XXIX Russian Antique Salon

[Кирилл Сызранский]

Сообщение от "Samvel

hoped to meet there, but could not see the fate.

So on the phone had to call, here Delov something.

[Wladzislaw]

Сообщение от SAH

It is interesting to Notre Dame he portrayed as a monster but is it good.

There are many long that you can examine

[fabosch]

Сообщение от Samvel

Yes, in principle, anything, I simply could not affect this event (new appointment Volodin), for me it is a sign of very weird effects.

Samvel, vpolglaza reading your dialogue with the Cyril, still could not understand what it is you. Now I understand.
It seems to me that Volodin - just an empty space, a weather vane to be rotated in the direction of political winds. Generally speaking all these apparatchiks, but compared with the current mayor of Moscow, he gives the impression of a man, in principle, unable to minimal samsostoyatelnye decision.
True, I do not think that this somehow affect us sinners

[Кирилл Сызранский]

Сообщение от Kirill Syzran

large decorative density x /m, h162 114.5, 5.

"Styles" /Les styles, 1927.

He remembered looking at this:

Nikritin Solomon (1892-1953)

Old and new

Oil on canvas 178.5h216 

[Самвел]

Сообщение от Kirill Syzran

So I had to phone call, that's business-that.

 
On the phone to negotiate, such as it is not interesting.
I was referring to a random meeting (vnezapadnuyu) - so we used to say in a small town.
This is a meeting, I understand.

[Konstantin]

You are what this topic about 29 Salon began to communicate it to lose the people astray.
Even I am confused with the current 32-m.

[Самвел]

Сообщение от Konstantin; 2030341 '

You are what this topic about 29 Salon began to communicate it to lose the people astray . Even I am confused with the current 32 meters .

It's my fault , the fact that only once I saw the ending of the topic and want to write something for a long time , but I do not know where and what to write , this " creative" krisis . And here is a theme, and I have mentioned. I decided to attach themselves to the cause.

[Кирилл Сызранский]

This landscape Malevich now called the most expensive work at the Brussels art fair BRAFA - gallery Kunstberatung Zürich AG (owned by our compatriot) offers it for 7 million euros.