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Lifting eyelids Gallery A3
Вложений: 8
On the anniversary of Igor Dudinsky.
Lifting eyelids Opening day will be held March 1 at 19:00 Yuri Gurov Igor Dudinskiy, Boris Koshelokhov, Vladimir Tryamkin Gallery A3 (1 - March 18, 2012) As you know, the way to the mysterious art. He lives a man - a blind or low vision (of course, spiritual and aesthetic sense), the vast majority of the population. And then one day near his left or right shoulder a voice: "Lift him forever!" Some otherworldly forces rush to execute the order - and as a result of the world becomes one more artist. From now convert the problem - do not bury your talent in the ground, and learn to overcome the force of his gaze, and spells to see what remains hidden to the uninitiated. Along with "insight," the artist takes the gift to lift his eyelids around - like Gogol Vey print audience of eternal blindness, ignorance and lack of spirituality. Thus, it comes in nice rows of clean overall aesthetic illiteracy. In the Gallery A3 shows four of the author, experimenting in the area of verbal communication with the audience. They are united on the one hand, sophisticated, exalted, messianic, and on the other - and even a little naive, "artbryutovskoe" attitude. All four are trying to "impose" their own knowledge about the very different worlds - the earth and the other, internal, and upper, lower and space, etc. through the transmission is encrypted vital information, initiate and provoke the viewer to a breakthrough in new and higher sphere of life and spirit. These "hooks and bait" - mostly improvisational and expressive, abstract and figurative, is absurd, chaotic, and conceptual, but always, in any case filled with positive energy. Particular attention is paid artists expressive tools that use to the maximum extent, on the principle of "butter will not spoil kasha" - even at the risk of overload their work too much shocking. These "chips" - energetic and unpredictable - attack and shock the viewer, causing a reciprocal desire to join the mysterious, bizarre and inviting space, born of the collective imagination of all participants. ● Gurov, Yuri was born in 1948 in Moscow. One of the leading collectors of contemporary art. He graduated from the Moscow Machine Tool Institute. He worked in the defense industry. Since the early 70s began to create paintings and graphic works - mainly under the influence of the Symbolist artists of the late 19th - early 20th century. Later formed his own style, which art critics define as grotesque symbolism. Characteristic for him okarikaturivanie image, the artist finds a grotesque exaggeration of today the most appropriate way to reflect the art of crying contradictions of reality. In the 70s - 90s Gurov - the constant participant of exhibitions in the city committee schedules on the Little Georgia, 28. ● Dudinskiy Igor was born in 1947 in Moscow. Received wide acclaim in the late 80s as a journalist, who worked in the "hot" perestroika publications. The leading ideologue of the first Russian tabloid "Megapolis-Express." Since the foundation of the famous scenic section of the city committee schedules on the Little Georgia, 28 participated in her work as an art critic, explores Moscow nonconformity. Graphics deals with the late 80's. The first work done in a style which the author calls vnesoznatelnoy reality. In 1995, the Creative Union of Artists of Russia on Gogol Boulevard, held a personal exhibition of his works, "Phone and unconscious." As an artist working at the intersection of naive and outsider directions. ● Boris Koshelokhov - a living legend in St. Petersburg avant-garde. He was born in 1942 in the city of Zlatoust (Chelyabinsk region). In 1962 he moved to Leningrad. In 1977 he organized a group of nonconformist artists, "Annals." The participants worked in a range from aggressive expressionism to primitivism. In the 1970 - 1980 was the organizer and ideologist of the movement of Leningrad nonconformist artists. Organized a number of controversial exhibitions. Style Koshelohova critics call a synthesis of art klosha (klosharta) and naive ekspressinizma. ● Tryamkin Vladimir was born in 1952 in the famous village of artists Sands (Moscow Region). Next to the house of the parents during the summer lived a famous painter Tatiana Khvostenko - author of Secret of ganozis. With ganozisa Khvostenko guessed encaustic technique used in the famous Fayum portraits. Tryamkin became engaged in a studio Khvostenko, learned from her the secret of making ganozisa and began to widely use it to create works of art. The first exhibition was held in a picturesque section of the city committee of the famous graphic artists, bringing together the brightest representatives of the Moscow non-conformist, avant-garde and underground at the time. Today - one of the hottest writers working simultaneously in many styles and techniques. The classic post-modernist, in the creative process transforms the basis cited in the diametrically opposite. Works from the collections of: Anna Moreva, Lyusine Petrossian, Vladimir Borisenko, Alexei Kiselev, Yury Gurov, Alexander Mironov, Igor Dudinsky. |
Цитата:
And that's something wonderfully described that binds these artists. The works are quite different . Why did Igor and Art Studio " dominant " wanted to see in this exhibition alongside the works of jubilee - the work of these particular artists? [color="#666686 " ]Added a 52 seconds[/color] That is, rather, it is whose idea? |
Вложений: 10
Цитата:
Here are photos from the filming of those .. |
It is seen that a very emotional meeting turned out. Pictures - great! By the way , Lucy , and the film is laid out somewhere ?
