Presumably etude Subbotin-Permyak. Help remove questions

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Сообщение от Vyacheslav

Holst, such quality in 20th years did not exist is sov.hud canvas last decades of the last century.

Agreed. This is a common crinoline, it began manufacturing in the late 20-ies. By the time does not match.

[Игорь Гурьев]

the other hand.

Too climb into the eyes of the white borders around the reservoir.

Obviously, they were installed later.

With regard to the canvas.

Canvas Soviet-Soviet government of recent decades that I have seen and used, was remarkably smooth.

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Сообщение от Guriev, Igor

Canvas Soviet-Soviet government of recent decades that I have seen and used, was remarkably smooth.

You say, canvas, and this crinoline. Look, compare. Types of crinoline Soviet period with characteristic nodes.

[Альтист Данилов]

Can anyone suggest where to live to get good advice and attribution?
We made the photo better, a bit dark here, if you want - stand.
Yours.

[Amateur]

Сообщение от Leningrad

This is the Yusupov Gardens in St. Petersburg

For the attribution of logical to answer the question: and whether Subbotin-Permyak in 1920 in Petrograd?

From the original in his biography, which is in the network that he was after 1919 appears to have traveled outside the province of Perm:

"Every summer he visited his native Kudymkar (which in those days was called Kudymkor), and the summer of 1919 he returned to the Perm province. He lived in Perm, but was often in Kudymkar.
In 1919-1921 he worked in the position of commissioner for the organization of art production workshops in the Perm province, opened with his participation in Perm, Kungur and Kudymkar. Facilitate the emergence of a regional museum in Kudymkar, the first exhibit of which more than 500 ethnographic objects collected by Subbotin and his disciples.
In 1920 he made a series of sketches of costumes for the play "St. Joan" on the play by Vasily Kamensky for Perm Theatre.
From November 1921 to April 1922 worked as an artist-director of the Perm State Art College. Developed a program of teaching theory and practice of painting "Methods and systems of the new art." He worked as head teacher college, lectured on art and art education. "

It was or was not? That is the question. (C)

[Альтист Данилов]

The logic of iron. Not traveled outside because he worked hard and died of tuberculosis. There were no holidays and even on org (and he was ambassador Lunacharskogo on art in the Perm Province) could not go to Moscow and Petrograd, walk, daydream, and more.
I studied it closely. And even about the trees in the Yusupov garden, which were cut in the early 20 th century.
Here, counsel to the living man, to whom to go, where to start? Fee.
The subject of mine, bought inexpensively. Do not sell. Push down on it, positively approach the subject.

[Артём]

Сообщение от Danilov, violist

push down on it, positively approach the subject.

Go to the Russian Museum in Kiev to Yuri Vakulenko, if you are in Ukraine.

[Samvel]

Judging by craquelure front and back side, the picture is made Petrograd "masters" in the early 90's, 20 th century.

[Альтист Данилов]

Here is a photo in daylight outdoor light.

[Маруся]

I understand that the attribution of work you are repelled from the place of discovery? In my opinion, the possible authorship of Pyotr Subbotin-Permyak nothing more points.
In connection with a new introduction, I suggest you contact the Permian museum or art gallery, do not know exactly how they are now called. All a few scenic heritage Subbotin-Permyak stored there. There also must be experts on his work. (Unfortunately, he is better known as an administrator and teacher may schedule, but not a painter).
If you're lucky, the inscription scratched on a stretcher, can be an inventory number. Look at the archives and the old museum of the book - maybe that will pop up. For example, on this stretcher should be permanently attached some still life.