A good artist - a successful artist?

[DSF]

Dear AlexanderG, thank you for your reply and clarification.

«kogda vy krasite - vy hudoznik, kogda prodaiote - vy diler ili prodavets. Vy ispolniaete obe funktsii i prizrak AlexanderG prisutstvuet. »

This, of course, an interesting conclusion, but I think it's all the same, just a tricky wordplay. Yes, and the seller out of me, quite frankly, horse radish, because I just stupidly sit and wait, when the buyer comes to me. While still coming and it makes me happy. Regards the problem of «razdelit 'esteticheskie i material'nye tsennosti» - surely this is a problem, but I would not say that »dlia vseh hudoznikov mira».

Chto takoe normal'nyi hudoznik?

Normal artist for me, is an artist who thinks first of what his success in painting.

Originally Posted by Semen Semenovich
You, probably, with the artists do not share facets of his work, and the exhibition altogether. Today you do not need. And tomorrow?

Let me quote Renoir: "I'm not going to succumb maniacal conviction, if the picture is better or worse depending on where its put."

Everyone wants to get to the gallery - and the higher the level of the gallery, the more popular artist.

  "Everything was fine with us until the end of the XVIII century, beginning with the lords of the castle until his humble hut. We must see the albums the Trocadero Museum, to get an idea of the strength of these artists, on the strength of their design, which manifests itself in minute detail, down to bolts, to door handles! Oh, they do not work to exhibit in the Salon! »
Just at the moment my biography exhibition activity does not interest me, though as popularity.
While it is possible, if I made a proposal, I will not deny it.

Originally Posted by Cyril Syzransky
I think the most important exhibition for the artist's successful sales.

Dear Cyril Syzransky. I think that is some sort of relic of the Soviet system, when the condition of promotion of administrative and artistic ladder and access to the feeder, it was necessary to participate in the exhibitions. You could be a ragamuffin and eat beer and cigarette butts, but if you have a folder under his arm was all-Union exhibitions, and with reproductions of your work, it sharply raised your status, and young colleagues began to bow to you for half a mile. Besides, you probably would have been provided with a good order or purchase. This kind of arrows in the quiver Bushman. The more frequently and are more diverse, the steeper the Bushman. Personally, I for "exhibition workday" work is not interesting.