Artist Georgy Shishkin - Page 2 - Форум по искусству и инвестициям в искусство

Кирилл Сызранский · 06-01-2009, 23:42

Quote:

Originally Posted by fborth

In 1983, he invented an original method of preparing the ground under the bed, guaranteeing them a strong grip.

Can briefly about it.
He was primed as a basis for his own? The recipe I do not need a ground-important principle of the invention. And what he takes to the foundation?

fborth · 07-01-2009, 13:06

At first, I too could not understand how and on what the picture painted George Shishkin. Yes, and around, no one could say that. I've seen on the big show, as artists have gathered in front of his picture: look closely, surprised, feeling the rear side, trying to understand. But I was only impressed by the very painting. The album Georgy Shishkin, published in Paris in 1995, where there are also reproductions of his works in oils and watercolors, as well as several drawings for reproductions of pastels napisno that basis - the canvas, from about 1983. The recipe and process of preparing the soil under the bed, apparently, still a secret master.

Кирилл Сызранский · 07-01-2009, 13:08

Quote:

Originally Posted by fborth

basis - hardboard,

Very interesting. Masonite under the bed? Yes, there should be a special primer.

fborth · 08-01-2009, 15:54

I was told of a case. One picture of George Shishkin (pastel) transport (closed only a thin tracing paper), torn from the trunk, fell on the roadway face on the asphalt - which acquired it in Moscow was taking her to Paris. It happened on the highway leading from the airport. He stopped the car on the roadside, but the movement was so intense that he could not immediately take her. And this was even a little rain. Imagine the situation? In the picture flux drove the wheels of cars (about one hundred). When the owner of the picture, which came in the horror of what he saw, finally managed to pull out now, he saw that ... Pastel painting survived.
He called the artist in Moscow to tell about the incident: "Such a nightmare! .." The artist, still not knowing what was over history, tried to calm him down, they say, do not worry, I'll come to Paris now correcting, or (if possible) a new write. And his answer - do not worry, the picture is already on the wall hangs a framed, come - you will see.

Here is a test of the strength of painting.

Кирилл Сызранский · 08-01-2009, 16:15

Quote:

Originally Posted by fborth

Here is a test of the strength of painting.

... and the fire is not lit, and the water does not sink! Ok.

fborth · 08-01-2009, 20:56

Bed does not get dark in contrast to oil painting, which continues to chemical reaction.

Кирилл Сызранский · 08-01-2009, 21:13

fborth, but crumbling, the main problem. Therefore, with the ground, all wise, and the basis for everything they want or on a frame to pull, or just a passport, a frame and under glass, to carry less flexible basis.

IrinaC · 08-01-2009, 21:19

Quote:

Originally Posted by Cyril Syzransky

fborth, but crumbling, the main problem. Therefore, with the ground, all wise, and the basis for everything they want or on a frame to pull, or just a passport, a frame and under glass, to carry less flexible basis.

Kirill, could you know that in the paper under the bed tonyusenkaya such as cigarette
I bought here a few works by this artist. On close examination it is thought that the print, so delicately done
http://www.festomuvesz.hu/reisztamas/index.htm

nedologovechno?

Кирилл Сызранский · 08-01-2009, 21:25

IrinaC, if you have already converted these pastels and they are under glass, nothing they will not. The main thing is that the board on the passport was thicker to himself drawing (picture) glass is not touched. And how much paper there is a basis for using artist ... What is it convenient for work, probably.

fborth · 09-01-2009, 00:58

Pastels George Shishkina not crumble.

[color="# 666686"]Added after 59 minutes[/color]
The Museum d'Orsay in Paris held exhibition "The mystery and magnificence of pastels" ( "Le mystere et l'éclat du pastel"), which became an event. It will last until February 1, 2009. I visited this exhibition, having stood a great place. Maurice Quentin de La Tour, Peron, Francois Millet, Edouard Manet, Degas, Odilon Redon ... Impressive. Acquired by catalog (sorry, that reproductions have lost some characteristic luminous pastels). It should be noted that the French word éclat has another meaning: Lights. But really, the impression that the pastel shine in comparison with oil paintings, which, unfortunately, become darker over time. (Basis pastels - these are the same pigments that form the basis of oil painting, not only pigments mixed with oil, but with special glue.)

