"The future depends on you. The new rules ". Photo. Contemporary Art

[Vladimir]

History traveling exhibition "The future depends on you. The new rules "is given here: http://artinvestment.ru/news/exhibit..._ot_tebya.html In short: the imported work owned by New Rules, whose director is a well-known collector of Russian modern art, Pierre-Christian Brochet. That is, most likely, Brochet and belong. By the concept of the exhibition - the critic Valentin Dyakonov.
Selection of works for a very few exceptions, very high quality, does not cause problems. Presents the first names of Russian contemporary art, is securely fixed in the history of the mass of publications (books, newspapers, glossy), and exhibition projects. It will be interesting to all: as a man "in the subject, as well as a beginning collector. For the latter show the essence of a rapid response to the question what is "cool" in contemporary national art. The biggest impression - Koshlyakov, Gutov, unusual puzzle Africa.
Recommendation - go to all who care about contemporary art (with the signs "plus" or "minus"). Photo worse by the fact that not give the size of work, without which lost for much of that experience.
Council - once to buy an additional ticket, giving the right to take photographs and keep it handy, because smotritelnitsy will ask him in every room. The exhibition is at Petrovka 25. Late noticed that the ticket entitles you to visit all four sites of the Moscow museum of modern art - so that the "ventilate" the issue.

DSC_1594.JPG Vladimir Dubossarskii, Alexander Vinogradov. Bears. 150 x 200. Oil on canvas. 2008. The phenomenon of the success of this duo is still incomprehensible. However, the fact he was a phenomenon.

DSC_1596.JPG Vladimir Dubossarskii, Alexander Vinogradov. Portrait of a reservoir. 150 x 200. Oil on canvas. 2007.

DSC_1598.JPG and Sergey DSC_1600.JPG Shekhovtsov (foam). Dog City N. 120 x 70 x 35. Foam rubber, etc., see 2007

[Vladimir]

The main impression of the exhibition - works by Valery Koshlyakov. Home of whom, perhaps, his conceptual "Schedule" - a giant plate with the schedule of trains, read out to the hole core media resources of the Soviet railway stations. Familiar range Koshlyakov strikingly organically conveys a shabby kind of rusty board. General, all three of the exposition of the Koshlyakov IMHO - masterpieces. Some fluctuation is really that "View of the Kremlin", but is it that because pop the topic itself.

DSC_1635.JPG Valery Koshlyakov. Moscow. Kremlin. Acrylic on canvas. 200 x 300. 2008
DSC_1637.JPG Valery Koshlyakov. Landscape with a river. Canvas, bitumen, foil, acrylic. 300 x 360. 2006
DSC_1640.JPG Valery Koshlyakov. Schedule. Canvas, bitumen, acrylic. 340 x 220,5. 2006.
DSC_1639.JPG Valery Koshlyakov. Cafe Kosmos. Object 153 x 130. Metal.

[Vladimir]

DSC_1601.JPG and DSC_1602.JPGSinie noses. Kitchen Suprematism. 86 x 91. Photography. 2005-2008.
DSC_1604.JPG Oleg Kulik. I bite America. Photography, video. 164,5 x 131,5. 1997
DSC_1606.JPG Oleg Kulik. I can not longer be silent! Strasbourg, European Parliament. Print on the film. 132 x 90. 1996

[Vladimir]

DSC_1608.JPG and DSC_1610.JPG and Vladislav DSC_1611.JPG Mamyshev (Monroe). Lots of great Monroe. Photography. 75 x 60. 1995
DSC_1613.JPG Andrew monastery. From the series "Golden Line. Photo, see v. 21 x 29. 2006
DSC_1615.JPG Yuri Albert. Works with old texts 1981 - 1982. Canvas, stencil, acrylic. 60 x 50. 2007

[Vladimir]

DSC_1618.JPG Anatoly Osmolovsky. Bread. Tree. 50 x 40. 2007
DSC_1619.JPG Anatoly Osmolovsky. Travel netseziuka the country brobdignegov (Mayakovsky Osmolovskii). Photography. 131 x 91. 1993
DSC_1625.JPG Anatoly Osmolovsky. From the series "Beetles". Wood, plastic. 16 x 35 x 30. 2004
DSC_1621.JPG Dmitry Gutov. Marx. The manuscript of The German Ideology. 73 x 90. Iron, welding. 2007
DSC_1623.JPG Dmitry Gutov. Hegel. Subject and retroactivity. Option 2. Oil on canvas. 100 x 70. 2007
  Alex DSC_1627.JPG Kalimma. Unstable structures. Acrylic on canvas. 160 x 160. 2004 - 2008

[Vladimir]

DSC_1629.JPG Paul Pepperstein. Socialism is back! Acrylic on canvas. 141 x 423. 2006
DSC_1631.JPG Sergei Bugaev (Africa). Ostensibly a dream. Flag, fabric, embroidery. 115 x 150. 1995
DSC_1633.JPG Sergei Bugaev (Africa). Rebus. Metal, etching. 200 x 200. 1994
DSC_1642.JPG AES. New freedom. From the series "Islamic Project". Photography. 135,5 x 95,5. 1996

[Vladimir]

DSC_1644.JPG Aidan Salakhova. I love myself. Oil on canvas. 201 x 150. 2005
DSC_1646.JPG Timur Novikov. Penguins. Cloth, canvas. 186 x 236. 1989.
DSC_1651.JPG Konstantin Zvezdochetov. Underwater. Acrylic on canvas. 200 x 200. 2005

[Vladimir]

Bonus Some interesting works with other floors of the museum at Petrovka 25.

DSC_1654.JPG Oleg Tselkov. Family. Oil on canvas. 1985 (?)
DSC_1656.JPG Francisco Infante-Arana. From the series "Suprematism game." Photography. 1968.
DSC_1658.JPG Pavel Mansurov. Artistic formula. Oil on wood.
DSC_1660.JPG Mikhail Shvartsman. Tokko. 1966. Oil on masonite.
DSC_1662.JPG Inspiration - for amateurs. All the rest just works. Chuck Close.
DSC_1663.JPG Vladimir Anselm. Shoes. Coal, bonding. 2008.
DSC_1665.JPG Boris Messerer. Requiem for a broom Erofeev. Installation. 2000.
DSC_1667.JPG Konstantin Zvezdochetov. Untitled. From the series "Amanita". Oil on canvas, digital printing. 2005. Caption silver bullet: When the Jews went to Mecca, "Amanita" from there back.

[Евгений]

Vladimir, Vladimir, many thanks for the interesting photos, a collection of Pierre-Christian Brochet at a very high level.
Liked works of Vladimir Dubossarsky, Alexander Vinogradov ..

[Кирилл Сызранский]

Сообщение от Vladimir

Pavel Mansurov.

How interesting it will be the 10 th at Sotheby's, e?

Сообщение от Vladimir

Anatoly Osmolovsky.

And he was 9 th will be there.