House Phillips de Pury was unable to sell the work of Damien Hirst

[Vladimir]

Gala, you will be surprised, but nothing for me pushes Shemyakin not say. Moreover, it is precisely noticed some time and it is difficult to disagree

-about the work of Basquiat with some Sotheby's (Vladimir, hold on!) - Bukalyaka snappy, these figures are good on the fence,

I agree with the fact that the Basques are good pictures on the fence. Precisely on the wall, because the fences in New York is small enough and they fig (holes) are not suitable as a surface for painting. On the walls of the drawings and came - it was possible to estimate the wall art writer Seymo (SAMO - tag Basques). After the Basques took to the turnover of glamorous parties, issued a canvas and brushes, something of his paintings gone. There could not go, just went free. But even in captivity the spirit and energy of a young ambitious man is not quickly leave. Returning to the theme, Shemyakin rights, drawings Basques are good on the fence.

-Koons-halfpenny conceptualist, who made his career on his marriage with Ilona Staller (more precisely, the sale of a huge picture scenes of her),

Halfpenny, he is obviously not in comparison with Shemyakin, as compared to Klimt (if you go to the scale of market prices). And in the rest of the Shemyakin too human. Straight porn photorealism with Chichollinoy really brought Koons on the front pages of newspapers and magazines. These works are well known - pipiski few square meters (who are interested - type in google.com query jeff koons red butt, at Sotheby's and Christie's sold). Due to the large scale of these sex revelations should look like abstractions - the same method that in the comics Liechtenstein. Then Shemyakin rights. As far Ilona Staller, the aunt in the form of a terrible death. How Koons Zweden became clear to me, but it is how? I can not guess.

-Hurst pulled from Warhol the idea of the gravity of the accident on the road - scary, but want to see, and on the stands
concluded that, say, like, dislike, and curious,

In general, and then not argue with what. Shemyakin, probably has in mind the work of Warhol Green car accident with a broken car on the snapshot of the Chronicles of accidents. Thing shocking. But Warhol, I think it was travmatichekskoy reaction. And vice versa Hirst himself provokes the audience, deliberately chooses daring subjects experienced the strength, leads to the limit.

So in terms turns out that Shemyakin rights as a graph. Specifically, the prince