Artist Georgy Shishkin works in pastels for over thirty years. His commitment to this material, he explains this (interview): "I've been experimenting, searching for material that would be better answered by my internal movements. It gave me a bed greater freedom."

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07-01-2009, 13:06	Original language: Russian #12
fborth Пользователь Join Date: Jan 2009 Posts: 48 Thanks: 2 Thanked 47 Times in 15 Posts Reputation: 76	At first, I too could not understand how and on what the picture painted George Shishkin. Yes, and around, no one could say that. I've seen on the big show, as artists have gathered in front of his picture: look closely, surprised, feeling the rear side, trying to understand. But I was only impressed by the very painting. The album Georgy Shishkin, published in Paris in 1995, where there are also reproductions of his works in oils and watercolors, as well as several drawings for reproductions of pastels napisno that basis - the canvas, from about 1983. The recipe and process of preparing the soil under the bed, apparently, still a secret master.

08-01-2009, 15:54	Original language: Russian #14
fborth Пользователь Join Date: Jan 2009 Posts: 48 Thanks: 2 Thanked 47 Times in 15 Posts Reputation: 76	I was told of a case. One picture of George Shishkin (pastel) transport (closed only a thin tracing paper), torn from the trunk, fell on the roadway face on the asphalt - which acquired it in Moscow was taking her to Paris. It happened on the highway leading from the airport. He stopped the car on the roadside, but the movement was so intense that he could not immediately take her. And this was even a little rain. Imagine the situation? In the picture flux drove the wheels of cars (about one hundred). When the owner of the picture, which came in the horror of what he saw, finally managed to pull out now, he saw that ... Pastel painting survived. He called the artist in Moscow to tell about the incident: "Such a nightmare! .." The artist, still not knowing what was over history, tried to calm him down, they say, do not worry, I'll come to Paris now correcting, or (if possible) a new write. And his answer - do not worry, the picture is already on the wall hangs a framed, come - you will see. Here is a test of the strength of painting.

08-01-2009, 20:56	Original language: Russian #16
fborth Пользователь Join Date: Jan 2009 Posts: 48 Thanks: 2 Thanked 47 Times in 15 Posts Reputation: 76	Bed does not get dark in contrast to oil painting, which continues to chemical reaction.

08-01-2009, 21:13	Original language: Russian #17
Кирилл Сызранский Гуру Join Date: Jul 2008 Location: РФ, Самара Posts: 75,439 Thanks: 27,871 Thanked 55,339 Times in 24,289 Posts Blog Entries: 126 Reputation: 102399	fborth, but crumbling, the main problem. Therefore, with the ground, all wise, and the basis for everything they want or on a frame to pull, or just a passport, a frame and under glass, to carry less flexible basis.

08-01-2009, 21:25	Original language: Russian #19
Кирилл Сызранский Гуру Join Date: Jul 2008 Location: РФ, Самара Posts: 75,439 Thanks: 27,871 Thanked 55,339 Times in 24,289 Posts Blog Entries: 126 Reputation: 102399	IrinaC, if you have already converted these pastels and they are under glass, nothing they will not. The main thing is that the board on the passport was thicker to himself drawing (picture) glass is not touched. And how much paper there is a basis for using artist ... What is it convenient for work, probably.

09-01-2009, 00:58	Original language: Russian #20
fborth Пользователь Join Date: Jan 2009 Posts: 48 Thanks: 2 Thanked 47 Times in 15 Posts Reputation: 76	Pastels George Shishkina not crumble. [color="# 666686"]Added after 59 minutes[/color] The Museum d'Orsay in Paris held exhibition "The mystery and magnificence of pastels" ( "Le mystere et l'éclat du pastel"), which became an event. It will last until February 1, 2009. I visited this exhibition, having stood a great place. Maurice Quentin de La Tour, Peron, Francois Millet, Edouard Manet, Degas, Odilon Redon ... Impressive. Acquired by catalog (sorry, that reproductions have lost some characteristic luminous pastels). It should be noted that the French word éclat has another meaning: Lights. But really, the impression that the pastel shine in comparison with oil paintings, which, unfortunately, become darker over time. (Basis pastels - these are the same pigments that form the basis of oil painting, not only pigments mixed with oil, but with special glue.) Artist Georgy Shishkin works in pastels for over thirty years. His commitment to this material, he explains this (interview): "I've been experimenting, searching for material that would be better answered by my internal movements. It gave me a bed greater freedom."