Wall, a nail and hammer, as an instrument togovli on regional markets

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I do not believe in a full-fledged entry of Russia into the global art market in the next hundred years. Or two hundred. Or never ...

We are just as great as the United States are as varied his art, as Europe and completely decentralized, now 25 years and with no end in sight ...

Our time-space - path /life /, and not road, painfully bad our roads, and sweet and loved by idiots ...

Our press releases start with "born-studied" and "exhibited" only come to an end.

So - what we need these Drouot - they are for other, smaller countries, where the auction can make a Sunday stroll with the whole family and spend it on a couple of glasses of gasoline.
They are too rapid and aggressive in our "travel" mentality.
Therefore, "Hammers", as the main tool of trade, I would have brushed off immediately.

Another thing "Wall". Museums, these small, not particularly changed since our first tour there in the third grade, oases of stability on a long journey. Galleries - where you can come several times to visit "his" picture before decide to carry it with you. There you can compare it with other pictures. Talk about his affection for her from the gallery owners and bring the whole family on her bride.

And then, between business and fishing, the charter of the reminders of his wife, long hiccup it suitable for ages a place to drive a reliable nail, so that will never not take it from there.
I tell children all the words and bring up children so that they never have not removed it from there in order to return back to a wall or take on a distant Christie. But if you are very lucky. As my mother said my friend, quite famous in Yekaterinburg, the artist, seeing eye depart for another life piano: "The first generation dreamed of a piano, the second - he bought, and a third showed him the door."
Well, Well - let our picture lucky and it will regain a new loving home ....

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chchert, I know how to write and syrupy



And you how to spread to the importance of institutions for the treatment of art objects in the regions?
And why?