Lifting eyelids Gallery A3

[Люси]

On the anniversary of Igor Dudinsky.
Lifting eyelids
Opening day will be held March 1 at 19:00

Yuri Gurov Igor Dudinskiy, Boris Koshelokhov, Vladimir Tryamkin Gallery A3 (1 - March 18, 2012)
As you know, the way to the mysterious art. He lives a man - a blind or low vision (of course, spiritual and aesthetic sense), the vast majority of the population. And then one day near his left or right shoulder a voice: "Lift him forever!"
Some otherworldly forces rush to execute the order - and as a result of the world becomes one more artist.
From now convert the problem - do not bury your talent in the ground, and learn to overcome the force of his gaze, and spells to see what remains hidden to the uninitiated.
Along with "insight," the artist takes the gift to lift his eyelids around - like Gogol Vey print audience of eternal blindness, ignorance and lack of spirituality. Thus, it comes in nice rows of clean overall aesthetic illiteracy.
In the Gallery A3 shows four of the author, experimenting in the area of ​​verbal communication with the audience.
They are united on the one hand, sophisticated, exalted, messianic, and on the other - and even a little naive, "artbryutovskoe" attitude. All four are trying to "impose" their own knowledge about the very different worlds - the earth and the other, internal, and upper, lower and space, etc. through the transmission is encrypted vital information, initiate and provoke the viewer to a breakthrough in new and higher sphere of life and spirit. These "hooks and bait" - mostly improvisational and expressive, abstract and figurative, is absurd, chaotic, and conceptual, but always, in any case filled with positive energy.
Particular attention is paid artists expressive tools that use to the maximum extent, on the principle of "butter will not spoil kasha" - even at the risk of overload their work too much shocking. These "chips" - energetic and unpredictable - attack and shock the viewer, causing a reciprocal desire to join the mysterious, bizarre and inviting space, born of the collective imagination of all participants.
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Gurov, Yuri was born in 1948 in Moscow. One of the leading collectors of contemporary art. He graduated from the Moscow Machine Tool Institute. He worked in the defense industry. Since the early 70s began to create paintings and graphic works - mainly under the influence of the Symbolist artists of the late 19th - early 20th century. Later formed his own style, which art critics define as grotesque symbolism. Characteristic for him okarikaturivanie image, the artist finds a grotesque exaggeration of today the most appropriate way to reflect the art of crying contradictions of reality. In the 70s - 90s Gurov - the constant participant of exhibitions in the city committee schedules on the Little Georgia, 28.
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Dudinskiy Igor was born in 1947 in Moscow. Received wide acclaim in the late 80s as a journalist, who worked in the "hot" perestroika publications. The leading ideologue of the first Russian tabloid "Megapolis-Express." Since the foundation of the famous scenic section of the city committee schedules on the Little Georgia, 28 participated in her work as an art critic, explores Moscow nonconformity. Graphics deals with the late 80's. The first work done in a style which the author calls vnesoznatelnoy reality. In 1995, the Creative Union of Artists of Russia on Gogol Boulevard, held a personal exhibition of his works, "Phone and unconscious." As an artist working at the intersection of naive and outsider directions.
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Boris Koshelokhov - a living legend in St. Petersburg avant-garde. He was born in 1942 in the city of Zlatoust (Chelyabinsk region). In 1962 he moved to Leningrad. In 1977 he organized a group of nonconformist artists, "Annals." The participants worked in a range from aggressive expressionism to primitivism. In the 1970 - 1980 was the organizer and ideologist of the movement of Leningrad nonconformist artists. Organized a number of controversial exhibitions. Style Koshelohova critics call a synthesis of art klosha (klosharta) and naive ekspressinizma.
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Tryamkin Vladimir was born in 1952 in the famous village of artists Sands (Moscow Region). Next to the house of the parents during the summer lived a famous painter Tatiana Khvostenko - author of Secret of ganozis. With ganozisa Khvostenko guessed encaustic technique used in the famous Fayum portraits. Tryamkin became engaged in a studio Khvostenko, learned from her the secret of making ganozisa and began to widely use it to create works of art. The first exhibition was held in a picturesque section of the city committee of the famous graphic artists, bringing together the brightest representatives of the Moscow non-conformist, avant-garde and underground at the time. Today - one of the hottest writers working simultaneously in many styles and techniques. The classic post-modernist, in the creative process transforms the basis cited in the diametrically opposite.

Works from the collections of: Anna Moreva, Lyusine Petrossian, Vladimir Borisenko, Alexei Kiselev, Yury Gurov, Alexander Mironov, Igor Dudinsky.