Продам: Selling now Oleg Tselkov

[Iren1974]

Сообщение от Sergey

ranzher, Dear RANZHER, recall a similar situation ...

... ARTinvestment.RU /Investing in Art /Art Market: analyst forecasts and
Season Autumn - Winter 2008 ". Summary price forecast Russian Trade
ARTinvestment.RU - 21.11.2008,

Hereinafter:

Oleg Tselkov. "A man with a lemon. "1962.

 Estimate: 50-70 thousand pounds
Forecast AI: below the estimate, rather, "not sold"
Result: 109.250 thousand pounds
Comment: A very strange Tselkov. On the one hand, recognizable and comfortable size. On the other - very unusual for the plot (that for a man with a lemon?) And the country's palette. Perhaps an explanation of - the year of establishment, 1962 first. Early Tselkov, very rare. This is interesting, and in this lies the problem: he has not yet become "so rubles, it is felt. Therefore, the prospects of this item AI looks with moderate pessimism. Perhaps the price will not reach the lower estimate (70 thousand pounds) or the thing will remain unsold. Fight for it is unlikely to be: good work Tsalkova on Russian bid will exhibit plenty of ...


Information and the official word on a possible forgery.

Dissection of the formal features have not convinced me.
In "Men with lemon" is also uneven color banner,
cheerless palette, different anatomy ...
Unusually for Tsalkova and writing, the creation of work on the front side (in the lower left corner - 62) ...

The presence of the canvas and held in very great demand (even then), an artist, I think, should not be cause for concern. Things could be situational, as in not less underground Anatoly Zverev (with which God has granted me a drink of creative anguish and port).

 Formally folding carpenter meter difficult to measure even the "Red Square" by Malevich - in contrast to the black he scalene.

But this argument idle.

My argument remains the same - could not the president of International Federation of Artists - Edward Drobitsky provide for the display of original Belenko, Nemukhin etc. and counterfeiting rubles. Shortage in the author's work was not.
Then, why? Why was it necessary to drag her out of Moscow in the Chernobyl zone in the exhibition "The Age of the gene. In transit through Kiev and Chernobyl, on the territory of which I wore it on hand, as an icon with the face of a clown king of heaven?
(The rest of the left from the station in a container, and this low-dimensional stayed with the group was met and a helicopter - Kiev Chernobyl - Korosten - got to the exhibition). Participants of the festival "Chernobyl Russ, 96." and international creative action "atomic world. 10 years of radioactive flood" did not doubt the authenticity of the "Portraits of a flower."
It was all true except for a nuclear explosion.
(In my performance "The tree of death" - was activated by a TNT staff army simulator atomic bomb.)

There are informal indications. Admit that I was able to persuade only further Oleg. But why?
Who believes that the proposal has a chance to write.

Sergius.

This work was presented to you personally or that the Chernobyl oranizatsii?