At that living contemporary artists

[Причал]

Сообщение от L-ana64110

From my personal experience I would say that to promote the artist's better to arrange personalku \\ sorry for gallery owners do not like or is not fashionable now, \\

And this love-dislike?
Often gallery just have to take the assortment. One watermelon, and another pig cartilage.
In terms of minimizing labor costs gallerist - personalku do much more convenient for him.
If an artist is ready to pay the full room in the amount of the average income in proportion to the periods of the gallery exhibition - a rare gallery refuse. Unless, of course corresponds to the level of the artist's gallery.
But always do personalki impossible - because that 2-3 consecutive "not on" major clients and customers drop out of this gallery. However, I must think about all-established clients.

All this, of course, for small and medium-sized galleries.
Large usually lead diverse activities. In one hall - personalki in another - the collective thematic, in the third - a sort of salon (salon - it is such a thing when there is no permanent exhibition, there is constant rotation, dense hanging, and not a dirty word that many artists used in a pejorative sense) ...

There are of course very good picture, which can afford to do a lot personalok. But it will be exhibitions by artists first, rarely the second magnitude.

[K-Maler]

Сообщение от Berth

Big usually lead diverse activities. In one hall - personalki in another - the collective thematic, in the third - a sort of salon (salon - it is such a thing when there is no permanent exhibition, there is constant rotation, dense hanging, and not a dirty word that many artists used in a pejorative sense )...

That is very correct tactics, I watched this too and the results were good. Even some ignorance about the subject of owners ...

[Pavel]

Сообщение от Berth

And this love-dislike?
Often gallery just have to take the assortment. One watermelon, and another pig cartilage.
In terms of minimizing labor costs gallerist - personalku do much more convenient for him.
If an artist is ready to pay the full room in the amount of the average income in proportion to the periods of the gallery exhibition - a rare gallery refuse. Unless, of course corresponds to the level of the artist's gallery.
But always do personalki impossible - because that 2-3 consecutive "not on" major clients and customers drop out of this gallery. However, I must think about all-established clients.

All this, of course, for small and medium-sized galleries.
Large usually lead diverse activities. In one hall - personalki in another - the collective thematic, in the third - a sort of salon (salon - it is such a thing when there is no permanent exhibition, there is constant rotation, dense hanging, and not a dirty word that many artists used in a pejorative sense) ...

There are of course very good picture, which can afford to do a lot personalok. But it will be exhibitions by artists first, rarely the second value.

How do you determine the value of art?

[artcol]

Сообщение от Pavel

How do you determine the value of art?

In the eye , I suppose?

[noart]

Сообщение от Berth

Trade paints something different from trade shoes? That's news to me .

90%of the artists whose work I sell live exclusively with sales of his paintings.
the remaining 10%- DPIshniki - taught in the art and architecture academy batik, tapestry, machinery enamels, one art book

So you're a good dealer. What good .

[prosto_valentina]

Сообщение от Jasmin

Old Jew asked:
- How are you?
He replied:
-Good.
... And he cried ...

    Very good! Thank you! This is particularly right for the artist's life.

[Сергей Дородный]

Quote № 1

Сообщение от Berth

When the artist is ready to pay the full room in the amount of average income in proportion to the time required for the gallery exhibition - a rare gallery refuse. .

Quote № 2

Сообщение от Berth

In terms of minimizing labor costs gallerist - personalku do much more convenient for him.

Beautiful!
I heard such a story: One an old American actress was asked - that you smoke, drink, how do you live to see such old age?
She answers: How can I work less.

[Peter]

And I heard another: "The artist asked, that's what you drink, smoke, all the time you write, how you managed to live up to such an old age?" He answered: Why do elderly? "I'm only 35!"

[K-Maler]

Сообщение от Berth

key clients and customers drop out of this gallery. However, I must think about all-established customers.

In management there is a philosophy of "exhaustion of the market." Ie - At this point all have already bought your product, and new visitors are not on the road and they do not know ... that there is. So if the gallery can get something similar - your artists and your "permanent" has little bit of everything purchased.