Karl Schmidt-Rottluff (1884-1976)

[LCR]

Karl Schmidt was born in a suburb Schemnitz, called Rottluff. Since 1905, he added the title of the suburbs to his name.
In 1905, deciding to study architecture, he moved to Dresden and went to the Technical Academy at the department of architecture. In the same year, he and his fellow students Kirchner Hekel (with whom he had been friends ever since elementary school) and Blyayl founded the artistic group "Most" (see story on Kirchner). That he found the band's name (a quote from "Thus Spake Zarathustra, Nietzsche:" The greatness of man lies in the fact that he is a bridge, not an end ").

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In 1906 he abandoned his studies to fully posvtit himself to painting. He has appeared metsen - Hamburg lawyer Gustav Shifler began to collect his schedule.

Like other members of the group, Schmidt-Rottluff was busy printing graphics, in particular, wood engraving - it is by 400 woodcuts, 121 lithographs and 96 etchings on metal, he created in the period between 1905 and 1927.

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From 1905 to 1912 he published his engravings, he later began to turn to professionals who have done it for short runs of 25 or 30 zhekzemplyarov. In his printed graphics is often a religious theme - this differs from other members of the group "Most".

In 1911 he moved to Berlin and did not leave it until the end of life, except during mobilization (1915-1919) and several trips in the early 1930's.
In 1912, in Hamburg, he had his first solo exhibition.

[LCR]

In 1906 he abandoned his studies to fully posvtit himself to painting. He has appeared metsen - Hamburg lawyer Gustav Shifler began to collect his schedule.

Like other members of the group, Schmidt-Rottluff was busy printing graphics, in particular, wood engraving - it is by 400 woodcuts, 121 lithographs and 96 etchings on metal, he created in the period between 1905 and 1927.

[LCR]

From 1905 to 1912 he published his engravings, he later began to turn to professionals who have done it for short runs of 25 or 30 zhekzemplyarov. In his printed graphics is often a religious theme - this differs from other members of the group "Most".

In 1911 he moved to Berlin and did not leave it until the end of life, except during mobilization (1915-1919) and several trips in the early 1930's.
In 1912, in Hamburg, he had his first solo exhibition.

[LCR]

Like other artists belonging to the direction of expressionism, he podvergalsyaya persecuted by the Nazis: more than 800 of his works were removed from museum collections. Some of them exhibited at the exhibitions organized by the Nazis degenerative art, the other part has been destroyed. In 1941, he was forbidden to paint.
During the Allied bombing of Berlin in 1943 in his Kvartin was a fire, which burned his other work.

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After the war, in 1947, Schmidt-Rottluff taught at the Academy of Fine Arts in Berlin.
In 1967 he founded the Berlin museum "Bridge".

When in 1953 did not find any work - which he did in the past 20 years of life, you will learn not from me.

[LCR]

After the war, in 1947, Schmidt-Rottluff taught at the Academy of Fine Arts in Berlin.
In 1967 he founded the Berlin museum "Bridge".

When in 1953 did not find any work - which he did in the past 20 years of life, you will learn not from me.

[K-Maler]

Сообщение от LCR

After the war, in 1947, Schmidt-Rottluff taught at the Academy of Fine Arts in Berlin.
In 1967 he founded the Berlin museum "Bridge".

Recently, in Berlin. Visited Villa Grisebach, there was a small "team" exhibition including prints and watercolors were Rotluffa. Etchings were very recognizable. But watercolors "Flowers" surprised: not only recognizable manner. The same observation applied to both "colors" Oskar Kokoschka, just baby talk. I thought that it was either fake, or these artists were also sometimes forced to do something for quick money ... Unfortunately, I have not pictures. Maybe someone here is, who is in Berlin? And I do not remember the date ...

[fross]

It is no accident The Draw graphics and Schmidt-Rotluffa Pechstein and sold more and more expensive than watercolors. Perhaps more influence compared with Nolde, its absolutely brilliant watercolors sold ten times more expensive.
Later works by German Expressionists very redeko appear at auctions, and usually do not cause interest. Maybe just until the circulation has a sufficient number of works of the early period and they eventually begin to appear.
Looked the results of trades over the past three years, a lot of work is sold on the domestic market and the German auctions at prices lower than at Sotheby's or Christie's.
It would be someone who knows the German market, gave his assessment of what is happening and recommendations on the auction houses specializing in German expressionism.