exception of super-promoted artists (and even then, ask what happened eg Sandro Kia, one of the most famous artists of 80-90 years.).\r\n

\r\n\r\nLCR, you can find out what happened to him?

[LCR]

Сообщение от iside

LCR, you can find out what happened to him?

What we did the story?

I have just answered in lichku: this artist, party movement Transavantgarde, promoted Charles Saatchi, who in a relatively long time (I do not know, maybe 10 years) bought his works and then, without warning and quite deliberately sold almost all bulk, thus showing that interest in the artist he is no more.
Naturally, this affected the most unfortunate way for future career Kia, who still speaks about it with bitterness.

Presumably that's why he bought out Hurst Saatchi their work - better safe than sorry.

[iside]

LCR, Thank you!\n\nHmm, this example is very similar to the stock-market speculation - better in fact it is.\nAnd what was the motive for such behavior Saatchi? There is some specific information? I think a change of priorities had some personal differences - Sandro Kia decided to change the benefactor or still Saatchi disappointed in the artist and his paintings?