A few words about Pablo Almodovar

[Мунк]

Сообщение от fross

A possible issue is not quite on the topic? I wonder what role video-art? I sincerely do not understand why he needed and in what sense.

I will try to answer to the best of their abilities. I am not a guru in a video-arte, I can only share their raw opinions and lead interesting in my opinion examples. Video art has turned, when the TV tired of being just "Telecom producing shirpotrebnye commercials, and wanted to become an art, which is not a sin to show in museums. Then with the help of video technology artists were "painting pictures" through film. In the painting as it added time (motion), the real space and sound. I'll show the two artists - an Englishwoman Sam Taylor-Wood and astraliytsa Bill Viola. To begin with Wood, as it more "cinematic". She (Sam Taylor Wood) I like most about work:
"The Ascension» http://video.aol.com/video-detail/sa...ion/3858041151
Spot "Still Life" - just curious thing without any claims on the art of (frailty of life, illustrated through the classic still life, shows more clearly than (fruit turn a rotten lot in front of the audience)
"Pieta» - Viola filmed videos of the masters of Italian Renaissance paintings ( «The greetings» a painting Pantormo "Visitation"). http://www.sfmoma.org/media/features/viola/OS01.html
In this paper, "The passing" Bill Viola's philosophical theme of continuity of the life cycle, the unity of life and death is revealed on the basis of autobiographical material. He took off like a mother dies, a son is born and grows. The degree of impact on the senses are much stronger than that of painting. Spectator in kinoshnogo "involved" in the work of the artist. By-passing of this feature for video art has features not available fine arts, for example, show natural optical and visual phenomena. Video clip "Portrait of light and heat" Viola, it demonstrates
Today, many contemporary artists, having exhausted himself in a kind of genre, switched to video art. Oleg Kulik at zero shot the film on his journey to Tibet. The camera goes on the earth itself, and the viewer feels as if walking on the rocky surface of the mountain valley. It's so interactive, as if you had experienced this experience.
In theory can be read by Boris Groys, who is considered a theorist media art (the book "Under Suspicion", article "New media art at the Museum" and "Speed of Art"). Articles I send or attach ('ll show, but I have not mastered the possibility of the site), and the book is now sold.