But , I must say that in the upcoming exhibition at the gallery and 3 will be , as far as I know, the other a documentary screened - March 16 ... proanonsiruem little later , right? |
It seems that when there are smart and talented person, always comes something interesting and wise, and Lucy also knows how to brighten up the circumstances of his brilliant and good aura.
They get all the genius and the sublime, and the exhibition will certainly be a great success. |
Presentation of the documentary film "Top Blue Lagoon"
March 16 2012. (Friday) in the Gallery at 18.00 And 3 will be presented a new documentary film "The Blue Lagoon Tops». The film is dedicated to the history and formation of non-conformism of the Leningrad picturesque 1960-1970s.
Production of the film: studio "FilmOKey" directors - Maya Danilevskaya, Andrey Tkachenko, script - Maxim Glikin. We invite all who are indifferent to the history of domestic underground and avant-garde. After viewing - discussion. Everyone involved. • Free the artists in an unfree country: the Soviet experience and current issues. Resistance and opposition to the dictates of ideology and the market? The thirst for self-assertion in the free (own) art space? Imitation of Western art and the art of the situation? • The Petersburg Underground: Moscow, or call a unique phenomenon? • Features of the St. Petersburg contemporary art. • Is there a second chance at the Russian underground, in the context of a consumer society? in the discussion of the film are planning to attend: Movie writer, journalist, writer Maxim Glikin collectors of contemporary art Mikhail Alshibaya, Alexander Mironov, Alexander Lipnitsky, Yuri Gurov, Lyusine Petrosyan Vitaly Patsukov art, Irina Alpatova Academician-cultural studies Glory Linen art critic Vadim Alexeev, Igor Dudinskiy artists Valery Mishin, Boris Orlov, Leonid Borisov, Valentin Samarin Poets Tamara Bukovsky, Vladimir Sergienko |
We will be glad if someone from the members of the forum wishes to take part in the discussion of the film.
The film "Top Blue Lagoon" - a documentary about the non-conformist artists in 1960-70s, an informal movement called samizdat in the 80s. his chronicler Constantine Kuzminski "Archipelago at the Blue Lagoon." The film is about the most important trends and schools of the time, the relationship with the new Leningrad avant-garde avant-garde 20's. - Filonov, Matiushin, Malevich, the teachers, the transmission of these traditions (Streligove and Akimov), the atmosphere of that time, the experience of survival free of the artist in an unfree society. It reproduces the chronology of the most important for this set of events - the unofficial exhibitions, followed by the first time in Leningrad there were two major exhibitions allowed - in the Palace of Culture. Strip and DC "Nevsky" in 1974-1975. At these exhibitions was announced a new direction in art: Leningrad nonconformity (also called "gazanevskoy culture"). The authors talk about the most famous schools and artists' gazanevschiny ": the terms of Aref'eva about Mikhnova-Voitenko, Rukhin. Most of the episodes filmed in St. Petersburg. In the woven fabric of the film numerous interviews of artists and poets - the eye-witnesses and active participants in those events: Ovchinnikov, Belkin, Vasilyeva, Vidermana, Mishina, Valran, Rybakov, Kowalski, Koshelohova, Petrochenkova, Dmitry Shagin. used a photo and video archive of exhibitions, as well as Art Center "Pushkin, 10. |
Lucy, would love to participate, as it is "my" theme.
But so far no plans to be in Moscow at this time. Is it possible to watch this movie somewhere in the internet? |
Fabosh, thank you to send ogromnoe.Ispravila.Ya night in a personal link to film.Zhal that you are Peter <! - ~ 2 ~ ->.
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Цитата:
While the authors were asked not to do so - before the official presentation. Thank you for your understanding! and all will be glad to see at the event and discuss! |
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