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| Costs, valuation, attribution Discuss artworks’ prices and attribution. |
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Original language: Russian #11 | |
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Гуру
Join Date: Jul 2008
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How? The museum is not the owner of the works , it only stores the public property . I can not imagine even hypothetically similar situation. Well, if there really is some kind of pattern pupil IAH, which is awarded to archival documents a small gold medal , and then a gold medal , was promoted very best artist of the 1st degree and a pensioner's right to travel abroad for six years, and then also a professor at the picture was , let it be by two and a half meters on the large side - I think ... eeee ... multiply ... write two , seven went to mind ... get crazy money!
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| The Following User Says Thank You to Кирилл Сызранский For This Useful Post: | Elek (25-09-2012) |
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Original language: Russian #12 | |
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All right. Then go to the other end and count up the cost of silver royal time of Alexander II in the amount of 4300 rubles. According to rough estimates, this would amount to 20 million today - 130 million rubles, depending on the quality of the coins. Practical amount of 20 million, as not the fact that Tretyakov paid coins "fresh" coinage. ![]() Ie we are conditional, the amount of 640 000 Can we hypothetically say that the cost of such a picture "of the museum", put up for sale (in the appropriate place in the world at the moment), or being offered a collector, may, with great probability, to grow to 10 or 100 times ie be sold for $ 6.4, or, say $ 64 million? Last edited by Elek; 25-09-2012 at 21:55. |
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Original language: Russian #13 | |
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Гуру
Join Date: Jul 2008
Location: РФ, Самара
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For comparison, in the year of Repin's " Parisian cafe "- thing is just a museum , in my opinion - at Christie's was sold for 4.52 million British pounds. |
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| The Following User Says Thank You to Кирилл Сызранский For This Useful Post: | Elek (25-09-2012) |
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Original language: Russian #14 | |
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Бывалый
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Ie we come to the " cultureless " concluded that in this case, investment component purchases Tretyakov was essentially zero. You'll have to forgive me for such cynical calculations ... < - ~ 12 ~ -> |
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Original language: Russian #15 | |
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Гуру
Join Date: Jul 2008
Location: РФ, Самара
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Thanks: 27,871
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He " Princess Tarakanov " bought in 1887, after the Paris World's Fair , and at the same time in the Paris Salon rejected of Pissarro , Cezanne , Monet , Renoir, Sisley, Bazille ... Yes it to these 4300 silver rubles paid to the deceased 's brother , KD Flavitsky for "Princess ", and it is somewhere just over 14 tons francs Impressionists landscape but still lifes have bought and now it would be an investment. A?
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Original language: Russian #16 | |
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Бывалый
Join Date: Sep 2011
Posts: 269
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(Russian classicism - French Impressionism : 0-1) Clear and understandable that venture capital returns were not ( important) , the driving force for the Tretyakov when creating his collection. The question was more about the result of this action (not the good intentions of the great man ) in such a simple and ordinary financial terms. And if not for the greed of brothers , the picture could well hang somewhere now in the Louvre. |
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Original language: Russian #17 | |
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Гуру
Join Date: Jul 2008
Location: РФ, Самара
Posts: 75,439
Thanks: 27,871
Thanked 55,339 Times in 24,289 Posts
Blog Entries: 126
Reputation: 102399
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Of Russian art that hangs in the Louvre? No, do not think there would be hung. |
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| The Following User Says Thank You to Кирилл Сызранский For This Useful Post: | Elek (26-09-2012) |
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