Продам: Mikhail Vrubel

[яков]

Сообщение от Tjutchev

yak, looked once more work Vrubel (I have a 4-D different editions) and not yet found anything like, unfortunately. You are someone of the experts testified this work?

Signed by the way, is also not very much and looks like a reference signature Vrubel.

In 2000, work was on one of the exhibitions in Ukraine, the exhibition catalog is, it showed on the central television explaining the unconditional opening of the unknown works of the master, Ukrainian perioda.Navernyaka it sounded from the lips of experts or museum rabotnikov.V any case, thank you for your participation.

[Pecheneg]

I do not like this work ... I doubt that Vrubel in all its conceptual outline to sign ... One clearly does not fit ... And the very signature of a suspicious ...

[U_Z]

Сообщение от yaks

I did not mean eto.Dumayu that during his lifetime, this figure was leaf in any part of the album artist, and only then was priklein on this board and inserted into the frame of a man is not known how to relate to the artist

Creativity Vrubel not generally poorly understood. Do you have lists in Kiev, at least, from 2 albums. You better go for the examination, the more work must be somehow described for the exhibition catalog? In any case, water color is good. Good luck!

PS: About the frame. In old-Moscow families masterpieces in the m-and-a-and-bound framework . You should have seen

[Сергей Кит]

Signed by the way, Vrubel set very often, here's an example of different signatures, the bottom is very similar.

[U_Z]

Сообщение от Pecheneg

I doubt that Vrubel in all its conceptual outline to sign ...

What is so staged. Well, I agree

[яков]

Сообщение от Pecheneg

I do not like this work ... I doubt that Vrubel in all its conceptual outline to sign ... One clearly does not fit ... And the very suspicious signature ...

Almost all of the museum and sketches the outline of the signature still standing, but on some sheets and two at once.

[U_Z]

Сообщение от yaks

For sure the frame is an old baguette that cut, as now collected in a frame

I think the original native frame size (such joints - a frequent phenomenon in normal shops), but confusing, as the work was glued from the perimeter, then opened, ... seems to have nestykovochki, look closely at the photo number 4, or am I mistaken?

[Aleks-art]

Сообщение от Pecheneg

I do not like this work ... I doubt that Vrubel in all its conceptual outline to sign ... One clearly does not fit ... And the very suspicious signature ...

At least one man told the truth in the eye.

[яков]

Сообщение от U_Z

I think the original native frame size (such joints - a frequent phenomenon in normal shops), but confusing, as the work was glued from the perimeter, then opened, ... seems to have nestykovochki, look closely at the photo number 4, or am I mistaken?

The edge of the seams I personally was not so long ago and before the show had to open, looked in the microscope and it is under glass of course.

[Сергей Кит]

Scenes alleged murals Vrubel developed in several different ways. «Tombstone crying» (Our Lady of the body of Christ) has four options, different in composition . The first - against the backdrop of the distant landscape: the sky with floating clouds, the disk of the setting sun, silhouettes of poplars. Perhaps the landscape is suggested overlooking the Dnieper, the opening up of Andrew's Cathedral, where the artist lived. The latter landscape background corrected, two figures inscribed in a semicircle, as if in a secluded niche. The third option they have on the background of a large cross. The artist intended to write this composition between the two windows, and the silhouette of the cross at the same time naturally arise. In the fourth, the most complete sketch put more figures of the Apostles on the sides. All four executed watercolor sketch.
Gravestone lament - a frequent subject of paintings in the church since the Middle Ages. It was interpreted in different ways, but primarily as multifigured group (The Virgin and the disciples), with a rough display of grief, weeping, wringing of hands, with gestures of despair. Vrubel prefer them to silence. In all the sketches "Western" than the fourth, has two figures - Mother and son dead. All the pain was concentrated in the mother's eyes full of unshed tears.The mother stared at her son looks like and gives him a dumb question about the mystery of death. Not a word or gesture - nothing, only indistinguishable in Proshan gaze. Seems this is expressed most strongly in the second sketch, where the drama corner lublyaetsya due to the absence of any ACCESS Suar, and both faces are in profile. Beautiful and the third sketch, but it is monochrome, the second is for the vertices in color. Blue gamut - from black-blue, like a thundercloud, a greenish-blue, greenish-blue, are resolved in a white, crossed by transparent blue shadows. Example but the same color scheme in the figure of an angel with a candle and censer. Probably Vrubel conceive the whole painting the church in this vein, color - deep blue to black, turquoise flash and white with shades of air and glazes.