Russian avant - Форум по искусству и инвестициям в искусство

Маруся · 09.10.2009, 16:09

This is the answer to erased the question:

Because I have known collections of Russian avant-garde, comparable with the collection of George Kostaki - just a collection of Boris Gribanova. Unique people - an engineer submariner, participant BOB, which, in spite of everything in 1968 was sentenced to ten years of speculation pictures! He is better known as a collector of Russian and Russian marine painters of portraits. Many works are now in Feodosia Museum of Aivazovsky, he found in the literal sense of the St. Petersburg bins, restored, and attributed to the award - not a single mention of the former owner (as, indeed, and with a gift Kostaki TG).
So, in the 50 years he collected an excellent collection of avant-garde, through acquaintance with Nicholas Suyetin. And this collection of him at the same time allowed to take out to relatives (or relatives) abroad, since this art no one was interested. Such works are destroyed by acts of reputable museums, signed by "respected academics". When I read archival material - I want to cry ...

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09.10.2009, 16:09	Язык оригинала: Русский #11
Маруся Гуру Регистрация: 24.05.2009 Сообщений: 1,972 Спасибо: 4,937 Поблагодарили 4,308 раз(а) в 1,547 сообщениях Репутация: 8082	This is the answer to erased the question: Because I have known collections of Russian avant-garde, comparable with the collection of George Kostaki - just a collection of Boris Gribanova. Unique people - an engineer submariner, participant BOB, which, in spite of everything in 1968 was sentenced to ten years of speculation pictures! He is better known as a collector of Russian and Russian marine painters of portraits. Many works are now in Feodosia Museum of Aivazovsky, he found in the literal sense of the St. Petersburg bins, restored, and attributed to the award - not a single mention of the former owner (as, indeed, and with a gift Kostaki TG). So, in the 50 years he collected an excellent collection of avant-garde, through acquaintance with Nicholas Suyetin. And this collection of him at the same time allowed to take out to relatives (or relatives) abroad, since this art no one was interested. Such works are destroyed by acts of reputable museums, signed by "respected academics". When I read archival material - I want to cry ...